Art in theory 1900-2000 : an anthology of changing ideas. / edited by Charles Harrison and Paul Wood. txt

Idioma: Español United States : Blackwell Publishing, 2002Edición: First pusblishedDescripción: xxvii, 1258 p. 26 cmTipo de contenido:

text

Tipo de medio:

unmediaded

Tipo de soporte:

volume

ISBN:

9780631227083

Tema(s):

Art, Modern -- 20th century -- Philosophy

Clasificación CDD:

709/.04 21

Clasificación LoC:

N6490 A7167 2002

Contenidos:

Summary of Contents: I The Legacy of Symbolism -- A Classicism and Originality 15 -- B Expression and the Primitive 59 -- II The Idea of the Modern World -- A Modernity 132 -- B Cubism 184 -- III Rationalization and Transformation -- A Neo Classicism and the Call to Order 226 -- B Dissent and Disorder 250 -- C Abstraction and Form 276 -- D Utility and Construction 333 -- IV Freedom, Responsibility and Power -- A The Modern as Ideal 362 -- B Realism as Figuration 402 -- C Realism as Critique 442 -- D Modernism as Critique 506 -- V The Individual and the Social -- A The American Avant Garde 562 -- B Individualism in Europe 595 -- C Art and Society 640 -- VI The Moment of Modernism -- A Art and Modern Life 693 -- B Modernist Art 762 -- VII Institutions and Objections -- A Objecthood and Reductivism 818 -- B Attitudes to Form 868 -- C Political Aspects 913 -- D Critical Revisions 944 -- VIII Ideas of the Postmodern -- A The Critique of Originality 1018 -- B Figures of Difference 1057 -- C The Condition of History 1117 -- Contents : Preface and Acknowledgements xxv -- A note on the Presentation and Editing of Texts xxvi -- General Introduction 1 -- Introduction 11 -- IA Classicism and Originality 15 -- 1 Paul Signac from Eugene Delacroix to Neo Impressionism 1899 15 -- 2 Paul Gauguin Letter to Fontainas 1899 18 -- 3 Sigmund Freud from ‘On Dreams’ 1901 21 -- 4 Otto Weininger from Sex and Character 1903 28 -- 5 Max Liebermann Imagination in Painting 1904 30 -- 6 Paul Cézanne Letters to Emile Bernard 1904 – 1906 33 -- 7 Rainer Maria Rilke From Letters on Cézanne 1907 36 -- 8 Maurice Denis (intro. Roger Fry) Cézanne 1907 39 -- 9 Maurice Denis From Gaugin and Van Gogh to Neo Classicism 1909 46 -- 10 Julius Meier Graefe The Mediums of Art, Past and Present 1904 51 -- 11 Giorgio de Chirico Mystery and Creation 1913 58 -- IB Expression and the Primitive 59 -- 1 August Endell The Beauty of Form and Decorative Art 1897-8 59 -- 2 Albert Pinkham Ryder Paragraphs from the Studio of a Recluse 1905 62 -- 3 André Derain Letters to Vlaminck c. 1905 – 1909 63 -- 4 Ernst Ludwig Kirchner Programme of the Brucke 1906 65 -- 5 Wilhelm Worringer from Abstraction and Empathy 1908 66 -- 6 Henri Matisse Notes of a Painter 1908 69 -- 7 Roger Fry An Essay in Aesthetics 1909 75 -- 8 Wassily Kandinsky from Concerning the Spiritual in Art 1911 82 -- 9 Wassily Kandinsky The Cologne Lecture 1914 89 -- 10 Franz Marc The Savages of Germany and Two Pictures 1912 93 -- 11 August Macke Masks 1912 95 -- 12 Emil Nolde On Primitive Art 1912 96 -- 13 Oscar Kokoschka On the Nature of Visions 1912 97 -- 14 Alexander Shevchenko Neo – Primitivism 1913 99 -- 15 Benedetto Croce What is Art? 1913 102 -- 16 Clive Bell The Aesthetic Hypothesis 1914 107 -- 17 Carl Einstein Negro Sculpture 1915 110 -- 18 Hermann Bahr from Expressionism 1916 116 -- 19 Hans Prinzhorn from Artistry of the Mentally III 1922 121 -- II The Idea of the Modern World -- Introduction 127 -- IIA Modernity 132 -- 1 Georg Simmel The Metropolis and Mental Life 1902-3 132 -- 2 Max Weber Asceticism and the Spirit of Capitalism’ 1904-5 136 -- 3 Vladimir Ilyich Lenin Party Organization and Party Literature 1905 138 -- 4 Henri Bergson from Creative Evolution 1907 141 -- 5 Alexander Block Nature and Culture 1908 144 -- 6 Filippo Tommaso Marinetti The Foundation and Manifesto of Futurism 1909 146 -- 7 Umberto Boccioni et al. Futurist Painting : Technical Manifesto 1910 150 -- 8 Robert Delaunay On the Construction of Reality in Pure Painting 1914 152 -- 9 Georgy Valentinovich Plekhanov from Art and Social Life 1912 154 -- 10 Franz Marc Foreword 1914 158 -- 11 Fernand Léger Contemporary Achievements in Painting 1914 159 -- 12 Percy Wyndham Lewis Our Vortex 1914 162 -- 13 Henri Gaudier Brzeska Gaudier Brzeska Vortex 1914, and Vortex Gaudier Brzeska 1915 163 -- 14 Ludwig Meidner Instructions for Painting Pictures of the Metropolis 1914 167 -- 15 Karl Kraus from In These Great Times 1914 171 -- 16 Kasimir Malevich From Cubism and Futurism to Suprematism : The New Realism in Painting 1915 -16 173 -- IIB Cubism 184 -- 1 Jean Metzinger Note on Painting 1910 184 -- 2 Guillaume Apollinaire The Cubists 1911 185 -- 3 Guilaume Apollinaire On the Subject in Modern Painting 1912 186 -- 4 Guillaume Apollinaire The New Painting : Art Notes 1912 187 -- 5 Guillaume Apollinaire from The Cubist Painters 1912 188 -- 6 Jacques Riviere Present Tendencies in Painting 1912 190 -- 7 Albert Gleizes and Jean Metzinger from Cubism 1912 194 -- 8 Fernand Léger The Origins of Painting and its Representational Value 1913 201 -- 9 Olga Rozanova The Bases of the New Creation 1913 205 -- 10 Daniel Henry Kahnweiler from The Rise of Cubism 1916-20 208 -- 11 Georges Braque Thoughts on Painting 1917 214 -- 12 Pablo Picasso Picasso Speaks’ 1923 215 -- III Rationalization and Transformation -- Introduction 221 -- IIIA Neo Classicism and the Call to Order 226 -- 1 Amédée Ozenfant Notes on Cubism 1916 226 -- 2 Guillaume Apollinaire The New Spirit and the Poets’ 1918 228 -- 3 Oswald Spengler from The Decline of the West 1918 230 -- 4 Carlo Carra Our Antiquity 1916-18 232 -- 5 Léonce Rosenberg Tradition and Cubism 1919 236 -- 6 Giorgio de Chirico The Return to the Craft 1919 236 -- 7 Charles Edouard Jeanneret (Le Courbusier) and Amédée Ozenfant Purism 1920 239 -- 8 Albert Gleizes The Dada Case 1920 242 -- 9 André Derain On Raphael 1920 245 -- 10 Percy Wyndham Lewis The Children of the New Epoch 1921 245 -- 11 Juan Gris Reply to a Questionnaire 1921 246 -- 12 Gustav Friedrich Hartlaub Reply to a Questionnaire 1922 247 -- IIIB Dissent and Disorder -- 1 Hugo Ball Dada Fragments 1916-17 250 -- 2 Marcel Duchamp The Richard Mutt Case 1917 252 -- 3 Tristan Tzara Dada Manifesto 1918 1918 252 -- 4 Richard Huelsenbeck and Raoul Hausmann 257 -- 5 Richard Huelsenbeck and Raoul Hausmann What is Dadaism and what does it want in Germany ? 