000			03155 a2200313 4500
003			OSt
005			20260929115054.0
008			260306s2019 gw a|||gr|||| 001 0 eng d
020			_a9783662597019
040			_beng _dprpcul _erda
041			_aeng
049			_acicg
050			_aK 1450 _b.M248o 2019
100	1		_aMalevanny, Nikita. _9303382
245	1		_aOnline music distribution - how much exclusivity is needed? : _ba study of international, European, German and U.S. copyright systems and their objectives / _cNikita Malevanny.
264			_aGermany : _bSpringer, _c2019.
300			_axxix, 423 pages : _billustration ; _c23 cm.
490	0		_aMunich Studies on Innovation and Competition _vv. 12
504			_aIncludes index.
505	0	0	_gIntroduction -- _tPart I - Online Music Distribution: Current Legal Situation -- _gRelevant Online Music Uses -- _gRelevant Rights and Their Applicability to Online Music Uses -- _gLimits to Exclusive Rights in the Internal Relationship Between Original and Derivative Rightholders -- _gLimits of the Possibility to Exclude -- _gCRM in the Field of OMD -- _gCurrent Regimes of Exclusivity in the OMD Field in Germany and in the U.S. -- _tPart II - Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- _gPromoting Creation of New Musical Subject-Matter -- _gRewarding Rightholders -- _gPromoting a Level Playing Field Among Rightholders -- _gPromoting Dissemination of Musical Subject-Matter -- _gFurther Objectives -- _gConclusion on Compatibility of Current Regimes of Exclusivity with Regulatory Objectives in the Field of OMD -- _tPart III - Policy Recommendations and Conclusion -- _gPolicy Recommendations on Regulating Exclusivity in the Field of OMD -- _gConclusion -- _tBibliography
520			_a
520	8		_aThis book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright's objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field.
520	8		_aThe book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in “law and economics” and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III. --Back cover
650		0	_aCopyright _980627 _xMusic
650		0	_aCopyright _980627 _xMusic _zGermany
650		0	_aCopyright, International _980628 _xMusic
942			_c6 _2lcc
999			_c305874 _d305874