Detalles MARC
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25198nam a2200313Ia 4500 |
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pucpr |
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20260701100541.0 |
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042012s2002 mau b 001 0 eng |
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| LC control number |
2002018490 |
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| International Standard Book Number |
9780631227083 |
| 040 ## - CATALOGING SOURCE |
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pucpr |
| Language of cataloging |
eng |
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pucpr |
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pucpr |
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rda |
| 041 ## - LANGUAGE CODE |
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spa |
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| Holding library |
CARIBET |
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| Classification number |
N6490 |
| Item number |
A7167 2002 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709/.04 |
| Edition number |
21 |
| 245 00 - TITLE STATEMENT |
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| Title |
Art in theory 1900-2000 : |
| Remainder of title |
an anthology of changing ideas. / |
| Statement of responsibility, etc. |
edited by Charles Harrison and Paul Wood. |
| Medium |
txt |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
First pusblished |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Place of production, publication, distribution, manufacture |
United States : |
| Name of producer, publisher, distributor, manufacturer |
Blackwell Publishing, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2002. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
xxvii, 1258 p. |
| Dimensions |
26 cm. |
| Type of unit |
book |
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rdacontent |
| Content type term |
text |
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txt |
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rdamedia |
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unmediaded |
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n |
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rdacarrier |
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volume |
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nc |
| 500 ## - GENERAL NOTE |
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| General note |
Incude index. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (p. [1188]-1211) and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Summary of Contents: <br/>I The Legacy of Symbolism --<br/>A Classicism and Originality 15 --<br/>B Expression and the Primitive 59 --<br/>II The Idea of the Modern World --<br/>A Modernity 132 --<br/>B Cubism 184 --<br/>III Rationalization and Transformation --<br/>A Neo Classicism and the Call to Order 226 --<br/>B Dissent and Disorder 250 --<br/>C Abstraction and Form 276 --<br/>D Utility and Construction 333 --<br/>IV Freedom, Responsibility and Power --<br/>A The Modern as Ideal 362 --<br/>B Realism as Figuration 402 --<br/>C Realism as Critique 442 --<br/>D Modernism as Critique 506 --<br/>V The Individual and the Social --<br/>A The American Avant Garde 562 --<br/>B Individualism in Europe 595 --<br/>C Art and Society 640 --<br/>VI The Moment of Modernism --<br/>A Art and Modern Life 693 --<br/>B Modernist Art 762 --<br/>VII Institutions and Objections --<br/>A Objecthood and Reductivism 818 --<br/>B Attitudes to Form 868 --<br/>C Political Aspects 913 --<br/>D Critical Revisions 944 --<br/>VIII Ideas of the Postmodern --<br/>A The Critique of Originality 1018 --<br/>B Figures of Difference 1057 --<br/>C The Condition of History 1117 --<br/>Contents :<br/>Preface and Acknowledgements xxv --<br/>A note on the Presentation and Editing of Texts xxvi --<br/>General Introduction 1 --<br/>Introduction 11 --<br/>IA Classicism and Originality 15 --<br/>1 Paul Signac from Eugene Delacroix to Neo Impressionism 1899 15 --<br/>2 Paul Gauguin Letter to Fontainas 1899 18 --<br/>3 Sigmund Freud from ‘On Dreams’ 1901 21 --<br/>4 Otto Weininger from Sex and Character 1903 28 --<br/>5 Max Liebermann Imagination in Painting 1904 30 --<br/>6 Paul Cézanne Letters to Emile Bernard 1904 – 1906 33 --<br/>7 Rainer Maria Rilke From Letters on Cézanne 1907 36 --<br/>8 Maurice Denis (intro. Roger Fry) Cézanne 1907 39 --<br/>9 Maurice Denis From Gaugin and Van Gogh to Neo Classicism 1909 46 --<br/>10 Julius Meier Graefe The Mediums of Art, Past and Present 1904 51 --<br/>11 Giorgio de Chirico Mystery and Creation 1913 58 --<br/>IB Expression and the Primitive 59 --<br/>1 August Endell The Beauty of Form and Decorative Art 1897-8 59 --<br/>2 Albert Pinkham Ryder Paragraphs from the Studio of a Recluse 1905 62 --<br/>3 André Derain Letters to Vlaminck c. 1905 – 1909 63 --<br/>4 Ernst Ludwig Kirchner Programme of the Brucke 1906 65 --<br/>5 Wilhelm Worringer from Abstraction and Empathy 1908 66 --<br/>6 Henri Matisse Notes of a Painter 1908 69 --<br/>7 Roger Fry An Essay in Aesthetics 1909 75 --<br/>8 Wassily Kandinsky from Concerning the Spiritual in Art 1911 82 --<br/>9 Wassily Kandinsky The Cologne Lecture 1914 89 --<br/>10 Franz Marc The Savages of Germany and Two Pictures 1912 93 --<br/>11 August Macke Masks 1912 95 --<br/>12 Emil Nolde On Primitive Art 1912 96 --<br/>13 Oscar Kokoschka On the Nature of Visions 1912 97 --<br/>14 Alexander Shevchenko Neo – Primitivism 1913 99 --<br/>15 Benedetto Croce What is Art? 1913 102 --<br/>16 Clive Bell The Aesthetic Hypothesis 1914 107 --<br/>17 Carl Einstein Negro Sculpture 1915 110 --<br/>18 Hermann Bahr from Expressionism 1916 116 --<br/>19 Hans Prinzhorn from Artistry of the Mentally III 1922 121 --<br/>II The Idea of the Modern World --<br/>Introduction 127 --<br/>IIA Modernity 132 --<br/>1 Georg Simmel The Metropolis and Mental Life 1902-3 132 --<br/>2 Max Weber Asceticism and the Spirit of Capitalism’ 1904-5 136 --<br/>3 Vladimir Ilyich Lenin Party Organization and Party Literature 1905 138 --<br/>4 Henri Bergson from Creative Evolution 1907 141 --<br/>5 Alexander Block Nature and Culture 1908 144 --<br/>6 Filippo Tommaso Marinetti The Foundation and Manifesto of Futurism 1909 146 --<br/>7 Umberto Boccioni et al. Futurist Painting : Technical Manifesto 1910 150 --<br/>8 Robert Delaunay On the Construction of Reality in Pure Painting 1914 152 --<br/>9 Georgy Valentinovich Plekhanov from Art and Social Life 1912 154 --<br/>10 Franz Marc Foreword 1914 158 --<br/>11 Fernand Léger Contemporary Achievements in Painting 1914 159 --<br/>12 Percy Wyndham Lewis Our Vortex 1914 162 --<br/>13 Henri Gaudier Brzeska Gaudier Brzeska Vortex 1914, and Vortex Gaudier Brzeska 1915 163 --<br/>14 Ludwig Meidner Instructions for Painting Pictures of the Metropolis 1914 167 --<br/>15 Karl Kraus from In These Great Times 1914 171 --<br/>16 Kasimir Malevich From Cubism and Futurism to Suprematism : The New Realism in Painting 1915 -16 173 --<br/>IIB