1919 259 -- 6 Richard Huelsenbeck from En Avant Dada 1920 260 -- 7 Alexander Blok The Decline of Humanism 1918 263 -- 8 Novembergruppe Draft Manifesto 1918 and Guidelines 1919 165 -- 9 Novembergruppe Opposition Open Letter to the Novembergrouppe 1921 267 -- 10 Walter Gropius Reply to Arbeitsrat fur Kunst Questionnaire 1919 269 -- 11 Max Beckmann Creative Credo 1918-20 270 -- 12 Max Pechstein Creative Credo 1920 271 -- 13 George Grosz My New Pictures 1921 272 -- 14 Francis Picabia Thank you, Francis! 1923 274 -- IIIC Abstraction and Form 276 -- 1 Hans Arp Introduction to a Catalogue 1915 276 -- 2 Man Ray Statement 1916 277 -- 3 Viktor Shklovsky from Art as Technique 1917 277 -- 4 De Stijl Manifesto 1 1918 281 -- 5 Theo van Doesburg from Principles of Neo Plastic Art 1915 – 25 281 -- 6 Piet Mondrian Dialogue on the New Plastic 1919 284 -- 7 Piet Mondrian Neo Plasticism : The General Principle of Plastic Equivalence 1920-1 289 -- 8 Kasimir Malevich Non Objective Art and Suprematism 1919 292 -- 9 Kasimir Malevich The Question of Imitative Art 1920 293 -- 10 Naum Gabo and Anton Pevsner The Realistic Manifesto 1920 298 -- 11 UNOVIS Programme of a United Audience in Painting of the Vitebsk State Free Workshops 1920 300 -- 12 Wassily Kandinsky Plan for the Physico psychological Department of the Russian Academy of Artistic Sciences 1921 302 -- 13 Johannes Itten Analyses of the Old Masters 1921 304 -- 14 Oskar Schlemmer Diary Extracts 1922 – 3 306 -- 15 Walter Gropius The Theory and Organization of the Bauhaus 1923 309 -- 16 Theo van Doesburg, El Lissistsky, Hans Richter Declaration of the International Fraction of Constructivists of the First International Congress of Progressive Artists 1922 – 3 314 -- 17 Wladyslaw Strzeminski What is legitimately called the New Art 1924 316 -- 18 El Lissitsky A. and Pangeometry 1925 317 -- 19 Hannah Hoch The painter c. 1920 321 -- 20 José Ortega y Gasset from The Dehumanization of Art 1925 323 -- IIID Utility and Construction 333 -- 1 KOMFUT Programme Declaration 1919 333 -- 2 Vladimir Tatlin The Initiative Individual in the Collective 1919 334 -- 3 Lyubov Popova Catalogue statement 1919 335 -- 4 Nikolai Punin The Monument to the Third International 1920 336 -- 5 Alexander Rodchenko Slogans and Organizational Programme 1920 – 1 339 -- 6 Alexander Rodchenko and Varvara Stepanova Programme of the First Working Group of Constructivits 1922 341 -- 7 Alexei Gan from Constructivism 1922 343 -- 8 El Lissitsky and Ilya Ehrenburg Statement by the editors of Veshch 1922 344 -- 9 LEF editorial Whom is LEF alerting? 1923 345 -- 10 Osip Brik The So Called Formal Method 1923 347 -- 11 Osip Brik From Picture to Calico Print 1924 348 -- 12 Vladimir Tatlin Report of the Section for Material Culture’s Research Work 1924 352 -- IV Freedom, Responsibility and Power -- Introduction 357 -- IVA The Modern as Ideal 362 -- 1 Paul Klee from On Modern Art 1924 362 -- 2 Amédée Ozefant from foundations of Modern Art 1928 369 -- 3 Hans Hofmann On the Aims of Art 1931 371 -- 4 Abstraction Création Editorial Statements 1932 and 1933 374 -- 5 Wladyslaw Strzeminski Statements 1932 and 1933 374 -- 6 Carl Gustav Jung On the concept of the archetype 1934 and 1938 378 -- 7 Alfred H. Barr Jr form Cubism and Abstract Art 1936 381 -- 8 Henri Matisse Statements to Tériade 1936 383 -- 9 Naum Gabo The Constructive Idea in Art 1937 384 -- 10 Piet Mondrian Plastic Art and Pure Plastic Art 1937 387 -- 11 Barbara Hepworth Sculpture 1937 393 -- 12 American Abstract Artists Editorial Statement 1938 396 -- 13 Ibram Lassaw On Inventing Our Own Art 1938 397 -- 14 Ben Nicholson Notes on Abstract Art 1941 398 -- IVB Realism as Figuration 402 -- 1 Vladimir Ilyich Lenin On Proletarian Culture 1920 402 -- 2 AKhRR Declaration 1922 403 -- 3 AKhRR The Inmmediate Tasks of AKhRR 1924 404 -- 4 David A. Siqueiros et al. A Declaration of Social, Political and Aesthetic Principles 1922 406 -- 5 Red Group Manifesto 1924 407 -- 6 Otto Dix The Object is Primary 1927 408 -- 7 ARBKD (Asso) Manifesto and Statutes 1928 408 -- 8 George Grosz from My Life 1928 411 -- 9 Alfred Rosenberg from The Myth of the Twentieth Century 1930 412 -- 10 Georg Lukács Tendency or Partisanship? 1932 413 -- 11 Central Committee of the All Union Communist Party Decree on the Reconstruction of Literary and Artistic Organizations 1932 417 -- 12 John Reed Club of New York Draft Manifesto 1932 418 -- 13 Diego Rivera The Revolutionary Spirit in Modern Art 1932 421 -- 14 Mario Sironi Manifesto of Mural Painting 1933 424 -- 15 Andrei Zhdanov Speech to the Congress of Soviet Writers 1934 426 -- 16 David A. Siqueiros Towards a Transformation of the Plastic Arts 1934 429 -- 17 Stuart Davis and Clarence Weinstock Abstract Painting in America, Contradictions in Abstractions and A medium of 2 Dimensions 1935 431 -- 18 Grant Wood from Revolt Against the City 1935 435 -- 19 Francis Klingender Content and Form in Art 1935 437 -- 20 Adolf Hitler Speech Inaugurating the Great Exhibition of German Art 1937 439 -- IVC Realism as Critique 442 -- 1 Leon Trotsky from Literature and Revolution 1922 – 3 442 -- 2 André Breton from the First Manifesto of Surrealism 1924 447 -- 3 Louis Aragon from Paris Peasant 1924 453 -- 4 Louis Aragon et al. Declaration of the Bureau de Recherche Surréalistes 1925 456 -- 5 André Breton Surrealism and Painting 1928 457 -- 6 André Breton from the Second Manifesto of Surrealism 1929 463 -- 7 George Grosz and Wieland Herzfelde Art is in Danger 1925 467 -- 8 Osip Brik Photography versus Painting 1926 470 -- 9 Sergei Tretyakov We Are Searching and We Raise the Alarm 1927 473 -- 10 Siegfried Kracauer from The Mass Ornament 1927 477 -- 11 October (Association of Artistic Labour) Declaration 1928 480 -- 12 Georges Bataille from Critical Dictionary 1929 – 30 482 -- 13 Georges Bataille The Lugubrious Game 1929 484 -- 14 Salvador Dali The Stinking Ass 1930 -- 15 Gustav Klucis Photomontage as a New Problem in Agit Art 1931 489 -- 16 Max Ernst What is Surrealism? 