| 000 | 07216nam a2200349Ia 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20260812131413.0 | ||
| 008 | 031110s2003 enka b 001 0 eng d | ||
| 010 | _a 2005412031 | ||
| 020 | _a9780719061622 | ||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
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| 041 | _aspa | ||
| 049 | _aCARIBET | ||
| 050 | 0 | 0 |
_aN6948.5.D42 _bW48 2003 |
| 082 | 0 | 4 |
_a709.492 _221 |
| 100 | 1 |
_aWhite, Michael _9188722 |
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| 245 | 1 | 0 |
_aDe Stijl and Dutch modernism : _cMichael White. _htxt |
| 264 |
_aNew York : _bManchester, _c2003. |
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| 300 |
_axv, 176 p. _bill. (some col.) ; _c25 cm. _fbook |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediaded _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 490 | 0 | _aCritical perspectives in art history | |
| 500 | _aInclude index. | ||
| 504 | _aInclude bibliography. | ||
| 505 | _aContents: List of illustrations page viii -- Acknowledgements xi -- Preface xii -- List of abbreviations xvi -- Introduction : who’s afraid of red, yellow and blue? -- 1 Abstraction and utopia 12 -- 2 The monumental image of the city 44 -- 3 Advertising as fine art 77 -- 4 Structures of interior design 103 -- 5 Exhibiting style 136 -- Select bibliography 165 -- Index 171 -- | ||
| 505 | _aList of Illustrations: 1 Theo van Doesburg, Stained-Glass Composition IV, 1917. Courtesy of Instituut Collectie Nederland facing page 80 -- 2 Barr van der Leck, Composition 1916 no. 4, 1916. Courtesy of Kröller-Müller Museum. © DACS 2003 81 -- 3 Theo van Doesburg and Cor van Eesteren, Colour Design for a Shopping Parade and Café-Restaurant, 1924. Courtesy of Netherlands Architecture Institute 81 -- 4 Vilmos Huszár, packet for Miss Blanche Virginia Cigarettes, 1927. Courtesy of Merrill C. Berman Collection. © DACS 2003 112 -- 5 Gerrit Rietveld, Axonometric Projection Schröder House, undated. Courtesy of Centraal Museum Utrecht. © DACS 2003 113 -- 6 Gerrit Rietveld, Schröder House, 1924. Courtesy of Centraal Museum Utrecht. © DACS 2003. Photograph of first floor by Frank den Oudsten 113 -- Figures : 1 Model of 'Rietveld Joint', 1958. Courtesy of Centraal Museum Utrecht. © DACS 2003 page 3 -- 2 Bart van der Leck, The Mining Business, 1914-16. Courtesy of Kröller Müller Museum. © DACS 2003 14 -- 3 Richard Roland Holst, Industry, 1903. Beurs van Berlage, Amsterdam. Photograph by Jan Derwig 18 -- 4 Installation photograph, Hollandsche Kunstenaarskring, 1917. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 21 -- 5 Piet Mondrian, Evolution, I9II. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 21 -- 6 Piet Mondrian, Self Portrait, 1918. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 27 -- 7 J. J. P. Oud, De Vonk, Noordwijkerhout, 1917-19. Photograph from De Stijl 31 -- 8 Jan Wils, De Dubbele Sleutel, Woerden, 1918. Photograph from De Stijl 36 -- 9 Cover of De Stijl, 1917 38 -- 10 Vilmos Huszár, Mechanical Dancing Figure, 1917-20. Photograph from Merz, 1923. © DACS 2003 39 -- 11 Piet Mondrian, Wingless "Paltrok' Mill in the Schinkelbuurt, c. 1898. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 48 -- 12 Michel de Klerk and Pieter Kramer, De Dageraad, Amsterdam, 1923. Photograph by Regine Prelle 52 -- 13 J.J. P. Oud, Spangen block VIII, Rotterdam, 1920. Photograph by Michael White page 54 -- 14 J. J. P. Oud, Kiefhock, Rotterdam, 192g. Photograph by Michael White 58 -- 15 Theo van Doesburg, Cité de Circulation, 192g. Courtesy of Netherlands Architecture Institute 62 -- 16 Th. K. van Lohuizen, Urban Spheres of Influence, 1925. Courtesy of Netherlands Architecture Institute 67 -- 17 Vilmos Huszár, advert for Bruynzeel, 1917. © DACS 2003 78 -- 18 Bart van der Leck, Batavier Line, 1915-16. Courtesy of Kröller Müller Museum. © DACS 2003 82 -- 19 Bart van der Leck, Delfsche Slaolie, 1919. Courtesy of Merrill C. Berman Collection. © DACS 2003 84 -- 20 Theo van Doesburg, Prima Goudsche Kaas, 1919. Courtesy of Merrill C. Berman Collection 86 -- 21 Richard Roland Holst, cover of Programma van de feesten bij de invoering van de achturendag 1919. Courtesy of Rijksmuseum, Amsterdam 87 -- 22 Cover of De Stijl, 1921. © DACS 2003 89 -- 23 Theo van Doesburg, poster for Kleine Dadasoirée, 1923. Courtesy of Centraal Museum Utrecht 90 -- 24 Theo van Doesburg and Kurt Schwitters, The Story of the Scarecrow, 1925.© DACS 2003 93 -- 25 Theo van Doesburg, advert for Fagus, 1925. Courtesy of Centraal Museum Utrecht 94 -- 26 Kurt Schwitters, Neue Gestaltung in der Typographie, 1925. © DACS 2003 95 -- 27 Theo van Doesburg, cover design for Werdegang der neue Malerei, 1925-26 Courtesy of Centraal Museum Utrecht 96 -- 28 Kurt Schwitters, Miss Blanche, 1923. Collection Werner Schmalenbach.© DACS 2003 97 -- 29 Vilmos Huszár, advert for Miss Blanche Virginia Cigarettes, illustration from iro, 1927. O DACS 2003 99 -- 30 Jan Sluijters, The family, 1925. Courtesy of Stedelijk Museum Amsterdam 105 -- 31 Johanna Van Gogh - Bonger sitting room, 1905. Courtesy of Van Gogh Museum 106 -- 32 Gerrit Rietveld, Interior for Truus Schröder, 1921. Courtesy of Centraal Museum Utrecht. © DACS 2003 107 -- 33 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 -- 34 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 -- 35 Mondrian's studio 26 rue du Depart, 1926. Photograph by Paul Delbo. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 120 -- 36 Frans Postma, reconstruction of Mondrian's studio 26 rue du Depart, 1995. © Frans Postma, Delft, Holland, 10 October 2002 122 -- 37 Theo van Doesburg, photograph of exhibition Les architectes du groupe De Stijl, 1923. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 123 -- 38 Hannes Meyer, Co-op interior, 1926. Courtesy of Deutsches Architekturmuseum 126 -- 39 Gerrit Rietveld, Schroder House, Uttrecht, 1924. Photograph by Michael White page 128 -- 40 Vilmos Huszár and Willem Roelofs, Vitrine for New York World’s Fair, 1939 DACS 2003 137 -- 41 Rijksmuseum, Amsterdam, 1885. Photograph by Regine Prelle 141 -- 42 Theo van Doesburg, diagram for Der Wille zum Stil, 1922 146 -- 43 Vilmos Huszár, trade stand for Bruynzeel, 1818. Courtesy of Rijksbureau voor Kunsthistorische Documentarie DACS 2003 152 -- 44 Piet Zwart, Jaarbeurs trade stand, 1921. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 154 -- 45 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht. DACS 2003 157 -- 46 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht DACS 2003 157 -- 47 Charles Karsten, photograph of Mondrian, 1933. Courtesy of Netherlands Architecture Institute 160 -- | ||
| 650 | 0 |
_aDe Stijl (Art movement) _9216118 _2Local |
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| 650 | 0 |
_aModern movement Architecture _zNetherlands. _9137430 _2Local |
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| 650 | 0 |
_aArt, Modern _zNetherlands. _2Local _954863 |
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| 942 |
_2lcc _c6 _hN6948.5.D42 _kGeneral _mW48 2003 |
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| 999 |
_c221435 _d221435 |
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