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_bTaylor & Francis
040 _apucpr
_beng
_cpucpr
_dpucpr
_erda
049 _aCARIBET
050 4 _aNA2728
_bD47 2023
110 _aEsquivel, Gabriel
_9301844
245 0 0 _aDesign technology and digital production :
_ban architecture anthology. /
_cedited by Gabriel Esquivel.
_htxt
264 1 _aNew York, NY :
_bRoutledge,
_c2023.
300 _axii, 226 p. :
_bill. ; col. ; photo. ;
_c26cm.
_fbook
336 _2rdacontent
_atext
_btxt
337 _2rdamedia
_aunmediaded
_bn
338 _2rdacarrier
_avolume
_bnc
505 _aPreface by Gabriel Esquivel xi -- Introduction by Marjan Collecti 1-- Chapter 1. Speculations -- 1.1. Interview with Hernán Díaz Alonso 7-- 1.2. New Orders: The Digital Revolution, or Breaking Bad Habits by Elena Manferdini and Jasmine Benyamin 11 -- 1.3. Use Your Illusion, and Other Advice by Dora Epstein Jones. 15 -- 1.4. Phase Precession and Quantum Foam by Stephen Caffey. 21 -- Chapter 2. Hybrid Assemblies -- 2.1. Making Friends by Joseph Choma. 25 -- 2.2. In-And Architecture of Gaps and Overlaps by Kory Bieg. 31 -- 2.3. Borboletta: Co-optable Modules for Other Forms of Life by Eric Goldemberg. 37 -- 2.4. No More Room: An Incomplete View by Kristy Baillet and Kelly Bair. 41 -- Chapter 3. Software and Social Interaction -- 3.1. Discrete: An Architecture in Large Numbers by Gilles Retsin. 45 -- 3.2. Programmed Ruination: Hyper_Artifacts by Daniela Atencio and Claudio Rossi. 51 -- 3.3. Mediated by Scarcity. Vidco game simulations at the intersection between systems and narrative by José Sánchez. 55 -- 3.4 Mercologies or Designing with Parts by Daniel Kochler. 59 -- Chapter 4. Agency and Artificial Intelligence -- 4.1. Liminal Platforms by Casey Rehm. 63 -- 4.2. Things, Facts, and the Ontology of Neural Architecture and Artificial Intelligence by Matias Del Campo. 69 -- 4.3. A Multifarious, Anisotropic, Material Agency: Speculations on Additive Manufactured Architecture by Robert Stuart-Smith. 75 -- 4.4 Architecture Through the Formal Lens of the Machine Learning Apparutus by Benjamin Ennemoser. 81 -- Chapter 5. Offset Mediums -- 5.1. This Must Be the Place by Courtney Coffman. 87 -- 5.2. Deep Vista by Viola Ago. 91 -- 5.3. Triptychs, Domes + Still Life(s) by Perry Kulper. 97 -- 5.4 Irradiated Histories, Irradiated Futures: Uncovering Subperceptual Exposures in the Borderland by Ersela Kripa and Stephen Mueller. 101 -- Chapter 6. Objects, Aesthetics, and Reality -- 6.1. Architecture and Our Aesthetic Future by Graham Harman. 107 -- 6.2. The Young Adolescent's Primer on Architectural Reality by Mark Foster Gage. 111 -- 6.3. Miniature Architecture for a Miniature World by Ferda Kolatan. 115 -- 6.4. Decadence Transition and Coexistence: From Baudelaire to Object-Oriented Ontology by Niccolo Casas. 119 -- 6.5. Background Concerns by Michael Young. 127 -- Chapter 7. Questioning Nature -- 7.1. Wilderness Ontology. Interview with Levi Bryant. 133 -- 7.2. Ecocentrism & New Ancientness by Barry Wark. 137 -- 7.3. Natural's Not In It by Nate Hume. 141 -- 7.4. Representations Of and In the American Purlieu by Clark Thenhaus. 147 -- Chapter 8. Open Hypothesis -- 8.1. Openness and Fragments by Gonzalo Vaillo. 153 -- 8.2. Synesthesia by Joris Putteneers. 161 -- 8.3. Anotherness: One Hypothesis and Four Keywords for a Poly-Plural Hospitality by Jordi Vivaldi. 165 -- 8.4. Architecture as Worldmaking by Denise Luna and Alex Santander. 171 -- Chapter 9. Multiple Practices -- 9.1. Ateljé Sotamaa. Interview with Kivi Sotamaa. 179 -- 9.2. Tom Wiscombe Architecture. Interview with Tom Wiscombe. 187 -- 9.3. P-A-T-T-E-R-N-S: Interview with Marcelo Spina and Georgina Huljich. 195 -- 9.4. Oyler-Wu Collaborative. Interview with Dwayne Oyler and Jenny Wu. 201 -- References 209 -- Contributors 215 -- Index 223 --
520 _aThis book is a rigorous account of architecture's theoretical and technological concerns over the last decade. The anthology presents projects and essays produced at the end of the first digital turn and the start of the second digital turn. This anthology engages and deploys a variety of discourses, topics, criteria, pedagogies, and technologies, including some of today's most influential architects, practitioners, academics, and critics. It is an unflinchingly rigorous and unapologetic account of architecture's disciplinary concerns in the last decade. This is a story that has not been told; in recent years everything has been refracted through the prism of the post-digital generation. Design Technology and Digital Production illustrates the shift to an architectural world where we can learn with and from each other, develop a community of new technologies and embrace a design ecology that is inclusive, open, and visionary. This collection fosters a sense of shared experience and common purpose, along with a collective responsibility for the well-being of the discipline of architecture as a whole.
545 0 _aGabriel Esquivel is an associate professor at Texas A&M University and the director of the T4T Lab and AI Advanced Research Lab at Texas A&M University. Gabriel was born and educated as an architect in Mexico City with a degree from the National University and received his master's degree in Architecture from The Ohio State University. He previously taught Architecture and Design at the Knowlton School of Architecture and the Design Department at The Ohio State University. He is a founding partner of the online magazine AGENCIA, a publication dedicated to problems about teaching theory, and technology in Mexico.
588 _aDescription based on online resource; title from digital title page (viewed on March 25, 2024).
590 _aAccess is available to the Yale community.
650 0 _aArchitectural design
_xData processing.
650 0 _aArchitectural design
_xTechnological innovations.
650 0 _aArchitecture
_xComputer-aided design.
655 4 _aElectronic books.
700 1 _aEsquivel, Gabriel,
_eeditor.
942 _2lcc
_c27
_hNA2728
_kGeneral
_mD47 2023
999 _c303475
_d303475