Cubism 184 --<br/>1 Jean Metzinger Note on Painting 1910 184 --<br/>2 Guillaume Apollinaire The Cubists 1911 185 --<br/>3 Guilaume Apollinaire On the Subject in Modern Painting 1912 186 --<br/>4 Guillaume Apollinaire The New Painting : Art Notes 1912 187 --<br/>5 Guillaume Apollinaire from The Cubist Painters 1912 188 --<br/>6 Jacques Riviere Present Tendencies in Painting 1912 190 --<br/>7 Albert Gleizes and Jean Metzinger from Cubism 1912 194 --<br/>8 Fernand Léger The Origins of Painting and its Representational Value 1913 201 --<br/>9 Olga Rozanova The Bases of the New Creation 1913 205 --<br/>10 Daniel Henry Kahnweiler from The Rise of Cubism 1916-20 208 --<br/>11 Georges Braque Thoughts on Painting 1917 214 --<br/>12 Pablo Picasso Picasso Speaks’ 1923 215 --<br/>III Rationalization and Transformation --<br/>Introduction 221 --<br/>IIIA Neo Classicism and the Call to Order 226 --<br/>1 Amédée Ozenfant Notes on Cubism 1916 226 --<br/>2 Guillaume Apollinaire The New Spirit and the Poets’ 1918 228 --<br/>3 Oswald Spengler from The Decline of the West 1918 230 --<br/>4 Carlo Carra Our Antiquity 1916-18 232 --<br/>5 Léonce Rosenberg Tradition and Cubism 1919 236 --<br/>6 Giorgio de Chirico The Return to the Craft 1919 236 --<br/>7 Charles Edouard Jeanneret (Le Courbusier) and Amédée Ozenfant Purism 1920 239 --<br/>8 Albert Gleizes The Dada Case 1920 242 --<br/>9 André Derain On Raphael 1920 245 --<br/>10 Percy Wyndham Lewis The Children of the New Epoch 1921 245 --<br/>11 Juan Gris Reply to a Questionnaire 1921 246 --<br/>12 Gustav Friedrich Hartlaub Reply to a Questionnaire 1922 247 --<br/>IIIB Dissent and Disorder --<br/>1 Hugo Ball Dada Fragments 1916-17 250 --<br/>2 Marcel Duchamp The Richard Mutt Case 1917 252 --<br/>3 Tristan Tzara Dada Manifesto 1918 1918 252 --<br/>4 Richard Huelsenbeck and Raoul Hausmann 257 --<br/>5 Richard Huelsenbeck and Raoul Hausmann What is Dadaism and what does it want in Germany ? 1919 259 --<br/>6 Richard Huelsenbeck from En Avant Dada 1920 260 --<br/>7 Alexander Blok The Decline of Humanism 1918 263 --<br/>8 Novembergruppe Draft Manifesto 1918 and Guidelines 1919 165 --<br/>9 Novembergruppe Opposition Open Letter to the Novembergrouppe 1921 267 --<br/>10 Walter Gropius Reply to Arbeitsrat fur Kunst Questionnaire 1919 269 --<br/>11 Max Beckmann Creative Credo 1918-20 270 --<br/>12 Max Pechstein Creative Credo 1920 271 --<br/>13 George Grosz My New Pictures 1921 272 --<br/>14 Francis Picabia Thank you, Francis! 1923 274 --<br/>IIIC Abstraction and Form 276 --<br/>1 Hans Arp Introduction to a Catalogue 1915 276 --<br/>2 Man Ray Statement 1916 277 --<br/>3 Viktor Shklovsky from Art as Technique 1917 277 --<br/>4 De Stijl Manifesto 1 1918 281 --<br/>5 Theo van Doesburg from Principles of Neo Plastic Art 1915 – 25 281 --<br/>6 Piet Mondrian Dialogue on the New Plastic 1919 284 --<br/>7 Piet Mondrian Neo Plasticism : The General Principle of Plastic Equivalence 1920-1 289 --<br/>8 Kasimir Malevich Non Objective Art and Suprematism 1919 292 --<br/>9 Kasimir Malevich The Question of Imitative Art 1920 293 --<br/>10 Naum Gabo and Anton Pevsner The Realistic Manifesto 1920 298 --<br/>11 UNOVIS Programme of a United Audience in Painting of the Vitebsk State Free Workshops 1920 300 --<br/>12 Wassily Kandinsky Plan for the Physico psychological Department of the Russian Academy of Artistic Sciences 1921 302 --<br/>13 Johannes Itten Analyses of the Old Masters 1921 304 --<br/>14 Oskar Schlemmer Diary Extracts 1922 – 3 306 --<br/>15 Walter Gropius The Theory and Organization