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| 008 | 150603s2004 caua b 001 0 eng | ||
| 010 | _a 2002153381 | ||
| 020 | _a9780892365975 | ||
| 040 |
_apucpr _beng _erda _cpucpr _dpucpr |
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| 041 | 0 | _aeng | |
| 049 | _aCARIBET | ||
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_aNA2500 _bS46213 2004 |
| 082 | 0 | 0 |
_a720/.1 _221 |
| 100 | 1 |
_aSemper, Gottfried _d1803-1879. _9275905 |
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| 245 | 1 | 0 |
_aStyle: Style in the technical and tectonic arts; or, Practical aesthetics _cGottfried Semper ; introduction by Harry Francis Mallgrave ; translation by Harry Francis Mallgrave and Michael Robinson. _htxt |
| 264 |
_aLos angeles _bGetty Publications _c2004 |
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| 300 |
_aviii, 980 p. _bill. (some col.) _c27 cm. _fbook |
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| 336 |
_2rdacontent _btxt _atext |
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| 337 |
_2rdamedia _bn _aunmediaded |
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| 338 |
_2rdacarrier _bnc _avolume |
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| 490 | 0 | _aTexts & documents | |
| 500 | _ainclude index. | ||
| 504 | _aIncludes bibliographical references (p. 921-954) and index. | ||
| 505 | _aIntroduction / Harry Francis Mallgrave -- Style in the technical and tectonic arts; or, Practical aesthetics: A handbook for technicians, artists, and friends of the arts: Part 1, Technical origin of the most important forms, types, and symbols in architecture -- Prolegomena -- Volume 1. Textile art: Considered in itself and in relation to architecture -- 1. Introduction -- 2. Classification of the technical arts -- 3. Textiles, A: General-formal -- 4. Textiles, B: Technical-historical -- Volume 2. Ceramics, tectonics, stereotomy, metallurgy: Considered in themselves and in relation to architecture -- 5. Ceramics, A: Aesthetic-formal -- 6. Ceramics, B: Technical-historical -- 7. Tectonics (carpentry), A: General-formal -- 8. Tectonics, B: Technical-historical -- 9. Stereotomy (stone construction), A: Aesthetic-formal -- 10. Stereotomy, B: Technical-historical -- 11. Metallurgy (metalwork) -- Semper's table of contents -- Plates -- Works cited by Semper -- Selected bibliography -- Index. | ||
| 520 | _aStyle, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. He tried to turn 19th century artistic discussion away from historicism, aestheticism and materialism. | ||
| 650 | 0 |
_aArchitecture _xAesthetics. _954081 _2Local |
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| 650 | 0 |
_aDecoration and ornament, Architectural _984992 _2Local |
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| 650 | 0 |
_aArchitecture _xHistory. _954081 _2Local |
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| 700 | 1 |
_aMallgrave, Harry Francis, _d1947- _9249296 |
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| 700 | 1 |
_aRobinson, Michael. _9160543 |
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| 710 | 2 |
_aGetty Research Institute. _9227938 |
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| 942 |
_c6 _hNA2500 _mS46213 2004 _2lcc _kGeneral |
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| 999 |
_c248270 _d248270 |
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