000 03905cam a22004338i 4500
003 pucpr
005 20220804140452.0
008 151027s2016 nyu 000 0 eng
010 _a 2015042135
020 _a9781620403754
020 _a1620403757
040 _apucpr
_beng
_cpucpr
_dpucpr
_erda
049 _aCARIBET
050 0 0 _aNA737.W7
_bH685 2016
082 0 0 _a720.973/0904
_223
100 1 _aHoward, Hugh,
_d1952-
_eauthor.
245 1 0 _aArchitecture's odd couple :
_bFrank Lloyd Wright and Philip Johnson. /
_cHugh Howard.
_htxt
264 1 _aNew York :
_bBloomsbury Press ,
_c2016.
300 _ax, 333 p.
_bill.; col.;
_c25 cm.
_fbook
336 _2rdacontent
_atext
_btxt
337 _2rdamedia
_aunmediaded
_bn
338 _2rdacarrier
_avolume
_bnc
500 _aInclude index
504 _aInclude Bibliography
505 _aPrologue: The master and the maestro -- Part I: A meeting of minds -- Chapter I: Two conversations -- Chapter 2: Plotting a comeback -- Chapter 3: European travels -- Part II: The MOMA moment -- Chapter 4: The new museum -- Chapter 5: An invitation issued -- Chapter 6: Wright vs. Johnson -- Chapter 7: The show must go on -- Part III: Acting out their antagonism -- Chapter 8: The banks of Bear Run -- Chapter 9: Politics and art -- Chapter 10: Wright's Manhattan project -- Chapter 11: Philip comes out classical -- Chapter 12: The whiskey bottle and the teapot -- Epilogue: A friendly wrangle --
520 _a"In architectural terms, the twentieth century can be largely summed up with two names: Frank Lloyd Wright and Philip Johnson. Wright (1867-1959) began it with his romantic prairie style; Johnson (1906-2005) brought down the curtain with his spare postmodernist experiments. Between them, they built some of the most admired and discussed buildings in American history. Differing radically in their views on architecture, Wright and Johnson shared a restless creativity, enormous charisma, and an outspokenness that made each man irresistible to the media. Often publicly at odds, they were the twentieth century's flint and steel; their repeated encounters consistently set off sparks. Yet as acclaimed historian Hugh Howard shows, their rivalry was also a fruitful artistic conversation, one that yielded new directions for both men. It was not despite but rather because of their contentious--and not always admiring--relationship that they were able so powerfully to influence history. In Architecture's Odd Couple, Howard deftly traces the historical threads connecting the two men and offers readers a distinct perspective on the era they so enlivened with their designs. Featuring many of the structures that defined modern space--from Fallingwater to the Guggenheim, from the Glass House to the Seagram Building--this book presents an arresting portrait of modern architecture's odd couple and how they shaped the American landscape by shaping each other"--
_cProvided by publisher.
600 1 0 _aWright, Frank Lloyd,
_d1867-1959
_xFriends and associates.
600 1 0 _aWright, Frank Lloyd,
_d1867-1959
_xCriticism and interpretation.
600 1 0 _aJohnson, Philip,
_d1906-2005
_xFriends and associates.
600 1 0 _aJohnson, Philip,
_d1906-2005
_xCriticism and interpretation.
650 0 _aArchitecture
_zUnited States
_xHistory
_y20th century.
650 0 _aArchitecture
_2bisacsh
_954081
_xHistory
_xGeneral
650 0 _aHistory
_2bisacsh
_9111420
_xAmericas (North, Central, South, West Indies)
650 0 _aBiography
_2bisacsh
_962414
_xArtists, Architects, Photographers.
650 0 _aArchitecture
_2bisacsh
_954081
_xHistory
_xModern (late 19th Century to 1945)
650 0 _aArchitecture
_2bisacsh
_954081
_xHistory
_xContemporary (1945-)
856 4 2 _3Cover image
_uhttp://www.netread.com/jcusers2/bk1388/754/9781620403754/image/lgcover.9781620403754.jpg
942 _2lcc
_c6
_hNA737.W7
_kGeneral
_mH685 2016
999 _c256365
_d256365