of the Bauhaus 1923 309 --<br/>16 Theo van Doesburg, El Lissistsky, Hans Richter Declaration of the International Fraction of Constructivists of the First International Congress of Progressive Artists 1922 – 3 314 --<br/>17 Wladyslaw Strzeminski What is legitimately called the New Art 1924 316 --<br/>18 El Lissitsky A. and Pangeometry 1925 317 --<br/>19 Hannah Hoch The painter c. 1920 321 --<br/>20 José Ortega y Gasset from The Dehumanization of Art 1925 323 --<br/>IIID Utility and Construction 333 --<br/>1 KOMFUT Programme Declaration 1919 333 --<br/>2 Vladimir Tatlin The Initiative Individual in the Collective 1919 334 --<br/>3 Lyubov Popova Catalogue statement 1919 335 --<br/>4 Nikolai Punin The Monument to the Third International 1920 336 --<br/>5 Alexander Rodchenko Slogans and Organizational Programme 1920 – 1 339 --<br/>6 Alexander Rodchenko and Varvara Stepanova Programme of the First Working Group of Constructivits 1922 341 --<br/>7 Alexei Gan from Constructivism 1922 343 --<br/>8 El Lissitsky and Ilya Ehrenburg Statement by the editors of Veshch 1922 344 --<br/>9 LEF editorial Whom is LEF alerting? 1923 345 --<br/>10 Osip Brik The So Called Formal Method 1923 347 --<br/>11 Osip Brik From Picture to Calico Print 1924 348 --<br/>12 Vladimir Tatlin Report of the Section for Material Culture’s Research Work 1924 352 --<br/>IV Freedom, Responsibility and Power --<br/>Introduction 357 --<br/>IVA The Modern as Ideal 362 --<br/>1 Paul Klee from On Modern Art 1924 362 --<br/>2 Amédée Ozefant from foundations of Modern Art 1928 369 --<br/>3 Hans Hofmann On the Aims of Art 1931 371 --<br/>4 Abstraction Création Editorial Statements 1932 and 1933 374 --<br/>5 Wladyslaw Strzeminski Statements 1932 and 1933 374 --<br/>6 Carl Gustav Jung On the concept of the archetype 1934 and 1938 378 --<br/>7 Alfred H. Barr Jr form Cubism and Abstract Art 1936 381 --<br/>8 Henri Matisse Statements to Tériade 1936 383 --<br/>9 Naum Gabo The Constructive Idea in Art 1937 384 --<br/>10 Piet Mondrian Plastic Art and Pure Plastic Art 1937 387 --<br/>11 Barbara Hepworth Sculpture 1937 393 --<br/>12 American Abstract Artists Editorial Statement 1938 396 --<br/>13 Ibram Lassaw On Inventing Our Own Art 1938 397 --<br/>14 Ben Nicholson Notes on Abstract Art 1941 398 --<br/>IVB Realism as Figuration 402 --<br/>1 Vladimir Ilyich Lenin On Proletarian Culture 1920 402 --<br/>2 AKhRR Declaration 1922 403 --<br/>3 AKhRR The Inmmediate Tasks of AKhRR 1924 404 --<br/>4 David A. Siqueiros et al. A Declaration of Social, Political and Aesthetic Principles 1922 406 --<br/>5 Red Group Manifesto 1924 407 --<br/>6 Otto Dix The Object is Primary 1927 408 --<br/>7 ARBKD (Asso) Manifesto and Statutes 1928 408 --<br/>8 George Grosz from My Life 1928 411 --<br/>9 Alfred Rosenberg from The Myth of the Twentieth Century 1930 412 --<br/>10 Georg Lukács Tendency or Partisanship? 1932 413 --<br/>11 Central Committee of the All Union Communist Party Decree on the Reconstruction of Literary and Artistic Organizations 1932 417 --<br/>12 John Reed Club of New York Draft Manifesto 1932 418 --<br/>13 Diego Rivera The Revolutionary Spirit in Modern Art 1932 421 --<br/>14 Mario Sironi Manifesto of Mural Painting 1933 424 --<br/>15 Andrei Zhdanov Speech to the Congress of Soviet Writers 1934 426 --<br/>16 David A. Siqueiros Towards a Transformation of the Plastic Arts 1934 429 --<br/>17 Stuart Davis and Clarence Weinstock Abstract Painting in America, Contradictions in Abstractions and A medium of 2 Dimensions 1935 431 --<br/>18 Grant Wood from Revolt