| 000 | 03832nam a22003737a 4500 | ||
|---|---|---|---|
| 999 |
_c281889 _d281889 |
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| 003 | pucpr | ||
| 005 | 20190531110715.0 | ||
| 008 | 190531b20192012 a|||| |||| 001 0 eng d | ||
| 020 | _a9781786273895 | ||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
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| 049 | _aCARIBET | ||
| 050 |
_aNC998 _bH45 2019 |
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| 082 | _a741.609 | ||
| 100 |
_9109605 _aHeller, Steven. |
||
| 245 |
_a100 ideas that changed graphic design _cSteven Heller and Véronique Vienne _htxt |
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| 246 |
_aOne Hundred ideas that changed graphic design _htxt |
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| 264 |
_aLondon _bLaurence King Publishing Ltd _c2019 |
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| 300 |
_a216 p. _bill.; col. _c22 cm. _fbook |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediaded _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 440 |
_9296386 _a100 Ideas _pGraphic design |
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| 500 | _aInclude index. | ||
| 504 | _aIncludes bibliographical references (pages 210-211). | ||
| 505 | _aThe book -- Body type -- Rub-on designs -- Rays -- Pastiche -- Pointing fingers -- Vanitas -- Clenched fists -- Monumental images -- Female archetypes -- Color blocks -- Ornamentation -- Decorative logotypes -- Naive mascots -- Entrepreneurship -- Metaphoric lettering -- Swashes on caps -- Texts as images -- Visual puns -- The square format -- Primitive figuration -- Propaganda -- The object poster -- Paper cutouts -- Manifestos -- Graphic design magazines -- Botanical geometry -- Calligrams -- Loud typography -- Asymmetric typography -- Red with black -- Supergraphics -- Supreme geometry -- Funny faces -- Expression of speed -- Corporate identity -- Dust jackets -- Found typography -- Ransom notes -- Design handbooks -- Avant-garde zines -- Collages -- Riddles and rebuses -- Photomontage -- Pictograms -- Floating heads -- Abstraction -- Triangulation -- Extreme close-ups -- The provocative gesture -- Motion graphics -- Night spectaculars -- Shadow play -- Good design -- Forced obsolescence -- Vibrating color -- Strips and panels -- Frame by frame -- Perfect rectangles -- Abstract graphs -- Dynamic diagonals -- Stencil type -- Comic lettering -- Parody -- Sustainable packaging -- Public service campaigns -- Branding campaigns -- Layering and overprinting -- Design thinking -- The grid -- Brand narratives -- White space -- Less is more -- Monoalphabets -- Film title sequences -- Big book look -- Nostalgia -- Illegibility -- Scan lines -- Teen magazines -- Culture jamming -- High contrast -- Psychedelia -- Split fountain -- Underground comics -- Record album covers -- Street slogans -- Sexual taboo busting -- Self-promotional publishing -- Tags -- Universal pricing code -- Vernacular -- French theory -- Do it yourself -- The fine print -- Magazine coverlines -- Guerrilla advertising -- Pixelation -- Ambigrams -- Designers' websites. | ||
| 520 | _aNew in the 100 Ideas that Changed ... series, this book demonstrates how ideas influenced and defined graphic design, and how those ideas have manifested themselves in objects of design. The 100 entries, arranged broadly in chronological order, range from technical (overprinting, rub-on designs, split fountain); to stylistic (swashes on caps, loud typography, and white space); to objects (dust jackets, design handbooks); and, methods (paper cut-outs, pixelation). Written by one of the world's leading authorities on graphic design and lavishly illustrated, the book is both a great source of inspiration and a provocative record of some of the best examples of graphic design from the last hundred years. | ||
| 650 | 0 |
_9296387 _aGraphic arts Technological innovations |
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| 650 | 0 |
_9296388 _aDesign Themes, motives |
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| 650 | 0 |
_9105242 _aGraphic arts |
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| 650 | 0 |
_9177420 _aTechnological innovations |
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| 650 | 0 |
_9105242 _aGraphic arts _xHistory |
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| 650 | 0 |
_986034 _aDesign _xArt |
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| 942 |
_2lcc _c6 _kGeneral _mH45 2019 _hNC998 |
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