1934 491 -- 17 Walter Benjamin The Author as Producer 1934 493 -- 18 Bertolt Brecht Popularity and Realism 1938 499 -- 19 Fernand Léger The New Realism Goes On 1937 502 -- IVD Modernism as Critique 506 -- 1 Kasimir Malevich Letter to Meyerhold 1932 506 -- 2 Pablo Picasso Conversation with Picasso 1935 507 -- 3 Herbert Read What is Revolutionary Art? 1935 510 -- 4 Meyer Schapiro The Social Bases of Art 1936 514 -- 5 Jan Mukarovsky from Aesthetic Function 1934/6 518 -- 6 Walter Benjamin ‘’The Work of Art in the Age of Mechanical Reproduction 1936 520 -- 7 Theodor Adorno Letter to Benjamin 1936 527 -- 8 Ernst Bloch Discussing Expressionism 1938 530 -- 9 André Breton, Diego Rivera and Leon Trotsky ‘’Towards a Free Revolutionary Art 1938 532 -- 10 R.G. Collingwood Good Art and Bad Art 1938 536 -- 11 Clement Greenberg Avant Garde and Kitsch 1939 539 -- 12 Harold Rosenberg The Fall of Paris 1940 549 -- V The Individual and the Social -- Introduction 557 -- VA The American Avant Garde 562 -- 1 Clement Greenberg Towards a Newer Laocoon 1940 562 -- 2 Adolph Gottlieb and Mark Rothko with Barnett Newman Statement 1943 568 -- 3 Jackson Pollock Answers to a Questionnaire 1944 569 -- 4 Jackson Pollock Two Statements 1947 and 1947 /8 570 -- 5 Mark Rothko The Romantics were Prompted 1947 571 -- 6 Mark Rothko Statement 1947 573 -- 7 Adolph Gottlieb Statement 1947 573 -- 8 Barnett Newman The Ideographic Picture 1947 574 -- 9 Barnett Newman The First Man was an Artist 1947 577 -- 10 Clement Greenberg The Decline of Cubism 1948 580 -- 11 Barnett Newman The Sublime is Now 1948 582 -- 12 Willem de Kooning A Desperate View 1949 583 -- 13 Jackson Pollock Interview with William Wright 1950 586 -- 14 David Smith Aesthetics, the Artist and the Audience 1952 588 -- 15 Clyfford Still Statement 1952 -- 16 Harold Rosenberg from The American Action Painters 1952 589 -- 17 Clyfford Still Letter to Gordon Smith 1959 592 -- VB Individualism in Europe -- 1 Wols Aphorisms c. 1945-51 595 -- 2 Jean Paul Sartre from Existentialism and Humanism 1946 600 -- 3 Jean Dubuffet Notes for the Well Lettered 1946 603 -- 4 Jean Dubuffet Crude Art Preferred to Cultural Art 1949 605 -- 5 Antonin Artaud from Van Gogh: The Man Suicided by Society 1947 608 -- 6 Jean Paul Sartre The Search for the Absolute 1948 611 -- 7 Samuel Beckett and Georges Duthuit from Three Dialogues 1949 616 -- 8 Jacques Lacan The Mirror Phase as Formative of the Function of the I 1949 620 -- 9 Jean Michel Atlan Abstraction and Adventure in Contemporary Art 1950 624 -- 10 Francis Ponge Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti 1951 625 -- 11 Albert Camus Creation and Revolution 1951 626 -- 12 Michael Tapié from An Other Art 1952 -- 13 Georg Baselitz Pandemonium Manifestos 1961 -2 631 -- 14 Francis Bacon Interview with David Sylvester 1962-3 635 -- VC Art and Society 640 -- 1 Maurice de Vlaminck Open Opinions on Painting 1942 640 -- 2 Francis Klingender from Marxism and Modern Art 1943 641 -- 3 Robert Motherwell The Modern Painter’s World 1944 643 -- 4 Renato Guttuso Crisis of Renewal 1944 646 -- 5 Pablo Picasso Why I Joined the Communist Party 1944 648 -- 6 Pablo Picasso Statement to Simone Téry 1945 648 -- 7 Fida Kahlo on Moses 1945 649 -- 8 Lucio Fontana The White Manifesto 1946 652 -- 9 Vladimir Kemenov from Aspects of Two Cultures 1947 656 -- 10 Robert Motherwell and Harold Rosenberg The Question of What Will Emerge Is Left Open 1947/8 659 -- 11 Constant Our Own Desires Build the Revolution 1949 659 -- 12 Asger Jorn Forms Conceived as Language 1949 661 -- 13 André Fougeron The Painter on his Battlement 1948 661 -- 14 Hans Sedlmayr and Theodor Adorno from the Darmstadt Colloquy 1950 663 -- 15 George Dondero from The Congressional Record 1949 665 -- 16 Arthur M. Schlesinger Jr from The Politics of Freedom 1950 668 -- 17 Alfred H. Barr Jr Is Modern Art Communistic? 1952 670 -- 18 Ben Shahn The Artist and the Politician 1953 674 -- 19 Henry Moore The Sculptor in Modern Society 1952 677 -- 20 David A. Siqueiros Open Letter to the Painters, Sculptors and Engravers of the Soviet Union 1955 680 -- 21 Georg Lukács The Ideology of Modernism 1956 683 -- VI The Moment of Modernism -- Introduction 689 -- VIA Art and Modern Life 693 -- 1 Roland Barthes from Myth Today 1956 698 -- 2 Jiro Yoshirara Gutai Manifesto 1956 701 -- 3 Guy Debord Writings from the Situationist International 1957-61 707 -- 4 Asger Jorn Detourned Painting 1959 710 -- 5 Frantz Fanon On National Culture 1959 715 -- 6 Lawrence Alloway The Arts and the Mass Media 1958 717 -- 7 Allan Kaprow from Assemblages, Environments and Happenings 1959-65 717 -- 8 Piero Manzoni Free Dimension 1960 722 -- 9 Pierre Restany The New Realists 1960 724 -- 10 GRAV (Groupe de Recherche d’Art Visuel) Transforming the Current Situation of Plastic Art 1961/2 725 -- 11 George Maciunas Neo Dada in Music, Theater, Poetry, Art 1962 727 -- 12 Raymond Williams The Analysis of Culture 1961 729 -- 13 John Cage On Robert Rauschenberg, Artist and his Work 1961 734 -- 14 Jasper Johns Interview with David Sylvester 1965 737 -- 15 Richard Hamilton For the Finest Art, Try Pop 1961 742 -- 16 Claes Oldenburg from Documents from the Store 1961 743 -- 17 Andy Warhol Interview with Gene Swenson 1963 747 -- 18 Roy Linchtenstein Lecture to the College Art Association 1964 749 -- 19 George Kubler from The Shape of Time 1962 751 -- 20 Marshall McLuhan from Understanding Media 1964 754 -- 21 Gerhard Richter Notes 1964-1965 757 -- 22 Tony Smith from an interview with Samuel Wagstaff Jr 1966 760 -- 23 Jasper Johns Obituary of Marcel Duchamp 1968 760 -- VIB Modernist Art 762 -- 1 Alain Robbe Grillet Commitment 1957 762 -- 2 David Smith Tradition and Identity 1959 766 -- 3 Maurice Merleau Ponty from Eye and Mind 1961 767 -- 4 Roger Hilton Remarks about Painting 1961 771 -- 5 Clement Greenberg Modernist Painting 1961 773 -- 6 Theodor Adorno from Commitment 1962 779 -- 7 Barnett Newman Interview with Dorothy Gees Seckler 1962 783 -- 8 Clement Greenberg from After Abstract Expressionism 1962 785 -- 9 Michael Fried from Three American Painters 1965 787 -- 10 Michael Fried from Shape as Form : Frank Stella’s New Paintings 1966 793 -- 11 Jules Olitski Painting in Color 1967 795 -- 12 Stanley Cavell A Matter of Meaning It 1967 796 -- 13 William Tucker and Tim Scott Reflections on Sculpture 1967 801 -- 14 Richard Wollheim The Work of Art as Object 1970 803 -- VII Institutions and Objections -- Introduction 813 -- VIIA Objecthood and Reductivism 818 -- 1 Yves Klein from The Evolution of Art towards the Immaterial 1959 818 -- 2 Carl Andre Preface to Stripe Painting 1959 820 -- 3 Frank Stella Pratt Institute Lecture 1959-60 820 -- 4 Ad Reinhardt Art as Art 1962 821 -- 5 Donald Judd Specific Objects 1965 824 -- 6 Robert Morris Notes on Sculpture 1-3 1996-7 828 -- 7 Michael Fried Art and Objecthood 1967 835 -- 8 Sol Le Witt Paragraphs on Conceptual Art 1967 846 -- 9 Sol Le Witt Sentences on Conceptual Art 1969 849 -- 10 Robert Barry Interview with Arthur R. Rose 1969 851 -- 11 Joseph Kosuth Art After Philosophy 1969 852 -- 12 Daniel Buren, Olivier Mosset, Michael Parmentier and Niele Toroni Statement 1967 861 -- 13 Daniel Daniel Buren Beware 1969-70 861 -- 14 Art & Language Editorial to Art Language 1976 -- VIID Critical Revisions 944 -- 1 Jacques Derrida from Of Grammatology 1967 944 -- 2 Michel Foucault What is an Author ? 1969 949 -- 3 Louis Althusser from Ideology and Ideological State Apparatuses 1970 953 -- 4 Thomas Kuhn from Postscript 1969 1970 960 -- 5 Roland Barthes From Work to Text 1971 965 -- 6 Robert Smithson Cultural Confinement 1972 970 -- 7 Leo Steinberg from Other Criteria 1968-72 971 -- 8 Rosalind Krauss A View of Modernism 1972 976 -- 9 Jean Baudrillard Ethic of Labour, Aesthetic of Play 1973 979 -- 10 Laura Mulvey from Visual Pleasure and Narrative Cinema 1973/5 982 -- 11 Michel Foucault A Lecture 1976 989 -- 12 Rosalind Krauss Notes on the Index, Part I 1976/7 994 -- 13 Fredic Jameson from Reflections on the Brecht Lukács Debate 1977 999 -- 14 Raymond Williams Dominant, Residual and Emergent 1977 1001 -- 15 Edward Said From Orientalism 1978 1005 -- VIII Ideas of the Postmodern -- Introduction 1013 -- VIIIA The Critique of Originality 1018 -- 1 Jean Baudrillard The Hyper realism of Simulation 1976 1018 -- 2 Pierre Bourdieu Being Different 1977 1020 -- 3 Craig Owens from The Allegorical Impulse 1980 1025 -- 4 Rosalind Krauss from The Originality of the Avant Garde 1981 1032 -- 5 Hal Foster from Subversive Signs 1982 1037 -- 6 Sherrie Levine Statement 1982 1038 -- 7 Art & Language Letter to a Canadian Curator 1982 1039 -- 8 Barbara Kruger Taking Pictures 1982 1041 -- 9 Peter Halley Nature and Culture 1983 1042 -- 10 Fredic Jameson The Desconstruction of Expression 1984 1046 -- 11 Haim Steinbach, Jeff Koons, Sherrie Levine, Philip Taaffe, Peter Halley, Ashley Bickerton From Criticism to Complicity 1986 1051 -- 12 Julia Kristeva Interview with Catherine Francblin 1986 1054 -- VIIIB Figures of Difference 1057 -- 1 Edward Said from Opponents, Audiences, Constituencies, and Community 1981 1057 -- 2 Mary Kelly Re Viewing Modernist Criticism 1981 1059 -- 3 Ana Mendieta Arts and Politics 1982 1064 -- 4 Krzysztof Wodiczko Public Projection 1983 1065 -- 5 Victor Burgin from The Absence of Presence 1984 1068 -- 6 Jacqueline Rose "Sexuality in the Field of Vision' 1984/5 1072 -- 7 Niklas Lahmann The Work of Art and the Self-Reproduction of Art" 1984-6 1076 -- 8 W. J. T. Mitchell "Image and Word" and 'Mute Poesy and Blind Painting" 1986 1081 -- 9 Raymond Williams "When was Modernism? 1987/9 1085 -- 10 Louise Bourgeois Statements from an Interview with Donald Kuspit 1988 1090 -- 11 Richard Rorty 'Private Irony and Liberal Hope' 1989 1092 -- 12 Gayatri Chakravorti Spivak "Who Claims Alterity? 1989 1096 -- 13 Richard Serra from The Yale Lecture 1990 1096 -- 14 Mike Kelley Dirty Toys: Mike Kelley Interviewed' 1991/2 1099 -- 15 Martin Kippenberger from B: interview with Jutta Koether 1991/4 1102 -- 16 Peter Wollen Into the Future: Tourism, Language and Art' 1990/3 1105 -- 17 Homi K. Bhabha On 'hybridity' and 'moving beyond' 1994 1110 -- VIIIC The Condition of History 1117 -- 1 Daniel Bell from 'Modernism and Capitalism' 1978 1117 -- 2 Jean François Lyotard Introduction to The Postmodern Condition 1979 1122 -- 3 Jürgen Habermas Modernity - An Incomplete Project' 1980 1123 -- 4 Jean François Lyotard 'What is Postmodernism?' 1982 1131 -- 5 Julia Kristeva 'Powers of Horror' 1980 1137 -- 6 Donald Judd from not about master-pieces but why there are so few of them' 1984 1139 -- 7 Joseph Beuys, Jannis Kounellis, Anselm Kiefer, Enzo Cucchi from "The Cultural --Historical Tragedy of the European Continent' 1986 1143 -- 8 Gerhard Richter from Interview with Benjamin Buchloh' 1988 1147 -- 9 Gerhard Richter Notes 1990 1157 -- 10 Jeff Wall from a discussion 1990 1158 -- 11 Diedrich Diederichsen 'Which Side are You on, Cultural Worker?' 1990 1162 -- 12 Albert Oehlen in conversation with Wilfred Dickhoff and Martin Prinzhorn 1991 1163 -- 13 Olu Oguibe In the Heart of Darkness 1993 1170 -- 14 Ilya Kabakov On installations 1994 and 2000 1175 -- 15 Doris Salcedo Interview with Charles Merewether 1999 1180 -- 16 Franco Moretti MoMA2000: The Capitulation 2000 1183 -- Bibliography 1188 -- Copyright acknowledgements 1212 -- Index 1228 --