Against the City 1935 435 --<br/>19 Francis Klingender Content and Form in Art 1935 437 --<br/>20 Adolf Hitler Speech Inaugurating the Great Exhibition of German Art 1937 439 --<br/>IVC Realism as Critique 442 --<br/>1 Leon Trotsky from Literature and Revolution 1922 – 3 442 --<br/>2 André Breton from the First Manifesto of Surrealism 1924 447 --<br/>3 Louis Aragon from Paris Peasant 1924 453 --<br/>4 Louis Aragon et al. Declaration of the Bureau de Recherche Surréalistes 1925 456 --<br/>5 André Breton Surrealism and Painting 1928 457 --<br/>6 André Breton from the Second Manifesto of Surrealism 1929 463 --<br/>7 George Grosz and Wieland Herzfelde Art is in Danger 1925 467 --<br/>8 Osip Brik Photography versus Painting 1926 470 --<br/>9 Sergei Tretyakov We Are Searching and We Raise the Alarm 1927 473 --<br/>10 Siegfried Kracauer from The Mass Ornament 1927 477 --<br/>11 October (Association of Artistic Labour) Declaration 1928 480 --<br/>12 Georges Bataille from Critical Dictionary 1929 – 30 482 --<br/>13 Georges Bataille The Lugubrious Game 1929 484 --<br/>14 Salvador Dali The Stinking Ass 1930 --<br/>15 Gustav Klucis Photomontage as a New Problem in Agit Art 1931 489 --<br/>16 Max Ernst What is Surrealism? 1934 491 --<br/>17 Walter Benjamin The Author as Producer 1934 493 --<br/>18 Bertolt Brecht Popularity and Realism 1938 499 --<br/>19 Fernand Léger The New Realism Goes On 1937 502 --<br/>IVD Modernism as Critique 506 --<br/>1 Kasimir Malevich Letter to Meyerhold 1932 506 --<br/>2 Pablo Picasso Conversation with Picasso 1935 507 --<br/>3 Herbert Read What is Revolutionary Art? 1935 510 --<br/>4 Meyer Schapiro The Social Bases of Art 1936 514 --<br/>5 Jan Mukarovsky from Aesthetic Function 1934/6 518 --<br/>6 Walter Benjamin ‘’The Work of Art in the Age of Mechanical Reproduction 1936 520 --<br/>7 Theodor Adorno Letter to Benjamin 1936 527 --<br/>8 Ernst Bloch Discussing Expressionism 1938 530 --<br/>9 André Breton, Diego Rivera and Leon Trotsky ‘’Towards a Free Revolutionary Art 1938 532 --<br/>10 R.G. Collingwood Good Art and Bad Art 1938 536 --<br/>11 Clement Greenberg Avant Garde and Kitsch 1939 539 --<br/>12 Harold Rosenberg The Fall of Paris 1940 549 --<br/>V The Individual and the Social --<br/>Introduction 557 --<br/>VA The American Avant Garde 562 --<br/>1 Clement Greenberg Towards a Newer Laocoon 1940 562 --<br/>2 Adolph Gottlieb and Mark Rothko with Barnett Newman Statement 1943 568 --<br/>3 Jackson Pollock Answers to a Questionnaire 1944 569 --<br/>4 Jackson Pollock Two Statements 1947 and 1947 /8 570 --<br/>5 Mark Rothko The Romantics were Prompted 1947 571 --<br/>6 Mark Rothko Statement 1947 573 --<br/>7 Adolph Gottlieb Statement 1947 573 --<br/>8 Barnett Newman The Ideographic Picture 1947 574 --<br/>9 Barnett Newman The First Man was an Artist 1947 577 --<br/>10 Clement Greenberg The Decline of Cubism 1948 580 --<br/>11 Barnett Newman The Sublime is Now 1948 582 --<br/>12 Willem de Kooning A Desperate View 1949 583 --<br/>13 Jackson Pollock Interview with William Wright 1950 586 --<br/>14 David Smith Aesthetics, the Artist and the Audience 1952 588 --<br/>15 Clyfford Still Statement 1952 --<br/>16 Harold Rosenberg from The American Action Painters 1952 589 --<br/>17 Clyfford Still Letter to Gordon Smith 1959 592 --<br/>VB Individualism in Europe --<br/>1 Wols Aphorisms c. 1945-51 595 --<br/>2 Jean Paul Sartre from Existentialism and Humanism 1946 600 --<br/>3 Jean Dubuffet Notes for the Well Lettered 1946 603 --<br/>4 Jean Dubuffet Crude Art Preferred to Cultural Art 1949 