000			03602nam a22004217a 4500
003			pucpr
005			20260210125002.0
008			260210b2023 |||a|||| b||| 001 0 mul d
020			_a9783836507868
020			_a3836507862
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050			_aNC970 _bR66 2023
100			_aRoob, Alexander _9302873
245			_aThe history of press graphics 1819-1921 / _cAlexander Roob. _htxt
264			_aKöln : _bTaschen, _c2023.
300			_a603 p. : _bill. ; col. ; _c38 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references and indexes.
505			_aThe Classic Period of Press Graphics : Introduction page 6 -- Early Illustrated News page 20 -- The Industrial Turn 1819- 1868 page 56 -- Realism and Caricature 1819- 1842 page 70 -- The Rise of Illustrated Journalism 1842- 1868 page 146 --
505			_aModern Press Graphics : The Chemigraphic Turn 1869- 1921 page 228 -- Van Gogh’s “Bible for Artists” 1869- 1884 page 250 -- The Triumph of Caricature 1867- 1888 page 310 -- The Golden Age of Illustrated Journalism 1873- 1918 page 384 -- The Illustration Revolution 1881 -1921 page 492 -- Appendix page 590 --
520			_aIn today's world of instant snapshots, 24-hour news, and round-the-clock connectivity, an illustrated press where the images are as important as the text has become an increasingly rare art form. This compendium celebrates the golden age of graphic journalism as a distinct and unique genre and a laboratory for developing avant-garde aesthetics. Spanning from 1819 to 1921, the collection covers a range of news graphics and political and satirical cartoons. It includes the works of artists such as Jean Cocteau, Juan Gris, and Käthe Kollwitz, Thomas Nast, Honoré Daumier, Gustave Doré, and the numerous relatively unknown press graphic artists, the so-called "special artists," whose work is rediscovered here. Their press work is considered not only in connection to the genre and the historical painting of the 19th century but also in its capacity as an influence on modern art. With examples of proto-cinematic narrative thinking, disruptions of the single image space, and daring forays into abstraction, this material is shown to have laid the groundwork for much of the avant-garde artistic expression that followed. The book also explores Vincent Van Gogh's attention to the illustrated press of his time. He was inspired not only by the artistic aspect of it but also by the spirit of social reform that it represented. -- Provided by publisher
546			_aText in English, French and German.
650		0	_aGraphic design. _9230537
650		0	_aIllustrated periodicals _9302874 _vPictorial works _xHistory _y19th century
650		0	_aIllustrated periodicals _9302874 _vPictorial works _xHistory _y20th century
650		0	_aIllustrated works _9297308
650		0	_aJournalism, Pictorial _9302875 _vPictorial works _xHistory _y19th century
650		0	_aJournalism, Pictorial _9302875 _vPictorial works _xHistory _y20th century
650		0	_aNewspapers Illustrations _9302876 _vPictorial works _xHistory _y19th century
650		0	_aNewspapers Illustrations _9302876 _vPictorial works _xHistory _y20th century
650		0	_aMass media _9132485 _vPictorial works _xHistory
650		0	_aPress _9153586 _vPictorial works _xHistory
650		0	_aPolitical cartoons _9265006 _vPictorial works _xHistory
942			_2lcc _c27 _hNC970 _kOversize _mR66 2023
999			_c305681 _d305681