000			03715cam a22005298i 4500
001			23208690
003			PUCPR
005			20240216093656.0
008			230629s2023 dcu b f000 0 eng c
010			_a 2023023436
020			_a9781944466657 _q(paperback)
020			_z9781944466640 _q(Adobe pdf)
040			_aDGPO/DLC _beng _erda _cDLC
041			_aeng
042			_apcc
043			_an-us---
049			_aBEV
050	0	0	_aML3479 _b.C85 2023
082	0	4	_a780.8996073 _223/eng/20230629
086	0		_aSI 1.60:AF 8
092			_223 _a780.8996
245	0	0	_aCulture throughlines : _bvalues, visions, and transformation--African American music, American culture, and society / _cedited by William Banfield.
246	3	0	_aValues, visions, and transformation--African American music, American culture, and society
246	3	0	_aAfrican American music, American culture, and society
263			_a2311
264		1	_aWashington, D.C. : _bSmithsonian Scholarly Press, _c2023.
300			_a194 pages: illustrations
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aA Smithsonian contribution to knowledge
500			_aIn scope of the U.S. Government Publishing Office Cataloging and Indexing Program (C&I); Federal Depository Library Program (FDLP) distribution status to be determined upon publication.
504			_aIncludes bibliographical references index.
520			_a"What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- _cProvided by publisher.
650		0	_aPopular music _xAfrican American influences.
650		0	_aAfrican Americans _xMusic.
650		0	_aAfrican Americans _xSocial life and customs.
650		0	_aCulture.
651		0	_aUnited States _xCivilization _xAfrican American influences.
700	1		_aBanfield, William C., _d1961- _eeditor.
710	2		_aSmithsonian Institution Scholarly Press, _eissuing body.
776	0	8	_iOnline version: _tCulture throughlines _dWashington, D.C. : Smithsonian Scholarly Press, 2023 _z9781944466640 _w(DLC) 2023023437
830		0	_aSmithsonian contribution to knowledge.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_c6 _2ddc _e23 _h780.8996
999			_c301495 _d301495