000			03380nam a2200361Ia 4500
003			pucpr
005			20220601162858.0
008			070423s1998 nyuae 000 0 eng
020			_a9781885254726
020			_a1885254725
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050			_aNA737.A16 _bM67 1998
082			_a720.922
245	0	0	_a1100 Architect. _cIntroduction by Pilar Viladas / essay by Pat Morton. _htxt
246	3		_aOne thousand and one hundred Architect. _htxt
264			_aNew York : _bMonacelli Press , _c1998.
300			_a192 p. _bill. ;col. ;plans. ; _c26 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
504			_aInclude Bibliography
505			_aCONTENTS -- Introduction Pilaf- Viladas -- Biographies -- The "Death" of the Architect Pat Morton -- Exhibition of Selected Work -- Orleans House -- Hatch House -- West Village Residence -- New Festival Theater -- Upper East Side Townhouse -- A/D Gallery -- Bleckner Studio and Residence -- The Robert Mapplethorpe Foundation -- Greenwich Village Duplex -- Media Wall -- Greenwich Village Townhouse -- Esprit de Corp -- Reservoir House I -- Georges House -- The Robbins Office -- TSE -- Schwarz-Tuchscherer House -- HM/FM House -- J.Crew -- Rifkin Residence -- Soho Loft -- Metro Pictures -- Little Red School House & Elisabeth Irwin High School -- List of Projects -- 1100 Personnel -- Consultants/Advisers/Colleagues -- Builders/Artisans/Craftspeople -- Bibliography -- Photography Credits --
520			_aFor more than twenty years, David Piscuskas and Juergen Riehm, principals of 1100 Architect, have worked toward a refined architecture that captures the spirit of early modernism and translates traditional sensibilities of harmony, composition, and precision into a contemporary context. The firm's designs do not adhere to any specific stylistic codes but do have a recognizable, yet understated architectural signature: an elegance of proportion, a subtle mix of colors, meticulous details and craftsmanship. Each project shown in this volume, the first monograph on the work of 1100, exemplifies that signature. Presented with exquisite color photographs, working drawings, models, and sketches, the designs range from apartments and houses (many for clients in the worlds of art, fashion, and theater) to retail and art-related spaces, including the Robert Mapplethorpe Foundation, TSE, J.Crew, and Metro Pictures, all in New York. Paralleling the diverse visual material, the rich and layered text epitomizes the nature of Piscuskas and Riehm's partnership, simultaneously exploring the relationship between the architects and their architecture, the literal and the abstract, the tactile and the visual.
610	2	0	_a1100 Architect (Firm) _xThemes, motives. _9192966 _2Local
650		0	_aArchitecture _zNew York (State) _zNew York _y20th century. _954081 _2Local
650		0	_aArchitecture, Modern _zUnited States _y20th century _954088 _vThemes, motives
650		0	_aArchitectural firms _zUnited States. _9196785 _2Local
650		0	_aArchitecture _zNew York (State) _zNew York _y21st century. _954081 _2Local
651		0	_9293958 _aUnited States
700	1		_aAlbrecht, Donald. _9194378
942			_2lcc _c6 _hNA737.A16 _kGeneral _mM67 1998
999			_c226398 _d226398