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008			250331s2026 nyu b 001 0 eng
010			_a 2025012521
020			_a9781032773735 _qhardback
020			_a9781032753065 _qpaperback
020			_z9781003482727 _qebook
035			_a24132101
035			_a(DLC)24132101
040			_aDLC _beng _erda _cDLC _dDLC-MRC
042			_apcc
050	0	0	_aPN1995.9.P7 _bG448 2026
082	0	0	_a791.43/0232 _223/eng/20250709
100	1		_aGlebas, Francis _eauthor _4aut _4http://id.loc.gov/vocabulary/relators/aut _0http://id.loc.gov/authorities/names/no2003081052
245	1	0	_aDirecting the story : _bprofessional storytelling and storyboarding for animation, comic and live action / _cFrancis Glebas.
250			_aSecond edtion.
264		1	_aBoca Raton, FL : _bCRC Press, _c2026.
300			_axiii, 408 pages : _bcolor illustrations ; _c28 x 22 cm.
336			_atext _btxt _2rdacontent _0http://id.loc.gov/vocabulary/contentTypes/txt
337			_aunmediated _bn _2rdamedia _0http://id.loc.gov/vocabulary/mediaTypes/n
338			_avolume _bnc _2rdacarrier _0http://id.loc.gov/vocabulary/carriers/nc
504			_aIncludes bibliographical references and index.
505			_aPart One -- 1. The Goal: Why Do We Watch? -- 2. Common Beginner Problems -- 3. The Beginning Basics -- 4. How to Draw for Storyboarding: Motion and Emotion -- Part Two -- 5. Structural Approach: Tactics to Reach the Goal -- 6. What Do Directors Direct? -- 7. How to Direct the Eyes -- 8. Directing the Eyes Deeper in Space and Time -- 9. How to Make Images Speak: The Hidden Power of Images -- 10. How to Convey and Suggest Meaning -- 11. Dramatic Irony -- 12. Which Doctor? -- 13. Volcano Chase -- 14. The BIG Picture: Story Structures -- 15. Aiming for the Heart -- 16. Summary: Recapitulation of All Concepts -- 17. Analysis and Evolution of the Scheherazade Project -- 18. Conclusion: Now We Must Say Good-bye -- Exercises to Develop Your Skills -- Bibliography -- Index.
520			_a"This book grew out of desperate need. I was a storyboard artist at Disney and had no idea what I was doing. At Disney I was surrounded by amazing talents. I went into work early and typed up notes on what I was learning. This experience became Directing the Story. I went on to storyboard over a dozen features, several TV animated shows and directed Donald Duck in Fantasia 2000, Piglet's Big Movie and 2 seasons of Mira Royal Detective. This new addition includes storyboarding for 3D animation illustrated with storyboard examples. During my teaching storyboarding, I noticed many beginners struggle with drawing the figure. I've introduced drawing star figures. They're the equivalent to the flour sack animators use to learn to animate flow, force, timing and shape distortion. And once the student masters that, I show how the anatomy drops right into place. Out of my frustration of trying to write my own stories and watching the waste at the studio's race to get things into production I've struggled for years to discover the secrets of story. I'm currently working on a new theory of story which shows how all the parts of story, character, plot and story work together. I'm including the beginning basics of this theory which allows my students to come up with a story in 7 minutes. Plot takes longer"-- Provided by publisher.
650		0	_aMotion pictures _xProduction and direction _0http://id.loc.gov/authorities/subjects/sh85088104
650		0	_aStoryboards _0http://id.loc.gov/authorities/subjects/sh93006433
776	1		_iOnline version _4http://id.loc.gov/entities/relationships/onlineversion _aGlebas, Francis _tDirecting the story _bSecond edtion _dBoca Raton, FL : CRC Press, 2025 _z9781003482727 _w(DLC) 2025012522
884			_aDLC bibframe2marc v2.10-dev _g20250331 _qDLC _uhttps://github.com/lcnetdev/bibframe2marc/releases/tag/v2.10-dev
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