605 --<br/>5 Antonin Artaud from Van Gogh: The Man Suicided by Society 1947 608 --<br/>6 Jean Paul Sartre The Search for the Absolute 1948 611 --<br/>7 Samuel Beckett and Georges Duthuit from Three Dialogues 1949 616 --<br/>8 Jacques Lacan The Mirror Phase as Formative of the Function of the I 1949 620 --<br/>9 Jean Michel Atlan Abstraction and Adventure in Contemporary Art 1950 624 --<br/>10 Francis Ponge Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti 1951 625 --<br/>11 Albert Camus Creation and Revolution 1951 626 --<br/>12 Michael Tapié from An Other Art 1952 --<br/>13 Georg Baselitz Pandemonium Manifestos 1961 -2 631 --<br/>14 Francis Bacon Interview with David Sylvester 1962-3 635 --<br/>VC Art and Society 640 --<br/>1 Maurice de Vlaminck Open Opinions on Painting 1942 640 --<br/>2 Francis Klingender from Marxism and Modern Art 1943 641 --<br/>3 Robert Motherwell The Modern Painter’s World 1944 643 --<br/>4 Renato Guttuso Crisis of Renewal 1944 646 --<br/>5 Pablo Picasso Why I Joined the Communist Party 1944 648 --<br/>6 Pablo Picasso Statement to Simone Téry 1945 648 --<br/>7 Fida Kahlo on Moses 1945 649 --<br/>8 Lucio Fontana The White Manifesto 1946 652 --<br/>9 Vladimir Kemenov from Aspects of Two Cultures 1947 656 --<br/>10 Robert Motherwell and Harold Rosenberg The Question of What Will Emerge Is Left Open 1947/8 659 --<br/>11 Constant Our Own Desires Build the Revolution 1949 659 --<br/>12 Asger Jorn Forms Conceived as Language 1949 661 --<br/>13 André Fougeron The Painter on his Battlement 1948 661 --<br/>14 Hans Sedlmayr and Theodor Adorno from the Darmstadt Colloquy 1950 663 --<br/>15 George Dondero from The Congressional Record 1949 665 --<br/>16 Arthur M. Schlesinger Jr from The Politics of Freedom 1950 668 --<br/>17 Alfred H. Barr Jr Is Modern Art Communistic? 1952 670 --<br/>18 Ben Shahn The Artist and the Politician 1953 674 --<br/>19 Henry Moore The Sculptor in Modern Society 1952 677 --<br/>20 David A. Siqueiros Open Letter to the Painters, Sculptors and Engravers of the Soviet Union 1955 680 --<br/>21 Georg Lukács The Ideology of Modernism 1956 683 --<br/>VI The Moment of Modernism --<br/>Introduction 689 --<br/>VIA Art and Modern Life 693 --<br/>1 Roland Barthes from Myth Today 1956 698 --<br/>2 Jiro Yoshirara Gutai Manifesto 1956 701 --<br/>3 Guy Debord Writings from the Situationist International 1957-61 707 --<br/>4 Asger Jorn Detourned Painting 1959 710 --<br/>5 Frantz Fanon On National Culture 1959 715 --<br/>6 Lawrence Alloway The Arts and the Mass Media 1958 717 --<br/>7 Allan Kaprow from Assemblages, Environments and Happenings 1959-65 717 --<br/>8 Piero Manzoni Free Dimension 1960 722 --<br/>9 Pierre Restany The New Realists 1960 724 --<br/>10 GRAV (Groupe de Recherche d’Art Visuel) Transforming the Current Situation of Plastic Art 1961/2 725 --<br/>11 George Maciunas Neo Dada in Music, Theater, Poetry, Art 1962 727 --<br/>12 Raymond Williams The Analysis of Culture 1961 729 --<br/>13 John Cage On Robert Rauschenberg, Artist and his Work 1961 734 --<br/>14 Jasper Johns Interview with David Sylvester 1965 737 --<br/>15 Richard Hamilton For the Finest Art, Try Pop 1961 742 --<br/>16 Claes Oldenburg from Documents from the Store 1961 743 --<br/>17 Andy Warhol Interview with Gene Swenson 1963 747 --<br/>18 Roy Linchtenstein Lecture to the College Art Association 1964 749 --<br/>19 George Kubler from The Shape of Time 1962 751 --<br/>20 Marshall McLuhan from Understanding Media 1964 754 --<br/>21 Gerhard Richter Notes 1964-1965 757 --<br/>22 Tony Smith