000			02111nam a22003617a 4500
003			pucpr
005			20220823185359.0
006			m |o d |
008			200319s2011 enka ob 001 0 eng d
020			_a9780300000016
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050		4	_aND1130 _bB388 1966
082			_223 _a750
100	1		_aAlberti, Leon Battista, _d1404-1472.
240	1	0	_aDe pictura.
245	1	0	_aOn painting. / _ctranslated with introduction notes by John R. Spencer. _htxt
246	3	0	_aOn painting
264			_aLondon : _aNew Haven : _bYale University Press, _c1966.
300			_a141 p. _bill. ; _c21 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
504			_aIncludes bibliographical references (pages 207-212) and index.
505	0		_aPreface -- Preface to the Second Impression -- Introduction -- Sources -- Notes to Introduction -- Prologue -- Book one: the rudiments -- Book two: the picture -- Book three: the painter --
520			_aAlberti's Della Pittura was the first modern analytical study of painting, a pioneering treatise on the theory of art. A systematic description of the one-point perspective construction, it was primarily designed to persuade both patron and painter in the Renaissance to discard the old tastes in painting for the new. In his prologue, Alberti states that his work consists of three books: 'the first, all mathematics, concerning the roots in nature which are the source of this delightful and most noble art. The second book puts the art in the hand of the artist, distinguishing its parts and demonstrating all. The third introduces the artist to the means and the end, the ability and desire of acquiring perfect skill and knowledge in painting.'
650		0	_aPainting _vEarly works to 1800.
650		0	_aART Techniques Painting _9299599
650		0	_aEarly works _9299600
650		0	_aPainting _9146884
650		0	_aPainting Appreciation _9299601
942			_2lcc _c6 _hND1130 _kGeneral _mB388 1966
999			_c298843 _d298843