000			05011nam a22003377a 4500
003			pucpr
005			20210707145302.0
008			200618s2021 nyuao b 001 0 eng
020			_a9780500022436 _q(hardcover)
020			_a0500022437
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050			_aNA6695 _bS36 2021
082			_223 _a727.709045
100	1		_aSaumarez Smith, Charles,
245	1	4	_aThe art museum in modern times / _cCharles Saumarez Smith. _htxt
264		1	_aNew York : _bThames & Hudson Inc., _c2021.
300			_a 271 pages : _bill. ; photo. ; col. ; _c24 cm. _fbook
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
505			_aINTRODUCTION: THE TRADITIONAL MUSEUM -- 1 THE MODERN MUSEUM -- The Museum of Modern Art, New York (1939) -- Louisiana, Humlebk (1958) -- Guggenheim Museum, New York (1959) -- Castelvecchio Museum, Verona (1964) -- Whitney Museum, New York (1966) -- New National Gallery, Berlin (1968) -- Sao Paulo Museum of Art, Sao Paulo (1968) -- Christ Church Picture Gallery, Oxford (1968) -- Kimbell Art Museum, Fort Worth (1972) -- Centre Pompidou, Paris (1977) -- Yale Center for British Art, New Haven (1977) -- Sainsbury Centre for Visual Arts, Norwich (1978) -- East Building, National Gallery of Art, Washington, DC (1978) -- 2 THE POSTMODERN MUSEUM -- Neue Staatsgalerie, Stuttgart (1984) -- Saatchi Gallery, London (1985) -- Musee d'Orsay, Paris (1986) -- The Menil Collection, Houston (1987) -- The Louvre Pyramid, Paris (1989) -- The Sainsbury Wing, National Gallery, London (1991) -- Benesse House Museum, Naoshima (1992) -- Getty Center, Los Angeles (1997) -- Guggenheim Museum, Bilbao (1997) -- Beyeler Foundation, Basel (1997) -- 3 MUSEUMS FOR THE NEW MILLENNIUM -- Tate Modern, London (2000) -- Ondaatje Wing, National Portrait Gallery, London (2000) -- Neue Galerie, New York (2001) -- Dia: Beacon, Beacon, NY (2003) -- Museum of Modern Art, New York (2004) -- 21st Century Museum of Contemporary Art, Kanazawa (2004) -- Kolumba, Cologne (2007) -- Hepworth Wakefield, Yorkshire (2011) -- Turner Contemporary, Margate (2011) -- THE MUSEUM REINVENTED -- MONA, Hobart (2011) -- Louvre Museum, Lens (2012) -- The Barnes Foundation, Philadelphia (2012) -- Whitney Museum, New York (2015) -- The Broad, Los Angeles (2015) -- Blavatnik Building, Tate Modern, London (2016) -- Louvre Abu Dhabi (2017) -- The Royal Academy of Arts, London (2018) -- Muzeum Susch, Susch (2019) -- West Bund Museum, Shanghai (2019) -- KEY ISSUES -- The role of the client -- The role of the architect -- The rise of the private museum -- The morality of wealth -- The end of history -- The changing characteristics of works of art Globalization -- The digital world -- The search for the sacred -- Audience expectations -- CONCLUSION -- Notes -- Bibliography -- Illustration credits Acknowledgments -- Index --
520			_aThe National Portrait Gallery, the National Gallery and the Royal Academy all saw either radical architectural interventions or rethinks of their mission under Charles Saumarez Smith's leadership, making him uniquely qualified to explore the ways in which art museums have changed over the past century and examine where they might be headed in the future. 0 For this book, Saumarez Smith has undertaken an odyssey to art museums across the globe. From Tate Modern in London to the Benesse House Museum on the Japanese island of Naoshima; from the Getty Center in Los Angeles to the Museum of New and Old Art, a ferry-ride from Hobart in Tasmania; from the Pompidou Centre in Paris to the West Bund Museum in Shanghai - he has visited them all, casting an acute eye on the way the experience of art is shaped by the buildings that house it and the organizing principles by which it is displayed. 0 What has changed over the past century? Where the public once visited museums to be educated in art history, he argues, they are now more likely to be in search of a private, aesthetic experience. Museum displays that were automatically didactic, chronological and either national or Western in viewpoint are now thematic and global. While museums used to be invariably in city centres, they may now be in remote locations, destinations of cultural pilgrimage. And where architects once created neutral spaces in which to display art, they now build spectacular architectural landmarks, stamping an identity on run-down neighbourhoods and sparking regeneration through cultural tourism.
650		0	_9140404 _aMuseum techniques. _xHistory _y20th century _y21th century
650		0	_9197550 _aArt museum architecture _xHistory _y20th century _y21th century
650		0	_954888 _aArt museums
650		0	_954888 _aArt museums _xSocial aspects
650		0	_954888 _aArt museums _xHistory _y20th century _y21st century
650		0	_954862 _aArt _xGeneral
942			_2lcc _c6 _hNA6695 _kGeneral _mS36 2021
999			_c296506 _d296506