000			04167aam a2200373 4500
003			OSt
005			20250714114000.0
008			120830s200 pr ao||frc||| 00| 0dspa d
020			_a9780965016506
040			_aPUCPR _bspa
041			_aspa _aeng
049			_aBEV
082			_223 _a709
092			_223 _a709
100			_aOsorio, Pepón, _d1955- _9302360 _eartista
245			_aPepón Osorio : _bde puerta en puerta = Door to door : San Juan, Puerto Rico 2000-2001 / _cMarimar Benítez, editora
246			_aPepón Osorio : Door to door
260			_bEscuela de Artes Plásticas _c2000
264		1	_aSan Juan, Puerto Rico : _bEscuela de Artes Plásticas, _c[2001]
300			_a167 páginas : _b ilustracioness (algo de color) ; _c28 cm
336			_atexto
337			_ano mediado
338			_avolumen
505			_aViaje en redondo: una presentación / Silvian Karman Cubiña -- Entrevista a Pepón Osorio / Hans-Ulrich Obrist -- El museo y la calle / Marimar Benítez -- Pepón Osorio: el arte de la vida / Susana Torruella Leval -- Pasaje incierto / Dan Cameron -- Visitas al hogar: sobre el significado de las cosas / Maribel Álvarez -- En la barbería no se llora / Coco Fusco -- Hollywood mata / Manuel Álvarez Lezama y Lilliana Ramos Collado -- Las twines / Jennifer A. González -- Catálogo de obras / Haydée Venegas, Teremar Pumarada y Marimar Benítez -- Performances / Marimar Benítez, Teremar Pumarada -- Pepón Osorio: cronología / Haydée Venegas -- Exhibiciones, premios y distinciones / Haydée Venegas -- Bibliografía selecta / Teremar Pumarada.
511			_a"Insignia de honor/Badge of honor, Escuela de Artes Plásticas de Puerto Rico/Museo de San Juan, Municipio de San Juan; Escena del crimen (el crimen de quién?)/Scene of the crime (whose crime?), Museo de Arte Contemporáneo de Puerto Rico; En la barbería no se llora/No crying allowed in the barbershop, Museo de Arte de Puerto Rico." Catalog of an exhibition held Sept. 1, 2000-Jan. 15, 2001, in different locations in San Juan, P.R.
520			_a "Pepón Osorio: Door to Door, curated by Silvia Karman Cubiñá in 2000, presented four major Osorio installations simultaneously in San Juan, Puerto Rico. This was achieved through a collaboration between four cultural institutions: the Escuela de Artes Plásticas / San Juan Museum, the Museum of Contemporary Art of Puerto Rico and the Puerto Rico Museum of Art. In this publication, produced as part of this project, art historian Susana Torruella Leval explores the continuum of Caribbean and Latin American artists living in New York and their novel, unconventional expressions that take to the streets. Puerto Rico-based art historian Marimar Benítez discusses how Osorio's work alters the attitudes and function of art museums and dislocates paradigms. Dan Cameron analyzes Osorio's large-scale installations as mediators between the personal and the collective. Paris-based curator and critic Hans-Ulrich Obrist discusses with the artist aspects of his methodology, the process of conceptualization and his involvement with the community. Jennifer González, Maribel Álvarez and Coco Fusco explore specific installations and their power to illuminate diverse aspects of the human experience, while Lilliana Ramos Collado and Manuel Álvarez Lezama engage in a dialogue on contemporary issues, based on the myriad references in the work of the artist. The contributions of Silvia Karman Cubiñá, Teremar Pumarada and Haydee Venegas round out a publication that offers the first comprehensive look at Osorio's artistic production beginning with his explorations as a performance artist to his signature style installations, always bearing witness to the transformative power of the imagination".
600		0	_aOsorio, Pepón, _d1955- _9302360
650		0	_aInstallations Art _9114858 _vExhibitions _zSan Juan, Puerto Rico
650		0	_aArt _954862 _vCriticism and interpretation _zPuerto Rico
650		0	_aArts _955084 _vCatalogs
700			_aBenítez, Marimar. _959860 _eeditora
710			_aMuseo de Arte de Puerto Rico San Juan, P.R. _9140369
942			_c6 _2ddc _e23 _h709.2
999			_c304132 _d304132