| 000 | 01264nam a2200241Ia 4500 | ||
|---|---|---|---|
| 001 | 32643 | ||
| 003 | BIBL | ||
| 005 | 20160527192238.0 | ||
| 008 | 731212s1967 nyu 00010 eng | ||
| 010 | _a 66020737 //r87 | ||
| 049 |
_aEVLG _bA _b863 _bH324i _cc1 |
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| 050 | 0 |
_aPQ7081 _b.H35 |
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| 082 | _a863 | ||
| 092 |
_aA _b863 _bH324i |
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| 100 | 1 | 0 |
_aHarss, Luis _9108538 _2Local |
| 245 | 1 | 0 |
_aInto the mainstream _bconversations with Latin-American writers _c[by] Luis Harss and Barbara Dohmann. |
| 250 | _a[1st ed.] | ||
| 260 | 0 |
_aNew York _bHarper & Row _c[1967] |
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| 300 |
_a385 p. _c22 cm. |
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| 505 | 0 | _aPrologue, with musical chairs.--Alejo Carpentier, or the eternal return.--Miguel Ángel Asturias, or the land where the flowers bloom.--Jorges Luis Borges, or the consolation of philosophy.--João Guimarães Rosa, or the third bank of the river.--Juan Carlos Onetti, or the shadows on the wall.--Julio Cortázar, or the slap in the face.--Juan Rulfo, or the souls of the departed.--Carlos Fuentes, or the new heresy.--Gabriel Garcìa Màrquez, or the lost chord.--Mario Vargas Llosa, or the revolving door. | |
| 650 | 0 |
_aLatin American fiction _xHistory and criticism. _9123484 _2Local |
|
| 700 | 1 | 0 |
_aDohmann, Barbara _d1936- _ejoint author. _987807 _2Local |
| 999 |
_c24238 _d24238 |
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