| 000 | 02823nam a22003857a 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20220308195332.0 | ||
| 008 | 191109s2019 sz a 000 0 eng d | ||
| 020 |
_a9783038601623 _qhardcover |
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| 020 |
_a3038601624 _qhardcover |
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| 024 | 3 | _a9783038601623 | |
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
||
| 049 | _aCARIBET | ||
| 050 | 4 |
_aNA2543.P46 _bV37 2019 |
|
| 082 | 0 | 4 |
_223 _a720.1/05 |
| 100 | 1 | _aVassallo, Jesús, | |
| 245 | 1 | 0 |
_aEpics in the everyday : _bphotography, architecture, and the problem of realism. / _cJesús Vassallo. _htxt |
| 264 | 1 |
_aHouston, Texas : _aZurich, Switzerland : _bPark Books ; _bRice Architecture, _c2019. |
|
| 300 |
_a322 pages : _billustrations (some color) ; _c25 cm. _fbook |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediated _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 504 | _aIncludes bibliographical references. | ||
| 505 | _aPicking up the pieces: Nigel Henderson and the Smithsons -- Inclusive surfaces: Ed Ruscha and Venturi & Scott Brown -- Seriality and nostalgia: anonymous architecture as conceptual art -- Construction time again: Thomas Ruff and Herzog & de Meuron -- Images inside images: Thomas Demand and Caruso St John -- Realism or avant-garde: towards a conclusion. -- | ||
| 520 | _aArchitecture and photography share the condition of being suspended between fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is understood to be a record of what was in front of the camera--just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life. In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers--in different ways--with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection. [source: publisher]. | ||
| 650 | 0 | _aArchitecture and photography. | |
| 650 | 0 | _aArchitectural photography. | |
| 650 | 0 | _aPhotographic reproduction of plans, drawings, etc. | |
| 650 | 0 | _aRealism in art. | |
| 650 | 7 |
_aArchitectural photography. _2fast |
|
| 650 | 7 |
_aArchitecture and photography. _2fast |
|
| 650 | 7 |
_aPhotographic reproduction of plans, drawings, etc. _2fast |
|
| 650 | 7 |
_aRealism in art. _2fast |
|
| 942 |
_2lcc _c6 _hNA2543.P46 _kGeneral _mV37 2019 |
||
| 999 |
_c297937 _d297937 |
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