from an interview with Samuel Wagstaff Jr 1966 760 --<br/>23 Jasper Johns Obituary of Marcel Duchamp 1968 760 --<br/>VIB Modernist Art 762 --<br/>1 Alain Robbe Grillet Commitment 1957 762 --<br/>2 David Smith Tradition and Identity 1959 766 --<br/>3 Maurice Merleau Ponty from Eye and Mind 1961 767 --<br/>4 Roger Hilton Remarks about Painting 1961 771 --<br/>5 Clement Greenberg Modernist Painting 1961 773 --<br/>6 Theodor Adorno from Commitment 1962 779 --<br/>7 Barnett Newman Interview with Dorothy Gees Seckler 1962 783 --<br/>8 Clement Greenberg from After Abstract Expressionism 1962 785 --<br/>9 Michael Fried from Three American Painters 1965 787 --<br/>10 Michael Fried from Shape as Form : Frank Stella’s New Paintings 1966 793 --<br/>11 Jules Olitski Painting in Color 1967 795 --<br/>12 Stanley Cavell A Matter of Meaning It 1967 796 --<br/>13 William Tucker and Tim Scott Reflections on Sculpture 1967 801 --<br/>14 Richard Wollheim The Work of Art as Object 1970 803 --<br/>VII Institutions and Objections --<br/>Introduction 813 --<br/>VIIA Objecthood and Reductivism 818 --<br/>1 Yves Klein from The Evolution of Art towards the Immaterial 1959 818 --<br/>2 Carl Andre Preface to Stripe Painting 1959 820 --<br/>3 Frank Stella Pratt Institute Lecture 1959-60 820 --<br/>4 Ad Reinhardt Art as Art 1962 821 --<br/>5 Donald Judd Specific Objects 1965 824 --<br/>6 Robert Morris Notes on Sculpture 1-3 1996-7 828 --<br/>7 Michael Fried Art and Objecthood 1967 835 --<br/>8 Sol Le Witt Paragraphs on Conceptual Art 1967 846 --<br/>9 Sol Le Witt Sentences on Conceptual Art 1969 849 --<br/>10 Robert Barry Interview with Arthur R. Rose 1969 851 --<br/>11 Joseph Kosuth Art After Philosophy 1969 852 --<br/>12 Daniel Buren, Olivier Mosset, Michael Parmentier and Niele Toroni Statement 1967 861 --<br/>13 Daniel Daniel Buren Beware 1969-70 861 --<br/>14 Art & Language Editorial to Art Language 1976 --<br/>VIID Critical Revisions 944 --<br/>1 Jacques Derrida from Of Grammatology 1967 944 --<br/>2 Michel Foucault What is an Author ? 1969 949 --<br/>3 Louis Althusser from Ideology and Ideological State Apparatuses 1970 953 --<br/>4 Thomas Kuhn from Postscript 1969 1970 960 --<br/>5 Roland Barthes From Work to Text 1971 965 --<br/>6 Robert Smithson Cultural Confinement 1972 970 --<br/>7 Leo Steinberg from Other Criteria 1968-72 971 --<br/>8 Rosalind Krauss A View of Modernism 1972 976 --<br/>9 Jean Baudrillard Ethic of Labour, Aesthetic of Play 1973 979 --<br/>10 Laura Mulvey from Visual Pleasure and Narrative Cinema 1973/5 982 -- <br/>11 Michel Foucault A Lecture 1976 989 --<br/>12 Rosalind Krauss Notes on the Index, Part I 1976/7 994 --<br/>13 Fredic Jameson from Reflections on the Brecht Lukács Debate 1977 999 --<br/>14 Raymond Williams Dominant, Residual and Emergent 1977 1001 --<br/>15 Edward Said From Orientalism 1978 1005 --<br/>VIII Ideas of the Postmodern --<br/>Introduction 1013 --<br/>VIIIA The Critique of Originality 1018 --<br/>1 Jean Baudrillard The Hyper realism of Simulation 1976 1018 --<br/>2 Pierre Bourdieu Being Different 1977 1020 --<br/>3 Craig Owens from The Allegorical Impulse 1980 1025 --<br/>4 Rosalind Krauss from The Originality of the Avant Garde 1981 1032 --<br/>5 Hal Foster from Subversive Signs 1982 1037 --<br/>6 Sherrie Levine Statement 1982 1038 --<br/>7 Art & Language Letter to a Canadian Curator 1982 1039 --<br/>8 Barbara Kruger Taking Pictures 1982 1041 --<br/>9 Peter Halley Nature and Culture 1983 1042 --<br/>10 Fredic Jameson The Desconstruction of Expression 1984 1046 --<br/>11 Haim