000			03638cam a2200529 i 4500
003			pucpr
005			20220222135800.0
006			m d
008			191125s2020 njua ob 000 0 eng d
020			_a0691203911 _q(electronic book)
020			_a9780691203911 _q(electronic bk.)
020			_a9780691147222
020			_a0691147221
035			_a2292205
035			_a(OCoLC)1153059599
037			_a22573/ctvrtj45r _bJSTOR
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050		4	_aNA500 _bE57 2020
082	0	4	_223 _a724
100	1		_aEisenman, Peter, _d1932- _eauthor.
245	1	0	_aLateness / _cPeter Eisenman with Elisa Iturbe. _helectronic resource
264		1	_aPrinceton : _bPrinceton University Press, _c2020.
300			_a1 online resource (viii, 108 pages) : _billustrations (some color)
336			_2rdacontent _atext _btxt
337			_2rdamedia _acomputer _bc
338			_2rdacarrier _aonline resource _bcr
440			_9298922 _aPoint
504			_aIncludes bibliographical references.
505	0		_aLateness: Toward a Definition -- Lateness in the Twentieth Century -- Adolf Loos -- Aldo Rossi -- John Hejduk --
520			_a"Conceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"--Lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment. Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis"-- _cProvided by publisher
588	0		_aOnline resource; title from digital title page (viewed on May 12, 2020).
590			_aMaster record variable field(s) change: 050
650		0	_aArchitecture, Modern.
650		0	_aSpace and time.
650		7	_aARCHITECTURE _xCriticism. _2bisacsh
650		7	_aArchitecture, Modern. _2fast _0(OCoLC)fst00813842
650		7	_aSpace and time. _2fast _0(OCoLC)fst01127622
655		4	_aElectronic books.
700	1		_aWhiting, Sarah, _eeditor.
700	1		_aIturbe, Elisa, _eauthor.
776	0	8	_iPrint version: _aEisenman, Peter, 1932- _tLateness. _dPrinceton : Princeton University Press, [2020] _w(DLC) 2019955614
830		0	_aPoint: essays on architecture
856			_uhttps://login.ezproxy.pucpr.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2292205 _yAcceso Remoto
856	4	0	_3EBSCOhost _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2292205 _yAcceso en el Campus PUCPR
942			_2lcc _c30 _hNA500 _kElectrónico _mE57 2020
999			_c297808 _d297808