Resumen: "Since it was first published in 1992, this book has become one of the leading anthologies of art theoretical texts in the English-speaking world. This expanded edition includes the fruit of recent research, involving a considerable amount of newly translated material from the entire period, together with additional texts from the last decades of the twentieth century" --

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This popular anthology of twentieth-century art theoretical texts has now been expanded to take account of new research, and to include significant contributions to art theory from the 1990s. New edition of this popular anthology of twentieth-century art-theoretical texts. Now updated to include the results of new research, together with significant contributions from the 1990s. Includes writings by critics, philosophers, politicians and literary figures. The editors provide contextual introductions to 340 texts. Complements Art in Theory 1648-1815 and Art in Theory 1815-1900 to create a complete survey of the theories underpinning the development of art in the modern period.

Incude index.

Includes bibliographical references (p. [1188]-1211) and index.

Summary of Contents:
I The Legacy of Symbolism --
A Classicism and Originality 15 --
B Expression and the Primitive 59 --
II The Idea of the Modern World --
A Modernity 132 --
B Cubism 184 --
III Rationalization and Transformation --
A Neo Classicism and the Call to Order 226 --
B Dissent and Disorder 250 --
C Abstraction and Form 276 --
D Utility and Construction 333 --
IV Freedom, Responsibility and Power --
A The Modern as Ideal 362 --
B Realism as Figuration 402 --
C Realism as Critique 442 --
D Modernism as Critique 506 --
V The Individual and the Social --
A The American Avant Garde 562 --
B Individualism in Europe 595 --
C Art and Society 640 --
VI The Moment of Modernism --
A Art and Modern Life 693 --
B Modernist Art 762 --
VII Institutions and Objections --
A Objecthood and Reductivism 818 --
B Attitudes to Form 868 --
C Political Aspects 913 --
D Critical Revisions 944 --
VIII Ideas of the Postmodern --
A The Critique of Originality 1018 --
B Figures of Difference 1057 --
C The Condition of History 1117 --
Contents :
Preface and Acknowledgements xxv --
A note on the Presentation and Editing of Texts xxvi --
General Introduction 1 --
Introduction 11 --
IA Classicism and Originality 15 --
1 Paul Signac from Eugene Delacroix to Neo Impressionism 1899 15 --
2 Paul Gauguin Letter to Fontainas 1899 18 --
3 Sigmund Freud from ‘On Dreams’ 1901 21 --
4 Otto Weininger from Sex and Character 1903 28 --
5 Max Liebermann Imagination in Painting 1904 30 --
6 Paul Cézanne Letters to Emile Bernard 1904 – 1906 33 --
7 Rainer Maria Rilke From Letters on Cézanne 1907 36 --
8 Maurice Denis (intro. Roger Fry) Cézanne 1907 39 --
9 Maurice Denis From Gaugin and Van Gogh to Neo Classicism 1909 46 --
10 Julius Meier Graefe The Mediums of Art, Past and Present 1904 51 --
11 Giorgio de Chirico Mystery and Creation 1913 58 --
IB Expression and the Primitive 59 --
1 August Endell The Beauty of Form and Decorative Art 1897-8 59 --
2 Albert Pinkham Ryder Paragraphs from the Studio of a Recluse 1905 62 --
3 André Derain Letters to Vlaminck c. 1905 – 1909 63 --
4 Ernst Ludwig Kirchner Programme of the Brucke 1906 65 --
5 Wilhelm Worringer from Abstraction and Empathy 1908 66 --
6 Henri Matisse Notes of a Painter 1908 69 --
7 Roger Fry An Essay in Aesthetics 1909 75 --
8 Wassily Kandinsky from Concerning the Spiritual in Art 1911 82 --
9 Wassily Kandinsky The Cologne Lecture 1914 89 --
10 Franz Marc The Savages of Germany and Two Pictures 1912 93 --
11 August Macke Masks 1912 95 --
12 Emil Nolde On Primitive Art 1912 96 --
13 Oscar Kokoschka On the Nature of Visions 1912 97 --
14 Alexander Shevchenko Neo – Primitivism 1913 99 --
15 Benedetto Croce What is Art? 1913 102 --
16 Clive Bell The Aesthetic Hypothesis 1914 107 --
17 Carl Einstein Negro Sculpture 1915 110 --
18 Hermann Bahr from Expressionism 1916 116 --
19 Hans Prinzhorn from Artistry of the Mentally III 1922 121 --
II The Idea of the Modern World --
Introduction 127 --
IIA Modernity 132 --
1 Georg Simmel The Metropolis and Mental Life 1902-3 132 --
2 Max Weber Asceticism and the Spirit of Capitalism’ 1904-5 136 --
3 Vladimir Ilyich Lenin Party Organization and Party Literature 1905 138 --
4 Henri Bergson from Creative Evolution 1907 141 --
5 Alexander Block Nature and Culture 1908 144 --
6 Filippo Tommaso Marinetti The Foundation and Manifesto of Futurism 1909 146 --
7 Umberto Boccioni et al. Futurist Painting : Technical Manifesto 1910 150 --
8 Robert Delaunay On the Construction of Reality in Pure Painting 1914 152 --
9 Georgy Valentinovich Plekhanov from Art and Social Life 1912 154 --
10 Franz Marc Foreword 1914 158 --
11 Fernand Léger Contemporary Achievements in Painting 1914 159 --
12 Percy Wyndham Lewis Our Vortex 1914 162 --
13 Henri Gaudier Brzeska Gaudier Brzeska Vortex 1914, and Vortex Gaudier Brzeska 1915 163 --
14 Ludwig Meidner Instructions for Painting Pictures of the Metropolis 1914 167 --
15 Karl Kraus from In These Great Times 1914 171 --
16 Kasimir Malevich From Cubism and Futurism to Suprematism : The New Realism in Painting 1915 -16 173 --
IIB Cubism 184 --
1 Jean Metzinger Note on Painting 1910 184 --
2 Guillaume Apollinaire The Cubists 1911 185 --
3 Guilaume Apollinaire On the Subject in Modern Painting 1912 186 --
4 Guillaume Apollinaire The New Painting : Art Notes 1912 187 --
5 Guillaume Apollinaire from The Cubist Painters 1912 188 --
6 Jacques Riviere Present Tendencies in Painting 1912 190 --
7 Albert Gleizes and Jean Metzinger from Cubism 1912 194 --
8 Fernand Léger The Origins of Painting and its Representational Value 1913 201 --
9 Olga Rozanova The Bases of the New Creation 1913 205 --
10 Daniel Henry Kahnweiler from The Rise of Cubism 1916-20 208 --
11 Georges Braque Thoughts on Painting 1917 214 --
12 Pablo Picasso Picasso Speaks’ 1923 215 --
III Rationalization and Transformation --
Introduction 221 --
IIIA Neo Classicism and the Call to Order 226 --
1 Amédée Ozenfant Notes on Cubism 1916 226 --
2 Guillaume Apollinaire The New Spirit and the Poets’ 1918 228 --
3 Oswald Spengler from The Decline of the West 1918 230 --
4 Carlo Carra Our Antiquity 1916-18 232 --
5 Léonce Rosenberg Tradition and Cubism 1919 236 --
6 Giorgio de Chirico The Return to the Craft 1919 236 --
7 Charles Edouard Jeanneret (Le Courbusier) and Amédée Ozenfant Purism 1920 239 --
8 Albert Gleizes The Dada Case 1920 242 --
9 André Derain On Raphael 1920 245 --
10 Percy Wyndham Lewis The Children of the New Epoch 1921 245 --
11 Juan Gris Reply to a Questionnaire 1921 246 --
12 Gustav Friedrich Hartlaub Reply to a Questionnaire 1922 247 --
IIIB Dissent and Disorder --
1 Hugo Ball Dada Fragments 1916-17 250 --
2 Marcel Duchamp The Richard Mutt Case 1917 252 --
3 Tristan Tzara Dada Manifesto 1918 1918 252 --
4 Richard Huelsenbeck and Raoul Hausmann 257 --
5 Richard Huelsenbeck and Raoul Hausmann What is Dadaism and what does it want in Germany ? 1919 259 --
6 Richard Huelsenbeck from En Avant Dada 1920 260 --
7 Alexander Blok The Decline of Humanism 1918 263 --
8 Novembergruppe Draft Manifesto 1918 and Guidelines 1919 165 --
9 Novembergruppe Opposition Open Letter to the Novembergrouppe 1921 267 --
10 Walter Gropius Reply to Arbeitsrat fur Kunst Questionnaire 1919 269 --
11 Max Beckmann Creative Credo 1918-20 270 --
12 Max Pechstein Creative Credo 1920 271 --
13 George Grosz My New Pictures 1921 272 --
14 Francis Picabia Thank you, Francis! 1923 274 --
IIIC Abstraction and Form 276 --
1 Hans Arp Introduction to a Catalogue 1915 276 --
2 Man Ray Statement 1916 277 --
3 Viktor Shklovsky from Art as Technique 1917 277 --
4 De Stijl Manifesto 1 1918 281 --
5 Theo van Doesburg from Principles of Neo Plastic Art 1915 – 25 281 --
6 Piet Mondrian Dialogue on the New Plastic 1919 284 --
7 Piet Mondrian Neo Plasticism : The General Principle of Plastic Equivalence 1920-1 289 --
8 Kasimir Malevich Non Objective Art and Suprematism 1919 292 --
9 Kasimir Malevich The Question of Imitative Art 1920 293 --
