| 000 | 03549nam a22004217a 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20260126161718.0 | ||
| 008 | 240322s2024 nyua b 000 0 eng d | ||
| 020 |
_a9780847899982 _qhardcover |
||
| 020 |
_a0847899985 _qhardcover |
||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
||
| 049 | _aCARIBET | ||
| 050 | 0 | 0 |
_aNA1492.382.T37 _bT37 2024 |
| 100 |
_aGrenier, Béatrice _9302813 |
||
| 245 | 0 | 0 |
_aTashkent : _ba modernist capital. / _cphotography by Karel Balas ; text by Béatrice Grenier ; foreword, Saida Mirziyoyeva ; preface, Chris Dercon. _htxt |
| 264 | 1 |
_aNew York : _bRizzoli, _c2024. |
|
| 300 |
_a239 p. : _bill. ; col. ; _c36 cm _fbook |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 336 |
_2rdacontent _astill image _bsti |
||
| 337 |
_2rdamedia _aunmediated _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 500 | _a"Project initiated and commissioned by Art and Culture Development Foundation under the Cabinet of Ministers of the Republic of Uzbekistan." | ||
| 504 | _aIncludes bibliographical references. | ||
| 505 | 0 | _aINTRODUCTION BY GAYANE UMEROVA 8 -- IMAGES FOR A NEW MODERNIST CAPITAL BY BÉATRICE GRENIER 10 -- PALACE OF PEOPLE’S FRIENDSHIP 16 -- BIG SOLAR FURNACE 36 -- REPUBLICAN ART COLLEGE 52 -- BLUE DOMES CAFÉ 62 -- CHORSU MARKET 70 -- STATE MUSEUM OF HISTORY 82 -- REPUBLICAN SPECIALIZED SURGERY CENTER 92 -- ALISHER NAVOI METRO STATION 104 -- PAKHTAKOR METRO STATION 110 -- PEOPLE’S FRIENDSHIP METRO STATION 118 -- KOSMONAVTLAR METRO STATION 126 -- STATE MUSEUM OF ARTS 136 -- PALACE OF CULTURE OF AVIATORS 146 -- ALISHER NAVOI CINEMA PALACE 156 -- FRENCH CULTURAL CENTER AND RESTORATION CENTER 166 -- STATE CIRCUS 174 -- NATIONAL TELEVISION AND RADIO COMPANY 188 -- ZHEMCHUG RESIDENTIAL BUILDING 198 -- TV TOWER 210 -- CENTRAL EXHIBITION HALL OF THE ACADEMY OF ARTS 218 -- HOTEL UZBEKISTAN 228 -- | |
| 520 | _a"In this extraordinary volume, realized in collaboration with the Uzbekistan Art and Culture Development Foundation, photographer Karel Balas reveals the modernist architecture of Tashkent through a collection of never-before-seen photographs. Constructed between the 1960s and early '90s, these buildings stand as powerful metaphors vis-à-vis Tashkent's past and present, painting a picture of its rich cultural heritage. Part of the overlooked Soviet modernism movement, the expression of this new architectural style represents a vision and social function for the city as a whole--all the while connoting the specific character and modernization of Central Asia. Whether a 1964 cinema, the State Museum of the Arts, the 1970 Lenin Museum, or the striking Hotel Uzbekistan dated 1976, each structure tells a captivating story about one of the most enthralling cities on the Asian continent"--Publisher's website | ||
| 650 | 0 |
_aArchitecture _zUzbekistan _zTashkent. |
|
| 650 | 0 |
_aArchitecture _zUzbekistan _zTashkent _vPictorial works. |
|
| 650 | 0 |
_aArchitecture _zUzbekistan _zTashkent _xHistory. |
|
| 650 | 0 |
_aArchitecture _zSoviet Union. |
|
| 650 | 0 |
_aArchitecture, Modern _y20th century. |
|
| 700 | 1 |
_aBalas, Karel, _d1967- _ephotographer. |
|
| 700 | 1 |
_aGrenier, Béatrice, _ewriter of added text. |
|
| 700 | 1 |
_aMirziëeva, S. Sh. _q(Saida Shavkatovna), _ewriter of foreword. |
|
| 700 | 1 |
_aDercon, Chris, _ewriter of preface. |
|
| 710 | 2 |
_aUzbekistan Art and Culture Development Foundation, _ecommissioning body. |
|
| 710 | 1 |
_aUzbekistan. _bVazirlar maḣkamasi, _ecommissioning body. |
|
| 942 |
_2lcc _c27 _hNA1492.382.T37 _kOversize _mT37 2024 |
||
| 999 |
_c305579 _d305579 |
||