000			05107cam a2200409 i 4500
001			on1346350809
003			OCoLC
005			20260925102326.0
008			260306t20232023enkag b 001 0 eng d
010			_a 2023940304
020			_a9781509949380 _q(hardcover)
035			_a(OCoLC)1346350809
040			_aPUCPR
049			_acicg
050	0	0	_aK 1450 _b.M87 2023
245	1	0	_aMusic borrowing and copyright law : _ba genre-by-genre analysis / _cedited by Enrico Bonadio and Chen Wei Zhu.
264		1	_aOxford, UK ; _aNew York, NY : _bHart Publishing, _c2023.
300			_axviii, 464 pages : _billustrations, music ; _c25 cm
336			_atext _2rdacontent
336			_astill image _bsti _2rdacontent
336			_anotated music _bntm _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_gPart I: _tMusic genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies / _rFranco Fabbri -- _tA brief history and typology of musical borrowing and reworking / _rJ Peter Burkholder -- _tLitigating musical universals and particulars : copyright law's ontological struggle with music borrowing / _rChen Wei Zhu -- _tWe can work it out : methods in forensic musicology / _rJoe Bennett -- _tForensic musicology in action : a personal perspective / _rGuy Protheroe -- _tBorrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective / _rAnthony CK Kakooza -- _gPart II: _tAnalysing music genres and their relationship with copyright. _gSection A: General. _tPop and the musical unconscious / _rJose Bellido -- _t'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law / _rJoyce Lee and Marc Mimler -- _tUnderstanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry / _rNicola Lucchi -- _tHow jazz persists at the periphery of copyright / _rKatherine M Leo -- _tConfronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations / _rOlufunmilayo B Arewa and Matt Stahl -- _t'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century / _rAnn van Allen-Russell -- _gSection B: Americas. _tRemix, reuse and reggae : creativity and copyright in Jamaican music / _rEnrico Bonadio and Bryan Khan -- _tRhythm and melody sans humanité : copyright and the development of calypso music / _rBryan Khan -- _tPholourie bina chutney : copyright and cultural identity in Indo-Caribbean music / _rBryan Khan -- _tRiver Plate tango : appropriation, borrowing and innovation / _rMaximiliano Marzetti -- _gSection C: Europe. _tOwnership as sharing : the practices of Irish folk music / _rLuke McDonagh -- _tHungarian musical heritage goes viral -- Hungarian folk music from a copyright perspective / _rPéter Mezei and Gergely Békés -- _tFlamenco music, borrowing practices and the limits of copyright / _rAntoni Rubí-Puig -- _tCanzone napoletana, chanson francaise and southern Italian folk music : who took from whom? / _rGiovanni Maria Riccio -- _tGreek traditional music : creativity, copyright and the commons / _rStavroula Karapapa -- _gSection D: Africa and Middle East. _tIsraeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring / _rOmri Rachum-Twaig -- _tFeel the Benga beat : music borrowing and copyright law in Kenya / _rMarisella N Ouma -- _tThe many facets of borrowing and creativity in South African music / _rTobias Schonwetter and Bram Van Wiele -- _gSection E: Asia and Oceania. _tHistory, functionality and dignity : traditional Chinese music borrowing and copyright protection in China / _rTianxiang He and Jing Li -- _tMusic borrowing in the history of Japanese music / _rRyu Kojima -- _tCreation and the dreamtime : Indigenous music in Australia / _rMichael Blakeney -- _tE tu, stand up : copyright and Maori music / _rJonathan Barrett
520			_a"This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." --
650		0	_aCopyright _xMusic _zGreat Britain.
650		0	_aAllusions in music.
650		0	_aQuotation in music.
650		7	_aCopyright _xMusic. _2fast
650		7	_aQuotation in music. _2fast
651		7	_aGreat Britain. _2fast
700	1		_aBonadio, Enrico, _eeditor.
700	1		_aZhu, Chen Wei, _eeditor.
942			_2lcc _c6
999			_c305857 _d305857