10 Naum Gabo and Anton Pevsner The Realistic Manifesto 1920 298 --
11 UNOVIS Programme of a United Audience in Painting of the Vitebsk State Free Workshops 1920 300 --
12 Wassily Kandinsky Plan for the Physico psychological Department of the Russian Academy of Artistic Sciences 1921 302 --
13 Johannes Itten Analyses of the Old Masters 1921 304 --
14 Oskar Schlemmer Diary Extracts 1922 – 3 306 --
15 Walter Gropius The Theory and Organization of the Bauhaus 1923 309 --
16 Theo van Doesburg, El Lissistsky, Hans Richter Declaration of the International Fraction of Constructivists of the First International Congress of Progressive Artists 1922 – 3 314 --
17 Wladyslaw Strzeminski What is legitimately called the New Art 1924 316 --
18 El Lissitsky A. and Pangeometry 1925 317 --
19 Hannah Hoch The painter c. 1920 321 --
20 José Ortega y Gasset from The Dehumanization of Art 1925 323 --
IIID Utility and Construction 333 --
1 KOMFUT Programme Declaration 1919 333 --
2 Vladimir Tatlin The Initiative Individual in the Collective 1919 334 --
3 Lyubov Popova Catalogue statement 1919 335 --
4 Nikolai Punin The Monument to the Third International 1920 336 --
5 Alexander Rodchenko Slogans and Organizational Programme 1920 – 1 339 --
6 Alexander Rodchenko and Varvara Stepanova Programme of the First Working Group of Constructivits 1922 341 --
7 Alexei Gan from Constructivism 1922 343 --
8 El Lissitsky and Ilya Ehrenburg Statement by the editors of Veshch 1922 344 --
9 LEF editorial Whom is LEF alerting? 1923 345 --
10 Osip Brik The So Called Formal Method 1923 347 --
11 Osip Brik From Picture to Calico Print 1924 348 --
12 Vladimir Tatlin Report of the Section for Material Culture’s Research Work 1924 352 --
IV Freedom, Responsibility and Power --
Introduction 357 --
IVA The Modern as Ideal 362 --
1 Paul Klee from On Modern Art 1924 362 --
2 Amédée Ozefant from foundations of Modern Art 1928 369 --
3 Hans Hofmann On the Aims of Art 1931 371 --
4 Abstraction Création Editorial Statements 1932 and 1933 374 --
5 Wladyslaw Strzeminski Statements 1932 and 1933 374 --
6 Carl Gustav Jung On the concept of the archetype 1934 and 1938 378 --
7 Alfred H. Barr Jr form Cubism and Abstract Art 1936 381 --
8 Henri Matisse Statements to Tériade 1936 383 --
9 Naum Gabo The Constructive Idea in Art 1937 384 --
10 Piet Mondrian Plastic Art and Pure Plastic Art 1937 387 --
11 Barbara Hepworth Sculpture 1937 393 --
12 American Abstract Artists Editorial Statement 1938 396 --
13 Ibram Lassaw On Inventing Our Own Art 1938 397 --
14 Ben Nicholson Notes on Abstract Art 1941 398 --
IVB Realism as Figuration 402 --
1 Vladimir Ilyich Lenin On Proletarian Culture 1920 402 --
2 AKhRR Declaration 1922 403 --
3 AKhRR The Inmmediate Tasks of AKhRR 1924 404 --
4 David A. Siqueiros et al. A Declaration of Social, Political and Aesthetic Principles 1922 406 --
5 Red Group Manifesto 1924 407 --
6 Otto Dix The Object is Primary 1927 408 --
7 ARBKD (Asso) Manifesto and Statutes 1928 408 --
8 George Grosz from My Life 1928 411 --
9 Alfred Rosenberg from The Myth of the Twentieth Century 1930 412 --
10 Georg Lukács Tendency or Partisanship? 1932 413 --
11 Central Committee of the All Union Communist Party Decree on the Reconstruction of Literary and Artistic Organizations 1932 417 --
12 John Reed Club of New York Draft Manifesto 1932 418 --
13 Diego Rivera The Revolutionary Spirit in Modern Art 1932 421 --
14 Mario Sironi Manifesto of Mural Painting 1933 424 --
15 Andrei Zhdanov Speech to the Congress of Soviet Writers 1934 426 --
16 David A. Siqueiros Towards a Transformation of the Plastic Arts 1934 429 --
17 Stuart Davis and Clarence Weinstock Abstract Painting in America, Contradictions in Abstractions and A medium of 2 Dimensions 1935 431 --
18 Grant Wood from Revolt Against the City 1935 435 --
19 Francis Klingender Content and Form in Art 1935 437 --
20 Adolf Hitler Speech Inaugurating the Great Exhibition of German Art 1937 439 --
IVC Realism as Critique 442 --
1 Leon Trotsky from Literature and Revolution 1922 – 3 442 --
2 André Breton from the First Manifesto of Surrealism 1924 447 --
3 Louis Aragon from Paris Peasant 1924 453 --
4 Louis Aragon et al. Declaration of the Bureau de Recherche Surréalistes 1925 456 --
5 André Breton Surrealism and Painting 1928 457 --
6 André Breton from the Second Manifesto of Surrealism 1929 463 --
7 George Grosz and Wieland Herzfelde Art is in Danger 1925 467 --
8 Osip Brik Photography versus Painting 1926 470 --
9 Sergei Tretyakov We Are Searching and We Raise the Alarm 1927 473 --
10 Siegfried Kracauer from The Mass Ornament 1927 477 --
11 October (Association of Artistic Labour) Declaration 1928 480 --
12 Georges Bataille from Critical Dictionary 1929 – 30 482 --
13 Georges Bataille The Lugubrious Game 1929 484 --
14 Salvador Dali The Stinking Ass 1930 --
15 Gustav Klucis Photomontage as a New Problem in Agit Art 1931 489 --
16 Max Ernst What is Surrealism? 1934 491 --
17 Walter Benjamin The Author as Producer 1934 493 --
18 Bertolt Brecht Popularity and Realism 1938 499 --
19 Fernand Léger The New Realism Goes On 1937 502 --
IVD Modernism as Critique 506 --
1 Kasimir Malevich Letter to Meyerhold 1932 506 --
2 Pablo Picasso Conversation with Picasso 1935 507 --
3 Herbert Read What is Revolutionary Art? 1935 510 --
4 Meyer Schapiro The Social Bases of Art 1936 514 --
5 Jan Mukarovsky from Aesthetic Function 1934/6 518 --
6 Walter Benjamin ‘’The Work of Art in the Age of Mechanical Reproduction 1936 520 --
7 Theodor Adorno Letter to Benjamin 1936 527 --
8 Ernst Bloch Discussing Expressionism 1938 530 --
9 André Breton, Diego Rivera and Leon Trotsky ‘’Towards a Free Revolutionary Art 1938 532 --
10 R.G. Collingwood Good Art and Bad Art 1938 536 --
11 Clement Greenberg Avant Garde and Kitsch 1939 539 --
12 Harold Rosenberg The Fall of Paris 1940 549 --
V The Individual and the Social --
Introduction 557 --
VA The American Avant Garde 562 --
1 Clement Greenberg Towards a Newer Laocoon 1940 562 --
2 Adolph Gottlieb and Mark Rothko with Barnett Newman Statement 1943 568 --
3 Jackson Pollock Answers to a Questionnaire 1944 569 --
4 Jackson Pollock Two Statements 1947 and 1947 /8 570 --
5 Mark Rothko The Romantics were Prompted 1947 571 --
6 Mark Rothko Statement 1947 573 --
7 Adolph Gottlieb Statement 1947 573 --
8 Barnett Newman The Ideographic Picture 1947 574 --
9 Barnett Newman The First Man was an Artist 1947 577 --
10 Clement Greenberg The Decline of Cubism 1948 580 --
11 Barnett Newman The Sublime is Now 1948 582 --
12 Willem de Kooning A Desperate View 1949 583 --
13 Jackson Pollock Interview with William Wright 1950 586 --
14 David Smith Aesthetics, the Artist and the Audience 1952 588 --
15 Clyfford Still Statement 1952 --
16 Harold Rosenberg from The American Action Painters 1952 589 --
17 Clyfford Still Letter to Gordon Smith 1959 592 --
VB Individualism in Europe --
1 Wols Aphorisms c. 1945-51 595 --
2 Jean Paul Sartre from Existentialism and Humanism 1946 600 --
3 Jean Dubuffet Notes for the Well Lettered 1946 603 --
4 Jean Dubuffet Crude Art Preferred to Cultural Art 1949 605 --
5 Antonin Artaud from Van Gogh: The Man Suicided by Society 1947 608 --
6 Jean Paul Sartre The Search for the Absolute 1948 611 --
7 Samuel Beckett and Georges Duthuit from Three Dialogues 1949 616 --
8 Jacques Lacan The Mirror Phase as Formative of the Function of the I 1949 620 --
9 Jean Michel Atlan Abstraction and Adventure in Contemporary Art 1950 624 --
10 Francis Ponge Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti 1951 625 --
11 Albert Camus Creation and Revolution 1951 626 --
12 Michael Tapié from An Other Art 1952 --
13 Georg Baselitz Pandemonium Manifestos 1961 -2 631 --
14 Francis Bacon Interview with David Sylvester 1962-3 635 --
VC Art and Society 640 --
1 Maurice de Vlaminck Open Opinions on Painting 1942 640 --
2 Francis Klingender from Marxism and Modern Art 1943 641 --
3 Robert Motherwell The Modern Painter’s World 1944 643 --
4 Renato Guttuso Crisis of Renewal 1944 646 --
5 Pablo Picasso Why I Joined the Communist Party 1944 648 --
6 Pablo Picasso Statement to Simone Téry 1945 648 --