Steinbach, Jeff Koons, Sherrie Levine, Philip Taaffe, Peter Halley, Ashley Bickerton From Criticism to Complicity 1986 1051 --<br/>12 Julia Kristeva Interview with Catherine Francblin 1986 1054 --<br/>VIIIB Figures of Difference 1057 --<br/>1 Edward Said from Opponents, Audiences, Constituencies, and Community 1981 1057 --<br/>2 Mary Kelly Re Viewing Modernist Criticism 1981 1059 --<br/>3 Ana Mendieta Arts and Politics 1982 1064 --<br/>4 Krzysztof Wodiczko Public Projection 1983 1065 --<br/>5 Victor Burgin from The Absence of Presence 1984 1068 --<br/>6 Jacqueline Rose "Sexuality in the Field of Vision' 1984/5 1072 --<br/>7 Niklas Lahmann The Work of Art and the Self-Reproduction of Art" 1984-6 1076 --<br/>8 W. J. T. Mitchell "Image and Word" and 'Mute Poesy and Blind Painting" 1986 1081 --<br/>9 Raymond Williams "When was Modernism? 1987/9 1085 --<br/>10 Louise Bourgeois Statements from an Interview with Donald Kuspit 1988 1090 --<br/>11 Richard Rorty 'Private Irony and Liberal Hope' 1989 1092 --<br/>12 Gayatri Chakravorti Spivak "Who Claims Alterity? 1989 1096 --<br/>13 Richard Serra from The Yale Lecture 1990 1096 --<br/>14 Mike Kelley Dirty Toys: Mike Kelley Interviewed' 1991/2 1099 --<br/>15 Martin Kippenberger from B: interview with Jutta Koether 1991/4 1102 --<br/>16 Peter Wollen Into the Future: Tourism, Language and Art' 1990/3 1105 --<br/>17 Homi K. Bhabha On 'hybridity' and 'moving beyond' 1994 1110 --<br/>VIIIC The Condition of History 1117 --<br/>1 Daniel Bell from 'Modernism and Capitalism' 1978 1117 --<br/>2 Jean François Lyotard Introduction to The Postmodern Condition 1979 1122 --<br/>3 Jürgen Habermas Modernity - An Incomplete Project' 1980 1123 --<br/>4 Jean François Lyotard 'What is Postmodernism?' 1982 1131 --<br/>5 Julia Kristeva 'Powers of Horror' 1980 1137 --<br/>6 Donald Judd from not about master-pieces but why there are so few of them' 1984 1139 --<br/>7 Joseph Beuys, Jannis Kounellis, Anselm Kiefer, Enzo Cucchi from "The Cultural --Historical Tragedy of the European Continent' 1986 1143 --<br/>8 Gerhard Richter from Interview with Benjamin Buchloh' 1988 1147 --<br/>9 Gerhard Richter Notes 1990 1157 --<br/>10 Jeff Wall from a discussion 1990 1158 --<br/>11 Diedrich Diederichsen 'Which Side are You on, Cultural Worker?' 1990 1162 --<br/>12 Albert Oehlen in conversation with Wilfred Dickhoff and Martin Prinzhorn 1991 1163 --<br/>13 Olu Oguibe In the Heart of Darkness 1993 1170 --<br/>14 Ilya Kabakov On installations 1994 and 2000 1175 --<br/>15 Doris Salcedo Interview with Charles Merewether 1999 1180 --<br/>16 Franco Moretti MoMA2000: The Capitulation 2000 1183 --<br/>Bibliography 1188 --<br/>Copyright acknowledgements 1212 --<br/>Index 1228 --<br/><br/><br/> |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Since it was first published in 1992, this book has become one of the leading anthologies of art theoretical texts in the English-speaking world. This expanded edition includes the fruit of recent research, involving a considerable amount of newly translated material from the entire period, together with additional texts from the last decades of the twentieth century" -- |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Modern |
| Chronological subdivision |
20th century |
| General subdivision |
Philosophy. |
| Source of heading or term |
Local |
| 9 (RLIN) |
54863 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Libro |
| Edition |
First pusblished |
| Classification part |
N6490 |
| Call number prefix |
General |
| Call number suffix |
A7167 2002 |