| 000 | 07612nam a22003497a 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20230221160109.0 | ||
| 008 | 170427s2018 nyua b 001 0 eng | ||
| 020 |
_a9781138960992 _qhbk |
||
| 020 |
_a9781138961005 _qpbk |
||
| 020 |
_z9781315660059 _qebk |
||
| 040 |
_apucpr _beng _erda _cpucpr _dpucpr |
||
| 049 | _aCARIBET | ||
| 050 | 0 | 0 |
_aNA2500 _bT975 2018 |
| 082 | 0 | 0 |
_a720.1 _223 |
| 100 | 1 | _aTyrrell, Roger, | |
| 245 | 1 | 0 |
_aAalto, Utzon, Fehn : _bthree paradigms of phenomenological architecture / _cRoger Tyrrell. _htxt |
| 250 | _aFirst Published 2018 | ||
| 264 | 1 |
_aNew York : _bRoutledge, _c2018 |
|
| 300 |
_axxv, 219 p. _bill. _c24 cm. _fbook |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 500 | _aInclude index. | ||
| 505 | _aList of Figures ix -- Acknowledgements xiii -- Foreword by Juhani Pallasmaa xv -- Preface: The Shaman, the Theoroi and the Storyteller xxiii -- 1 Of Beneath the Table 1 -- 2 Of Phenomenology and Paradigm 18 -- 3 Alvar Aalto — the Sophisticated Shaman 54 -- 4 Jorn Utzon — the Theoroi 99 -- 5 Sverre Fehn — the Storyteller 134 -- 6 Of Commonalities, Distinctions and Speculations 169 -- | ||
| 505 | _aFIGURES: 1.1 Danish Landscape Parti Diagram. 3 -- 1.2 Finnish Landscape Path Diagram. 4 -- 1.3 Norwegian Landscape Path Diagram. 4 -- 1.4 The Utzon Paradigm Framework. 6 -- 2.1 Aalto Chair Components, Artek Showroom, Helsinki. 18 -- 2.2 Sandbag Stepping Stone Bridge, Morocco. 21 -- 2.3 Ait Benhaddou, High Atlas Mountains, Morocco. 26 -- 2.4 Utzon's House, Denmark. 28 -- 2.5 Kiasma, Helsinki, Steven Holl. 38 -- 2.6 Sydney Opera House Plateau. 42 -- 2.7 Log Foundations, Aalto Experimental House. 45 -- 3.1 Helsinki Railway Station (1919). 55 -- 3.2 Aalto's Paradigm. 57 -- 3.3 Railway Workers Housing. 57 -- 3.4 Jyvaskyla Workers Club. 58 -- 3.5 Workers Housing Plinth. 59 -- 3.6 Portico and Plinth of the Workers Club. 60 -- 3.7 Door Handle Detail, Workers Club. 60 -- 3.8 Paimio Tuberculosis Sanatorium. 63 -- 3.9 Paimio Site Plan. 64 -- 3.10 Paimio Staircase Detail. 65 -- 3.11 Paimio Plumbing and Sanitary Ware. 66 -- 3.12 Paimio Chair. 66 -- 3.13 Paimio Light. 67 -- 3.14 Riihitie House Entrance. 68 -- 3.15 Living and Studio Space. 69 -- 3.16 Landscape Setting. 70 -- 3.17 Villa Mairea from the South. 72 -- 3.18 Entrance Canopy. 72 -- 3.19 The 'Forest Stairs'. 73 -- 3.20 South Elevation Study. 74 -- 3.21 Bedroom Windows to South Facade. 75 -- 3.22 Tectonic Exactitude in Biomorphic Expression. 76 -- 3.23 Hearth. 76 3.24 Saynatsalo Town Hall. 77 -- 3.25 Elevated Council Chamber. 78 -- 3.26 Elevated Courtyard. 78 -- 3.27 Cloistered Circulation Route. 79 -- 3.28 Stair to the Council Chamber. 80 -- 3.29 Clerestory Lighting of the Public Space. 80 -- 3.30 Aalto Light Fitting. 81 -- 3.31 House of Culture. 81 -- 3.32 Aalto's Brick. 82 -- 3.33 Copper Pergola Caps. 82 -- 3.34 Handrail Detail. 82 -- 3.35 Wrapping Wall and Blind Facade. 83 -- 3.36 Door Handle. 83 -- 3.37 The Workspace. 83 -- 3.38 The Studio Space. 84 -- 3.39 External Amphitheatre. 84 -- 3.40 Early Front Wall Sketch. 85 -- 3.41 Later Front Wall Sketch. 85 -- 3.42 City Theatre Plateau. 86 -- 3.43 Clerestory Lights to Gallery. 87 -- 3.44 Clerestory Lighting to Major Gallery. 88 -- 3.45 Handrail Detail. 88 -- 3.46 Amphitheatre. 88 -- 3.47 Museums Juxtaposed. 89 -- 3.48 Museum of Central Finland. 89 -- 3.49 Aalto Museum Entrance Door. 89 -- 3.50 Low-Set Window Openings and Ceramic Facade. 90 -- 3.51 Experimental House Fire Pit. 91 -- 3.52 Steps to the Pier Cut around Rock Outcrops. 92 -- 3.53 Experimental House. 93 -- 3.54 Brick Detailing. 95 -- 3.55 Log and Stone Detail. 96 -- 4.1 `Spidsgatter' Yacht Designed by Aage Utzon, housed in the Utzon Center, Aalborg, Denmark. 