000			04968nam a22004217a 4500
003			pucpr
005			20200916172841.0
008			200916b2019 ao||| b||| 00| 0 eng d
020			_a9782503577296
020			_a2503577296
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050			_aNA1043 _bG8513 2019
082			_223 _a724.12
100			_9297567 _aGuillouët, Jean-Marie
245			_aFlamboyant architecture and medieval technicality, c. 1400-c. 1530 : _ba micro-history of the rise of artistic consciousness at the end of Middle Ages _cJean-Marie Guillouët ; translation, Jane MacAvock. _htxt
264			_aTurnhout, Belgium : _bBrepols, _c2019
300			_axvii, 200 p. _bill.; col.; plans _c29 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
440			_9297568 _aArchitectura Medii AEVI _vVol. XII
501			_a"The rise of artistic consciousness at the end of the Middle Ages, c. 1400-c. 1530"--Subtitle from cover.
504			_aInclude Bibliography (141-164 p.)
505			_aTechnical Savoir-Faire as Historical Topic -- Observations on a well-known Illumination -- Nantes, Tours and the Master of the Munich Boccaccio -- Representation of a technical Gesture and Jean Fouquet's Heritage -- A French 15th-Century sculptural savoir-faire -- Late Medieval Gothic Building Sites and Technical Innovations -- First Conclusions -- Slate Inlay: A Technical History -- Functional Constraints -- Hollowed out blocks for Inlay -- The Practice of Preparatory Tracing - Installation in the Archivolts -- An Operational Change at the Beginning of the 15th Century -- An Interruption in the History of Technique: Auxerre -- The Consequences of a new stereotomic System -- Choices of Stone Types -- Conclusions on Implementation -- Social History of a Skill -- Traces and Remains of a Valued Procedure-- The Practical Geometry of a Building Site at the End of the Middle Ages and its Tools -- The Tools and their Uses -- The Prevalence of the Square -- The insignological Uses of the Compass -- The Incisions at Tours and Rouen as Illustrations of Construction Practices -- Workers with Stone: social History of a Technique -- Masons and Sculptors -- Stone-cutters and Carvers of Images -- The Socio-Professional Distinction of the Creators of the Canopies - the Case of Bourges -- Technical One-upmanship and Informal Hierarchies at a Building Site -- Microarchitecture and Represented Space -- Architecture and Represented Space -- Towards 1400 in Central/Middle France: a Rupture -- Microarchitecture as a Locus -- Slate Inlay and the Depth of Fictive Space -- Baldachins, Canopies and Late-Medieval Sacral Regimes -- Monumental Syntax toward "Architectural Wit" -- Virtuosity, Varietas and Captatio benevolentiae -- Slate or Glass Insertion, Admiratio and Varietas -- Material and Colour Contrasts during the Late Middle Ages -- An Incunabula of c. 1400 -- Slate Inlay as a "Technology of Enchantment" -- Late Gothic Art: A Hyper-Technical Cultural Regime -- Conclusion -- Bibliography -- Colour Plates
520			_a"This book seeks to further our understanding of the socio-genesis of artistic modernity by turning to micro-history. It explores a late-medieval decorative procedure that emerged and spread in northern and central France from the early fifteenth century to the start of the following century. Using the well-known miniature, the Building of Solomon's temple in Jerusalem from the fifteenth-century codex of Les Antiquités judaïques as a starting point, this study deals with architecture and technical knowledge of builders. This investigation unpacks and reveals many aspects of the technical and visual culture of late medieval craftsmen and artists. The virtuosic skills these artisans displayed are worthy of inclusion in the development of technical practices of Flamboyant Gothic architecture. They also reflect broader cultural and social configurations, which go far beyond the history of building. This micro-historical perspective on what can be called "hyper-technical" Gothic contributes to our appreciation of the role of technical mastery in establishing social hierarchies and artistic individuation processes during the Late Middle Ages and Early Modern period."--Back cover.
546			_aTranslated from the French.
650		0	_954095 _aArchitecture, Gothic _zFrance
650		0	_954096 _aArchitecture, Medieval _zFrance
650		0	_984992 _aDecoration and ornament, Architectural _zFrance
650		0	_9216273 _aDecoration and ornament, Gothic _zFrance
650		0	_9216273 _aDecoration and ornament, Gothic
650		0	_984992 _aDecoration and ornament, Architectural
650		0	_954095 _aArchitecture, Gothic
650		0	_954096 _aArchitecture, Medieval
700			_9297569 _aMacAvock, Jane
942			_2lcc _c6 _hNA1043 _kGeneral _mG8513 2019
999			_c295273 _d295273