7 Fida Kahlo on Moses 1945 649 --
8 Lucio Fontana The White Manifesto 1946 652 --
9 Vladimir Kemenov from Aspects of Two Cultures 1947 656 --
10 Robert Motherwell and Harold Rosenberg The Question of What Will Emerge Is Left Open 1947/8 659 --
11 Constant Our Own Desires Build the Revolution 1949 659 --
12 Asger Jorn Forms Conceived as Language 1949 661 --
13 André Fougeron The Painter on his Battlement 1948 661 --
14 Hans Sedlmayr and Theodor Adorno from the Darmstadt Colloquy 1950 663 --
15 George Dondero from The Congressional Record 1949 665 --
16 Arthur M. Schlesinger Jr from The Politics of Freedom 1950 668 --
17 Alfred H. Barr Jr Is Modern Art Communistic? 1952 670 --
18 Ben Shahn The Artist and the Politician 1953 674 --
19 Henry Moore The Sculptor in Modern Society 1952 677 --
20 David A. Siqueiros Open Letter to the Painters, Sculptors and Engravers of the Soviet Union 1955 680 --
21 Georg Lukács The Ideology of Modernism 1956 683 --
VI The Moment of Modernism --
Introduction 689 --
VIA Art and Modern Life 693 --
1 Roland Barthes from Myth Today 1956 698 --
2 Jiro Yoshirara Gutai Manifesto 1956 701 --
3 Guy Debord Writings from the Situationist International 1957-61 707 --
4 Asger Jorn Detourned Painting 1959 710 --
5 Frantz Fanon On National Culture 1959 715 --
6 Lawrence Alloway The Arts and the Mass Media 1958 717 --
7 Allan Kaprow from Assemblages, Environments and Happenings 1959-65 717 --
8 Piero Manzoni Free Dimension 1960 722 --
9 Pierre Restany The New Realists 1960 724 --
10 GRAV (Groupe de Recherche d’Art Visuel) Transforming the Current Situation of Plastic Art 1961/2 725 --
11 George Maciunas Neo Dada in Music, Theater, Poetry, Art 1962 727 --
12 Raymond Williams The Analysis of Culture 1961 729 --
13 John Cage On Robert Rauschenberg, Artist and his Work 1961 734 --
14 Jasper Johns Interview with David Sylvester 1965 737 --
15 Richard Hamilton For the Finest Art, Try Pop 1961 742 --
16 Claes Oldenburg from Documents from the Store 1961 743 --
17 Andy Warhol Interview with Gene Swenson 1963 747 --
18 Roy Linchtenstein Lecture to the College Art Association 1964 749 --
19 George Kubler from The Shape of Time 1962 751 --
20 Marshall McLuhan from Understanding Media 1964 754 --
21 Gerhard Richter Notes 1964-1965 757 --
22 Tony Smith from an interview with Samuel Wagstaff Jr 1966 760 --
23 Jasper Johns Obituary of Marcel Duchamp 1968 760 --
VIB Modernist Art 762 --
1 Alain Robbe Grillet Commitment 1957 762 --
2 David Smith Tradition and Identity 1959 766 --
3 Maurice Merleau Ponty from Eye and Mind 1961 767 --
4 Roger Hilton Remarks about Painting 1961 771 --
5 Clement Greenberg Modernist Painting 1961 773 --
6 Theodor Adorno from Commitment 1962 779 --
7 Barnett Newman Interview with Dorothy Gees Seckler 1962 783 --
8 Clement Greenberg from After Abstract Expressionism 1962 785 --
9 Michael Fried from Three American Painters 1965 787 --
10 Michael Fried from Shape as Form : Frank Stella’s New Paintings 1966 793 --
11 Jules Olitski Painting in Color 1967 795 --
12 Stanley Cavell A Matter of Meaning It 1967 796 --
13 William Tucker and Tim Scott Reflections on Sculpture 1967 801 --
14 Richard Wollheim The Work of Art as Object 1970 803 --
VII Institutions and Objections --
Introduction 813 --
VIIA Objecthood and Reductivism 818 --
1 Yves Klein from The Evolution of Art towards the Immaterial 1959 818 --
2 Carl Andre Preface to Stripe Painting 1959 820 --
3 Frank Stella Pratt Institute Lecture 1959-60 820 --
4 Ad Reinhardt Art as Art 1962 821 --
5 Donald Judd Specific Objects 1965 824 --
6 Robert Morris Notes on Sculpture 1-3 1996-7 828 --
7 Michael Fried Art and Objecthood 1967 835 --
8 Sol Le Witt Paragraphs on Conceptual Art 1967 846 --
9 Sol Le Witt Sentences on Conceptual Art 1969 849 --
10 Robert Barry Interview with Arthur R. Rose 1969 851 --
11 Joseph Kosuth Art After Philosophy 1969 852 --
12 Daniel Buren, Olivier Mosset, Michael Parmentier and Niele Toroni Statement 1967 861 --
13 Daniel Daniel Buren Beware 1969-70 861 --
14 Art & Language Editorial to Art Language 1976 --
VIID Critical Revisions 944 --
1 Jacques Derrida from Of Grammatology 1967 944 --
2 Michel Foucault What is an Author ? 1969 949 --
3 Louis Althusser from Ideology and Ideological State Apparatuses 1970 953 --
4 Thomas Kuhn from Postscript 1969 1970 960 --
5 Roland Barthes From Work to Text 1971 965 --
6 Robert Smithson Cultural Confinement 1972 970 --
7 Leo Steinberg from Other Criteria 1968-72 971 --
8 Rosalind Krauss A View of Modernism 1972 976 --
9 Jean Baudrillard Ethic of Labour, Aesthetic of Play 1973 979 --
10 Laura Mulvey from Visual Pleasure and Narrative Cinema 1973/5 982 --
11 Michel Foucault A Lecture 1976 989 --
12 Rosalind Krauss Notes on the Index, Part I 1976/7 994 --
13 Fredic Jameson from Reflections on the Brecht Lukács Debate 1977 999 --
14 Raymond Williams Dominant, Residual and Emergent 1977 1001 --
15 Edward Said From Orientalism 1978 1005 --
VIII Ideas of the Postmodern --
Introduction 1013 --
VIIIA The Critique of Originality 1018 --
1 Jean Baudrillard The Hyper realism of Simulation 1976 1018 --
2 Pierre Bourdieu Being Different 1977 1020 --
3 Craig Owens from The Allegorical Impulse 1980 1025 --
4 Rosalind Krauss from The Originality of the Avant Garde 1981 1032 --
5 Hal Foster from Subversive Signs 1982 1037 --
6 Sherrie Levine Statement 1982 1038 --
7 Art & Language Letter to a Canadian Curator 1982 1039 --
8 Barbara Kruger Taking Pictures 1982 1041 --
9 Peter Halley Nature and Culture 1983 1042 --
10 Fredic Jameson The Desconstruction of Expression 1984 1046 --
11 Haim Steinbach, Jeff Koons, Sherrie Levine, Philip Taaffe, Peter Halley, Ashley Bickerton From Criticism to Complicity 1986 1051 --
12 Julia Kristeva Interview with Catherine Francblin 1986 1054 --
VIIIB Figures of Difference 1057 --
1 Edward Said from Opponents, Audiences, Constituencies, and Community 1981 1057 --
2 Mary Kelly Re Viewing Modernist Criticism 1981 1059 --
3 Ana Mendieta Arts and Politics 1982 1064 --
4 Krzysztof Wodiczko Public Projection 1983 1065 --
5 Victor Burgin from The Absence of Presence 1984 1068 --
6 Jacqueline Rose "Sexuality in the Field of Vision' 1984/5 1072 --
7 Niklas Lahmann The Work of Art and the Self-Reproduction of Art" 1984-6 1076 --
8 W. J. T. Mitchell "Image and Word" and 'Mute Poesy and Blind Painting" 1986 1081 --
9 Raymond Williams "When was Modernism? 1987/9 1085 --
10 Louise Bourgeois Statements from an Interview with Donald Kuspit 1988 1090 --
11 Richard Rorty 'Private Irony and Liberal Hope' 1989 1092 --
12 Gayatri Chakravorti Spivak "Who Claims Alterity? 1989 1096 --
13 Richard Serra from The Yale Lecture 1990 1096 --
14 Mike Kelley Dirty Toys: Mike Kelley Interviewed' 1991/2 1099 --
15 Martin Kippenberger from B: interview with Jutta Koether 1991/4 1102 --
16 Peter Wollen Into the Future: Tourism, Language and Art' 1990/3 1105 --
17 Homi K. Bhabha On 'hybridity' and 'moving beyond' 1994 1110 --
VIIIC The Condition of History 1117 --
1 Daniel Bell from 'Modernism and Capitalism' 1978 1117 --
2 Jean François Lyotard Introduction to The Postmodern Condition 1979 1122 --
3 Jürgen Habermas Modernity - An Incomplete Project' 1980 1123 --
4 Jean François Lyotard 'What is Postmodernism?' 1982 1131 --
5 Julia Kristeva 'Powers of Horror' 1980 1137 --
6 Donald Judd from not about master-pieces but why there are so few of them' 1984 1139 --
7 Joseph Beuys, Jannis Kounellis, Anselm Kiefer, Enzo Cucchi from "The Cultural --Historical Tragedy of the European Continent' 1986 1143 --
8 Gerhard Richter from Interview with Benjamin Buchloh' 1988 1147 --
9 Gerhard Richter Notes 1990 1157 --
10 Jeff Wall from a discussion 1990 1158 --
11 Diedrich Diederichsen 'Which Side are You on, Cultural Worker?' 1990 1162 --
12 Albert Oehlen in conversation with Wilfred Dickhoff and Martin Prinzhorn 1991 1163 --
13 Olu Oguibe In the Heart of Darkness 1993 1170 --
14 Ilya Kabakov On installations 1994 and 2000 1175 --
15 Doris Salcedo Interview with Charles Merewether 1999 1180 --
16 Franco Moretti MoMA2000: The Capitulation 2000 1183 --
Bibliography 1188 --
Copyright acknowledgements 1212 --
Index 1228 --

