000			06237nam a22003137a 4500
003			pucpr
005			20260825171537.0
008			260825b2025 |||ace|| b||| 00| 0 eng d
020			_a9783775759205
020			_a3775759204
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050			_aNA737.W518 _bW49 2025
100			_aTylevich, Katya _9303422
245			_aWhy WHY? : _bwhere architecture loves people. / _htxt
264			_aBerlin : _bHatje Cantz Verlag, _c2025.
300			_a508 pages : _billustrations ; color ; portraits ; plans ; _c30 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references.
505			_aContents: Museum Architecture: p.10 -- Museum as culture campus Speed Art Museum p.12 -- Original, invisible green Grand Rapids Art Museum p.22 -- Why WHY? 1 Celeste Adams p.24 -- Flavors and feist Cheech Marin Center for Chicano Art & Culture p.36 -- Why WHY? 2 Cheech Marin p.38 -- From temple to playground Marciano Art Foundation p.48 -- Museum as site of empathy Michael C. Rockefeller Wing at the Metropolitan Museum of Art p.58 -- Why WHY? 3 Max Hollein p.60 -- The future from the ground up ilmi Science Discovery & Innovation Center p.70 -- Raw platform for art activation Dib Bangkok International Contemporary Art Museum p.78 -- Why WHY? 4 Petch Osathanugrah p.80 -- Asian for all, art for everyone Asian Art Museum p.90 -- Museum for peace and understanding Roman Antiquities and Byzantine and Eastern Christian Art at Musee du Louvre p.100 -- A full art hub, indoor and out Contemporary Art Center Manila p.108 -- Museum Galleries: p.116 -- Storytellers unite Stories of Cinema at the Academy Museum of Motion Picture p.118 -- Why WHY? 5 Bill Kramer p.120 -- Co creation with deep cultures Northwest Coast Hall at the American Museum of Natural History p.132 -- Close looking, critical thinking Harvard Art Museums p.140 -- Prototype of Acupuncture Architecture Art Institute of Chicago p.150 -- Exhibitions: p.160 -- Red alert beauty and war Samurai Art of Armor at the Los Angeles Country Museum of Art p.162 -- First Biennale in the Kingdom Feeling the Stones at the Diriyah Contemporary Art Biennale p.168 -- Why WHY? 6 Philip Tinari p.170 -- Serving life behind the menu To Live and Dine in L.A. at the Los Angeles Central Library p.178 -- Why WHY? 7 Josh Kun p.180 -- Artist as client The Flaying of Marsyas at the Museo di Palazzo Grimani p.188 -- Why WHY? 8 Mary Weatherford p.190 -- Art Spaces: p.198 -- Flexibility and precision David Kordansky Gallery p.200 -- Why WHY? 9 David Kordansky p.202 -- Annual L.A. hub Frieze Los Angeles p.216 -- Space welcoming diverse beauty Christie’s Los Angeles p.226 -- Garden as gallery as a garden L&M Arts p.234 -- How to live with objects R & Company p.242 -- Why WHY? 10 Zesty Meyers & Evan Snyderman p.244 -- Art hub with no backdoor Institute of Contemporary Art Los Angeles p.252 -- Life and works of two artists Shio Kusaka & Jonas Wood Artists’ Studio p.262 -- Why WHY? 11 Shio Kusaka & Jonas Wood p.264 -- Where house the arts O Ground Art Warehouse p.274 -- Community: p.282 -- Jiving with the youth East Palo Alto Youth Arts & Music Center p.284 -- We want to work even during blackouts Studio Art Hall at Pomona College p.296 -- Why WHY? 12 Helen Pashgian p.298 -- Hub for lone time or time together CalArts Student Center & Dining Hall p.310 -- Why WHY? 13 Ravi Rajan p.312 -- Art as coworker America Place Headquarters p.320 -- Why WHY? 14 Irene & Jim Karp p.322 -- Pride of Perm Tchaikovsky Academic Opera & Ballet Theatre p.330 -- Agriculture art architecture Artena p.338 -- Why WHY? 15 Victoire de Pourtales & Benjamin Eymere p.340 -- Housing diversity with quality Housing Communities p.348 -- Why WHY? 16 Tom Safran p.350 -- Homes: p.356 -- Living with art at water’s edge Malibu Beach House p.358 -- Underwater cave Venice Beach House p.372 -- Roof as third nature Chiang Mai Residence p.386 -- Why WHY? 17 Patrick & Yupa Corfe p.388 -- Where every room is a garden Casa Wakasa p.402 -- Lifting the bungalows, living with green Amoroso Residence p.410 -- Why WHY? 18 Tiffany Rochelle & Paul Hibler p.412 -- Framing views, finding light Phuket Residence p.424 -- A compound for family and art O House p.434 -- Cohousing for many generations Treehouse p.442 -- Why WHY? 19 Prophet Walker p.444 -- Landscape y Public Installations: p.452 -- Rejuvenating a heritage Jackson Park Master Plan p.454 -- Artist as client Skylanding by Yoko Ono p.462 -- Building bridge for a wounded river Art Bridge p.470 -- Lightness in flight Float, Flutter, Flow p.478 -- Art and nature bringing two cities together The Quaich Project p.486 --
520			_aWHY is a wildly interdisciplinary architecture, design and landscape studio with global projects of every scale. Founded in 2003 by Thai-born, Los Angeles-based Kulapat Yantrasast (born 1968), the firm is committed to creating lasting connections between people, culture and place. Among other projects, the practice worked with civic leaders and urban planners to revitalize the historic Portland Warehouse District near Louisville, Kentucky. In 2017 and 2018, the firm won two international competitions to design large-scale urban parks: West Princes Street Gardens and the Ross Pavilion in Edinburgh, Scotland, and Rees Ridge Waterfront Park in Toronto. A reflection of WHY's pluralistic approach, this first comprehensive monograph consists of multiple interviews with its founder, clients, colleagues, thinkers and supporters, conducted by longtime WHY friend and collaborator Katya Tylevich. The book is conceived as a collage of the designs and dialogues fostered by the studio, reflecting the exchanges and close bonds between people dedicated to making better places, and making places better. --
650		0	_aArchitectural firms _9196785 _zUnited States
650		0	_aArchitectural studios _9303021 _zUnited States
651		0	_aUnited States _9293958
700			_aYantrasast, Kulapat _9303423
942			_2lcc _c27 _hNA737.W518 _kGeneral _mW49 2025
999			_c306797 _d306797