000			04102cam a2200361 i 4500
999			_c259534 _d259534
001			19135797
003			OSt
005			20200605163404.0
008			160614s2017 enka ob 001 0 eng
010			_a 2016027533
020			_a9781474273688 (hardcover)
020			_z9781474273695 (epdf)
020			_z9781474273718 (ePub)
040			_aDLC _beng _cDLC _erda _dDLC
042			_apcc
050	0	0	_aTT507 _b.C657 2017
082	0	0	_a746.9/2 _223
245	0	0	_aColors in fashion / _cedited by Jonathan Faiers and Mary Westerman Bulgarella. _h[electronic resource]
264		1	_aLondon ; _aNew York : _bBloomsbury Academic, an imprint of Bloomsbury Publishing Plc, _c2017.
300			_axvii, 227 pages : _billustrations (chiefly color) ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_acomputer _2rdamedia
338			_aonline resource _2rdacarrier
504			_aIncludes bibliographical references and index.
505			_aIntroduction -- SECTION ONE COLOR AND SOLIDARITY -- 1. Color as Theme in the Ebony Fashion Fair -- 2. Purity and parity: the white dress of the suffrage movement in early twentieth-century britain -- 3. Birds of the Same “color” flock together: color as expression of identity and solidarity in aso-ebi cloth of the yoruba -- 4. contradictory colors: tricolor in vichy france’s fashion culture -- SECTION TWO COLOR AND POWER -- 5. Dress and color at the thai court -- 6. “gold and silver by night.” queen alexandra: a life in color -- 7. Lord boston’s court uniform: a story of color, politics, and the psychology of belonging -- 8. Yellow is the New Red, or Clothing the Recession and How the Shade of Shame Became Chic -- SECTION THREE COLOR AND INNOVATION -- 9. Color before technicolor: colorized fashion films of the silent era -- 10. Color as Concept: From international klein blue to viktor & rolf’s “bluescreen” -- 11. tainted love: oscar wilde’s toxic green carnation, queerness, and chromophobia -- 12. Starlit skies blue versus durindone blue -- SECTION FOUR COLOR AND DESIRE -- 13. Rough wolves in the sheepcote: the meanings of fashionable -- 14. “le noir étant la dominante de notre vêture …”: the many meanings of the color black in postwar paris -- 15. British scarlet broadcloth, the perfect red in eastern africa, c.1820–1885 -- 16. Lives lived: An archaeology of faded indigo -- Index.
520			_aColor speaks a powerful cultural language, conveying political, sexual, and economic messages that, throughout history, have revealed how we relate to ourselves and our world. This ground-breaking compilation is the first to investigate how color in fashionable and ceremonial dress has played a significant social role, indicating acceptance and exclusion, convention and subversion.From the use of white in pioneering feminism to the penchant for black in post-war France, and from mystical scarlet broadcloth to the horrors of arsenic-laden green fashion, this publication demonstrates that color in dress is as mutable, nuanced, and varied as color itself. Divided into four thematic parts - solidarity, power, innovation, and desire - each section highlights the often violent, emotional histories of color in dress across geographical, temporal and cultural boundaries. Underlying today's relaxed attitude to color lies a chromatic complexity that speaks of wars, migrations and economics. While acknowledging the importance that technology has played in the development of new dyes, the chapters explore color as a catalyst for technical innovation that continues to inspire designers, artists, and performers. Bringing together cutting-edge contributions from leading scholars, it is essential reading for academics of fashion, textiles, design, cultural studies and art history.
650		0	_aFashion _xPhilosophy.
650		0	_aColors _xPsychological aspects.
700	1		_aFaiers, Jonathan, _eeditor.
700	1		_aBulgarella, Mary Westerman, _eeditor.
856			_uhttps://ebookcentral.proquest.com/lib/pucpr-ebooks/detail.action?docID=4692893 _yAcceso en el Campus PUCPR
942			_2lcc _c7