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001 on1245249509
003 OCoLC
005 20230605124958.0
006 m d
007 cr |||||||||||
008 210311s2022 nyu ob 001 0 eng
010 _a 2021009677
040 _aDLC
_beng
_erda
_cDLC
_dOCLCO
_dOCLCF
_dTYFRS
_dN$T
020 _a9781003025931
_q(ebook)
020 _a1003025935
020 _a1000452158
_q(electronic bk. : PDF)
020 _a9781000452198
_q(electronic bk. : EPUB)
020 _a1000452190
_q(electronic bk. : EPUB)
020 _a9781000452150
_q(electronic bk.)
020 _z9780367458843
_q(hardback)
020 _z9780367458812
_q(paperback)
035 _a2952609
_b(N$T)
035 _a(OCoLC)1245249509
037 _a9781003025931
_bTaylor & Francis
042 _apcc
050 0 0 _aNK2113
072 7 _aARC
_x007000
_2bisacsh
072 7 _aARC
_x004000
_2bisacsh
072 7 _aARC
_x009000
_2bisacsh
072 7 _aAMR
_2bicssc
082 0 0 _a747
_223
049 _aMAIN
245 0 0 _aDigital fabrication in interior design :
_bbody, object, enclosure /
_c[editors] Jonathan Anderson and Lois Weinthal.
263 _a2109
264 1 _aNew York :
_bRoutledge,
_c2022.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
520 _a"Digital Fabrication in Interior Design: Body, Object, Enclosure draws together emerging topics of making that span primary forms of craftsmanship to digital fabrication in order to theoretically and practically analyze the innovative and interdisciplinary relationship between digital fabrication technology and interior design. The history of making in interior design is aligned with traditional crafts, but a parallel discourse with digital fabrication has yet to be made evident. This book repositions the praxis of experimental prototyping and integrated technology to show how the use of digital fabrication is inherent to the interior scales of body, objects and enclosure. These three scales act as a central theme to frame contributions that reinforce the interdisciplinary nature of interior design and reinterpret traditional crafts by integrating new methods of making into conventional workflows. Featuring significant international practitioners and researchers, the selected contributions represent the ever-increasing interdisciplinary nature of design, demonstrating a breadth of disciplines. A foundational text for interiors students and practitioners, Digital Fabrication in Interior Design expands the necessary dialogue about digital fabrication at the scale of interiors to inform design theory and practice"--
_cProvided by publisher.
588 _aDescription based on print version record and CIP data provided by publisher; resource not viewed.
545 0 _aJonathon Anderson is the Associate Chair and an Associate Professor of Interior Design at Ryerson University in Toronto, Canada. Additionally, Jonathon serves as the Director of The Creative School Design + Technology Lab.He holds a Master of Fine Arts in Furniture Design from Savannah College of Art & Design and a Bachelor of Science in Architecture from Southern Illinois University. His work explores how industrial manufacturing, robotics and CNC technologies influence the design and making processes. As a result, the work is characterized by innovative and explorative methods that result in interconnected design, fine art and technology solutions. From this non-traditional process emerges a provocative, complex design language that visually communicates at varied scales and emphasizes corporeal and phenomenological experiences. To Jonathon, making is not only a practice but a form of critical thinking. Lois Weinthal is Chair of Interior Design at The Creative School and Professor at Ryerson University in Toronto, Canada. Her research and practice investigate the relationship between architecture, interiors, clothing and objects resulting in works that take on an experimental nature. Her teaching explores these topics where theoretical discussions in seminars are put into practice in the design studio. She is the editor of Toward a New Interior: An Anthology of Interior Design Theory, co-editor of After Taste: Expanded Practice in Interior Design, and co-editor of The Handbook of Interior Architecture and Design.Lois has received grants from the Graham Foundation, Fulbright, SSHRC andDAAD, and has exhibited and lectured nationally and internationally. Previously, she was Director of the Interior Design Program at Parsons The New School for Design and Graduate Advisor for the Master of Interior Design Program at The University of Texas at Austin. Loisstudied architecture at Cranbrook Academy of Art and the Rhode Island School of Design. She currently holds the position of Honorary Professor at the Glasgow School of Art.
590 _aAdded to collection customer.56279.3
650 0 _aInterior decoration
_xTechnological innovations.
650 0 _aFlexible manufacturing systems.
650 7 _aFlexible manufacturing systems.
_2fast
_0(OCoLC)fst00927244
650 7 _aARCHITECTURE / Interior Design / General
_2bisacsh
650 7 _aARCHITECTURE / Design & Drafting
_2bisacsh
650 7 _aARCHITECTURE / Methods & Materials
_2bisacsh
655 4 _aElectronic books.
700 1 _aAnderson, Jonathan,
_eeditor.
700 1 _aWeinthal, Lois,
_eeditor.
776 0 8 _iPrint version:
_tDigital fabrication in interior design
_dNew York : Routledge, 2022.
_z9780367458843
_w(DLC) 2021009676
856 4 0 _3EBSCOhost
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2952609
938 _aEBSCOhost
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994 _a92
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999 _c300262
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