| 000 | 04105nam a22003377a 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20201009131233.0 | ||
| 008 | 201008b1998 aoe|| |||| 001 0 eng d | ||
| 020 | _a0393731766 | ||
| 020 | _a9780393731767 | ||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
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| 049 | _aCARIBET | ||
| 050 |
_aNA2500 _bB93 2005 |
||
| 082 |
_222 _a720.1 |
||
| 100 |
_9206317 _aByard, Paul Spencer. |
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| 245 |
_aThe architecture of additions : _bdesign and regulation / _cPaul Spencer Byard. _hBOOK |
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| 250 | _aFirst Published 2005 | ||
| 264 |
_aNew York ; London : _bNorton, _c2005 |
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| 300 |
_a192 pages : _bill.; photo.; plans ; _c21 cm _fbook |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediaded _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 501 | _aOriginally published : 1998. Includes index. | ||
| 505 | _aPreface -- Introduction: The Public Worth of Architectural Expression -- 1: Evolution of Expression in Combined Works: Lessons from the Masters -- Saint Peter's Church -- The Queen's House and the Greenwich Royal Naval Hospital -- The Castelvecchio -- 2: Twentieth-Century Combined Works: The Expressive Possibilities of Modernism -- Extension -- GOTEBURG LAW COURTS -- YALE UNIVERSITY ART GALLERY -- ALLEN MEMORIAL ART MUSEUM -- MUSEUM OF DECORATIVE ARTS -- MUSEUM FOR PRE- AND EARLY HISTORY -- FALKESTRASSE 6 -- ING BANK -- Derivation -- MAISON DE VERRE -- HUBERTUS HOUSE -- 500 PARK AVENUE -- THE MAISON CARREE AND THE CARRE D'ART -- IRCAM -- Transformation -- CENTRE POMPIDOU -- LOUVRE PYRAMID, PALAIS DU LOUVRE -- LYON OPERA HOUSE -- THE REICHSTAG -- 3: Twentieth-century Combined Works and the Law: The Special Case of "Preservation" -- Legal Background -- Test for Preservation -- Protected Identity and Its Place in the New Hierarchy -- LAMBS' CLUB -- UNITED STATES CUSTOM HOUSE -- NEW YORK MERCHANTS' EXCHANGE -- Securing the Place of the Protected Identity --NAUMBERG BAND SHELL, CENTRAL PARK -- NUMBER ONE POULTRY LANE -- KIMBELL ART MUSEUM -- DOWNING COLLEGE: THE MAITLAND ROBINSON LIBRARY -- DANA CENTER, CENTRAL PARK Protecting Particular Sources of Identity -- Facades and Facadomy -- SECOND BRANCH BANK OF THE UNITED STATES -- PENN MUTUAL LIFE INSURANCE COMPANY -- Plans 110 -- UNIVERSITY OF VIRGINIA -- SALK INSTITUTE -- Master Plans -- SHERMAN FAIRCHILD CENTER FOR THE LIFE SCIENCES, COLUMBIA UNIVERSITY -- BROOKLYN MUSEUM OF ART -- Building Types -- FITZWILLIAM COLLEGE CHAPEL -- SAINT JOHN'S COLLEGE LIBRARY -- CATHEDRAL CHURCH OF SAINT JOHN THE DIVINE -- Adding On -- THE OCTAGON -- SAINSBURY WING, NATIONAL GALLERY -- WHIG AND CLIO -- IL MAGISTERO -- BRACKEN HOUSE -- GUGGENHEIM MUSEUM -- WASHINGTON COURT, GREENWICH VILLAGE -- SEAMEN'S CHURCH INSTITUTE AND 250 WATER STREET, SOUTH STREET SEAPORT -- Adding Over -- WHITNEY MUSEUM OF AMERICAN ART -- NEW-YORK HISTORICAL SOCIETY -- METROPOLITAN CLUB -- GRAND CENTRAL TERMINAL -- 4: Combined Works and Contemporary Expression: The Architecture of Additions at the End of the Twentieth Century -- Architecture of Imitation -- Architecture in the Shape of Things -- WEXNER CENTER FOR THE VISUAL ARTS -- FRED AND GINGER -- JEWISH WING, BERLIN MUSEUM -- THE BOILERHOUSE, VICTORIA AND ALBERT MUSEUM -- Architecture of Appropriateness -- JEROME M. GREENE HALL, COLUMBIA LAW SCHOOL -- JEWETT ARTS CENTER AND THE DAVIS MUSEUM AND CULTURAL CENTER -- PALAIS DES BEAUX ARTS Architecture of Possibility -- STUDIO NATIONAL DES ARTS CONTEMPORAINS -- HISTORY AND LAW FACULTIES, CAMBRIDGE UNIVERSITY -- LINGOTTO CONFERENCE CENTER -- Afterword: The Architecture of Additions -- Acknowledgments -- Photo Credits -- Index | ||
| 520 | _aThe Architecture of Additions considers the ways in which old and new architecture combine and work together-the central issue in the design of architectural additions. | ||
| 650 | 0 |
_9196847 _aArchitecture Aesthetics |
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| 650 | 0 |
_966571 _aBuildings _xAdditions |
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| 650 | 0 |
_954081 _aArchitecture _xDecision making |
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| 650 | 0 |
_9212935 _aConstructions _xAgrandissements |
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| 942 |
_2lcc _c6 _hNA2500 _kGeneral _mB93 2005 |
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| 999 |
_c295366 _d295366 |
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