| 000 | 03253nam a2200325Ia 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20220525135120.0 | ||
| 008 | 140606s2006 nyua 000 0 eng d | ||
| 020 | _a9780847828722 | ||
| 020 | _a0847828727 | ||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
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| 041 | 0 | _aeng | |
| 049 | _cCARIBET | ||
| 050 | 0 | 0 |
_aNA735.S4388 _bW53 2006 |
| 082 | 0 | 0 |
_222 _a720.97596109045 |
| 100 | 1 |
_aWeaving, Andrew. _9289853 |
|
| 245 | 1 | 0 |
_aSarasota modern. _cAndrew weaving. _htxt |
| 264 |
_aNew York : _bRizzoli , _c2006. |
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| 300 |
_a207 p. _bill. ;col. ; _c26 cm. _fbook |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediaded _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 500 | _aInclude index | ||
| 505 | _aIntroduction -- Lucienne Tiwtchell House, Big pass, Siesta key -- Revere quality house, Siesta key -- Hiss house, Lido shores -- Umbrella house, Lido shores -- Hiss studio, Lido shores -- Spec house, Siesta key -- Cohen House, Bayou Louise, Siesta key -- Craney Spec houses, Winter haven -- Weaving-Thomasson house, Winter haven -- Hudson-Mcmurray house, Venice -- Jordan house, Lake Wales -- Dudley house, Sandy Hook, Siesta key -- Lu Andrews house No. 3, Sarasota mainland -- Cichon/Mitchell house, Sarasota mainland -- Twitchell Hutchins house, Casey key -- Putterman house and other Abbott work -- Burkhardt/Cohen house, Casey key -- Silverstein house, Casey key -- | ||
| 520 | _aSarasota in the 1950s was a small community graced with an alluring natural beauty. What set it apart from so many Florida beachfront towns was the concentration of artists, writers, and architects who gathered there—including author MacKinley Kantor and architects Paul Rudolf and Ralph Twitchell—a unique confluence of talented and daring architects coupled with a hip crowd willing to take risks. Sarasota was a place in which innovation and experimentation were the order of the day, a place where an architect might run into the local watering hole to shout: "I just invented the sliding glass door." Such was the confluence of art and architecture that laid the groundwork for the Sarasota School of Architecture, so named after the fact by architect Gene Leedy at an American Institute of Architecture (AIA) conference in the 1980s to refer to the unique architecture of this region, an architecture that is wonderfully responsive to Sarasota's sub-tropical environment and which has achieved international importance for its beauty, intelligence, and style. Today, Sarasota's treasures are being rediscovered by lovers of innovative architecture, who are buying and restoring these prized homes; but also, unfortunately, by developers, who are recklessly knocking them down. Sarasota Modern, the first book of its kind to focus exclusively on this vibrant community, offers the reader an intimate look into the stunning houses as they are lived in today. | ||
| 650 | 0 |
_aArchitecture _zFlorida _zSarasota _xHistory _y20th century _vPictorial works. _954081 _2Local |
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| 650 | 0 |
_aArt, Modern _zFlorida _zSarasota _vPictorial works. _2Local _954863 |
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| 650 | 0 |
_aModern movement Architecture _zFlorida _zSarasota _vPictorial works. _9137430 _2Local |
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| 942 |
_2lcc _c6 _hNA735 .S4388 _kGeneral _mW53 2006 |
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| 999 |
_c243982 _d243982 |
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