101 -- 4.2 Utzon's Paradigm. 103 -- 4.3 Utzon's Revised Paradigm. 104 -- 4.4 Ait Benhaddou, Southern Atlas Mountains, Morocco. 105 -- 4.5 Kingo Housing Project, Denmark. 106 -- 4.6 Sydney Opera House - the Stereotomic Base and 'Woven' Shells. 107 -- 4.7 Typical Summer House Landscape Setting - Near Elbetoft, Denmark. 108 -- 4.8 The Kingo Housing Project. 108 -- 4.9 Bagsvaerd Church Exterior. 110 -- 4.10 Bagsvaerd Interior. 110 -- 4.11 Structures of Nature. 111 -- 4.12 Reinterpreted at the Opera House as Structures of Man. 111 -- 4.13 Light Falling on Vaulted Surfaces, Bagsvaerd Kirke, Denmark. 113 -- 4.14 The Ceramic Shells of the Opera House. 113 -- 4.15 Clerestory Light Slot, Can Lis. 115 -- 4.16 Can Lis Viewed from the Sea. 118 -- 4.17 Can Lis - the Existential Cave. 121 -- 4.18 The Cave Below Can Lis. 122 -- 4.19 The Gate. 123 -- 4.20 The Dancing Route. 124 -- 4.21 The Ordered Route to the West. 124 -- 4.22 Desk in the Bedspace. 125 -- 4.23 The Gatehouse. 127 -- 4.24 The Place to Be. 127 -- 4.25 The Temple. 128 -- 4.26 Essences. 130 -- 5.1 Norwegian Landscape. 136 -- 5.2 Borgund Stave Kirke, Norway. 137 -- 5.3 Villa Sparre. 137 -- 5.4 Fehn's Paradigm. 138 -- 5.5 The Glacier Museum. 140 -- 5.6 Skagestad House Stair. 141 -- 5.7 Stair in the Bodker House. 142 -- 5.8 Hedmark Museum. 142 -- 5.9 Bodker House Fire. 143 -- 5.10 Bodker House Snug. 144 -- 5.11 Skagestad House. 145 -- 5.12 Publisher's House, Oslo. 146 -- 5.13 Villa Busk. 147 -- 5.14 The Villa Busk Tower from the West. 152 -- 5.15 Villa Busk Wall. 155 -- 5.16 Villa Busk Tower. 156 -- 5.17 Villa Busk Entry Path. 157 -- 5.18 The 'Bridges': Villa Busk. 158 -- 5.19 The Stair from the 'Cave', Villa Busk. 158 -- 5.20 The Hearth, Villa Busk. 159 -- 5.21 View from the Tower, Villa Busk. 160 -- 5.22 The Bath, Villa Busk. 160 -- 5.23 The View from the Living Space, Villa Busk. 161 -- 5.24 The Post and Stone Detail, Villa Busk. 162 -- 5.25 The Circulation Spine, Villa Busk. 163 -- 5.26 Ventilation and View Disaggregated, Villa Busk. 165 -- 5.27 Bathing Space, Villa Busk. 165 -- 5.28 Conjunction of Concrete and Stone. 166 -- 6.1 Mt Benhaddou. 171 -- 6.2 Mt Benhaddou Detail. 172 -- 6.3 Mt Benhaddou Landscape. 173 -- 6.4 The 'Great Spot' - Can Lis. 174 -- 6.5 The Bath, Villa Busk. 175 -- 6.6 The Harbour Village. 177 -- 6.7 Tectonic Expression with Limited Material Palette. 179 -- 6.8 Oslo Opera House. 180 -- 6.9 Performance Space. 181 -- 6.10 The Forest of Coats. 181 -- 6.11 Reindeer Pavilion. 182 -- 6.12 Kampii Chapel. 184 -- 6.13 St Henry's Chapel. 185 -- 6.14 Turn End, Buckinghamshire. 186 -- 6.15 Peter Aldington, January 2016. 186 -- 6.16 Turn End. 187 6.17 Thrifty Beeches. 188 -- 6.18 Thrifty Beeches 'Sedimentary' Wall. 189 -- 6.19 Thrifty Beeches Sleeping Space. 190 -- 6.20 Concept Sketch, Thrifty Beeches. 191 -- 6.21 Tower. 193 -- 6.22 Tower Stair. 193 -- 6.23 Sedimentary Spine Wall. 195 -- 6.24 Plywood House Rear Elevation. 196 -- 6.25 Saw Plywood Detail. 197 -- 6.26 Plywood Detail. 198 -- 6.27 SAAW Concrete Samples. 199 -- 6.28 Putney Cellar. 200 -- 6.29 Putney Cellar Stairs. 201 -- 6.30 Putney Cellar Wine Rack. 201 -- 6.31 PCA Sketch Wall. 202 -- 6.32 PCA Innisfree Competition Entry. 203 -- 6.33 PCA Le Touquet House. 204 -- 6.34 Kiasma. 206 -- 6.35 Kiasma Weaving. 206 -- 6.36 Kiasma Stair. 208 -- | ||
| 600 | 1 | 0 |
_aAalto, Alvar, _d1898-1976 _xCriticism and interpretation. |
| 600 | 1 | 0 |
_aUtzon, Jr̜n, _d1918-2008 _xCriticism and interpretation. |
| 600 | 1 | 0 |
_aFehn, Sverre, _d1924-2009 _xCriticism and interpretation. |
| 650 | 0 |
_aArchitecture _xPhilosophy. |
|
| 942 |
_2lcc _c6 _eFirst Published 2018 _hNA2500 _kGeneral _mT975 2018 |
||
| 999 |
_c281884 _d281884 |
||