"Since it was first published in 1992, this book has become one of the leading anthologies of art theoretical texts in the English-speaking world. This expanded edition includes the fruit of recent research, involving a considerable amount of newly translated material from the entire period, together with additional texts from the last decades of the twentieth century" --

Tabla de contenidos provista por Syndetics

Preface and Acknowledgements
A Note on the Presentation and Editing of Texts.General Introduction.
Part I The Legacy of Symbolism:Introduction
1 Classicism and Originality:Paul Signac: from Eugène Delacroix to Neo-Impressionism 1899.
Paul Gauguin: letter to Fontainas 1899.
Sigmund Freud: from `On Dreams' 1901.
Otto Weininger: from Sex and Character 1903.
Max Liebermann: 'Imagination in Painting' 1904.
Paul Cézanne: letters to Emile Bernard 1904-06.
Rainer Maria Rilke: from Letters on Cézanne 1907.
Maurice Denis (intro. Roger Fry): 'Cézanne' 1907.
Maurice Denis: 'From Gauguin and Van Gogh to Neo-Classicism' 1909.
Julius Meier-Graefe: `The Mediums of Art, Past and Present' 1904.
Giorgio de Chirico: `Mystery and Creation' 1913
2 Expression and the Primitive:August Endell: 'The Beauty of Form and Decorative Art' 1897-98.
Albert Pinkham Ryder: 'Paragraphs from the Studio of a Recluse' 1905.
André Derain: letters to Vlaminck c.1905-1909.
Ernst Ludwig Kirchner: programme of Die Brücke 1906.
Wilhelm Worringer: from Abstraction and Empathy 1908.
Henri Matisse: 'Notes of a Painter' 1908.
Roger Fry: 'An Essay in Aesthetics' 1909.
Wassily Kandinsky: from Concerning the Spiritual in Art 1911.
Wassily Kandinsky: The Cologne Lecture 1914.
Franz Marc: 'The "Savages" of Germany' and 'Two Pictures' 1912.
August Macke: 'Masks' 1912.
Emil Nolde: 'On Primitive Art' 1912.
Oscar Kokoschka: 'On the Nature of Visions' 1912.
Alexander Shevchenko: 'Neo-Primitivism' 1913.
Benedetto Croce: 'What is Art?' 1913.
Clive Bell: 'The Aesthetic Hypothesis' 1914.
Carl Einstein: 'Negro Sculpture' 1915.
Hermann Bahr: from Expressionism 1916.
Hans Prinzhorn: from Artistry of the Mentally Ill 1922.
Part II The Idea of the Modern World:Introduction
3 Modernity:Georg Simmel: 'Metropolis and Mental Life' 1902-3.
Max Weber: 'Asceticism and the Spirit of Capitalism' 1904-05.
Vladimir Ilyich Lenin: 'Party Organization and Party Literature' 1905.
Henri Bergson: from Creative Evolution 1907.
Alexander Blok: 'Nature and Culture' 1908.
Filippo Tommaso Marinetti: 'The Foundation and Manifesto of Futurism' 1909.
Umberto Boccioni et al: 'Futurist Painting: Technical Manifesto' 1910.
Robert Delaunay: 'On the Construction of Reality in Pure Painting' 1912.
Georgy Valentinovich Plekhanov: from Art and Social Life 1912.
Franz Marc: 'Foreword' 1914.
Fernand Léger: 'Contemporary Achievements in Painting' 1914.
Percy Wyndham Lewis: 'Our Vortex' 1914.
Henri Gaudier-Brzeska: 'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska' 1915.
Ludwig Meidner: 'Instructions for Painting Pictures of the Metropolis' 1914.
Karl Kraus: from 'In These Great Times' 1914.
Kasimir Malevich: From Cubism and Futurism to Suprematism: The New Realism in Painting 1915-16
4 Cubism:Jean Metzinger: 'Note on Painting' 1910.
Guillaume Apollinaire: 'The Cubists' 1911.
Guillaume Apollinaire: 'On the Subject in Modern Painting' 1912.
Guillaume Apollinaire: 'The New Painting: Art Notes' 1912.
Guillaume Apollinaire: from The Cubist Painters 1912.
Jacques Rivière: 'Present Tendencies in Painting' 1912.
Albert Gleizes
Fernand Léger: 'The Origins of Painting and its Representational Value' 1913.
Olga Rozanova: 'The Bases of the New Creation' 1913.
Daniel-Henry Kahnweiler: from The Rise of Cubism 1916-20.
Georges Braque: 'Thoughts on Painting' 1917.
Pablo Picasso: 'Picasso Speaks' 1923.
Part III Rationalization and Transformation:Introduction
5 Neo-Classicism and the Call to Order:Amédée Ozenfant: 'Notes on Cubism' 1916.
Guillaume Apollinaire: 'The New Spirit and the Poets' 1918.
Oswald Spengler: from The Decline of the West 1918.
Carlo Carrà: 'Our Antiquity' 1916-18.
Léonce Rosenberg: 'Tradition and Cubism' 1

Notas de autor provistas por Syndetics

Charles Harrison is Professor of History and Theory of Art and Staff Tutor in Arts at the Open University. He is the author of numerous books on modern art criticism and art theory.

Paul Wood is Senior Lecturer in Art History at the Open University. He is co-editor, with Charles Harrison and Jason Gaiger, of Art in Theory 1648-1815 (2001) and Art in Theory 1815-1900 (1998).

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