| 000 | 02967nam a2200385Ia 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20220901132556.0 | ||
| 008 | 021411s2005 nyua b 000 0 eng | ||
| 020 |
_a1568985037 _c59.00 |
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| 020 | _a9781568985039 | ||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
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| 049 | _aCARIBET | ||
| 050 |
_aNA7593.K74 _bL54 2005 |
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| 082 |
_222 _a728.8/092 |
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| 100 | 1 |
_aKleinman, Kent _d1956- _9242490 |
|
| 245 | 1 | 0 |
_aMies van der Rohe : _bthe Krefeld villas. / _cKent Kleinman and Leslie Van Duzer. _htxt |
| 264 |
_aNew York : _bPrinceton Architectural Press , _c2005. |
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| 300 |
_a143 p. _bill.; col.; plans.; _c26 cm. _fbook |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediaded _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 504 | _aInclude Bibliography | ||
| 505 | _aAcknowledgments -- Introduction: Notes on Almost Nothing -- Klein’s Kleine Kammer -- LeWitt and the Art of Introductions -- Serra and the Anti-Environment -- Windows and Other Weaknesses -- Conclusion: Architecture, Acting -- Notes -- Appendix: Drawings -- Credits -- | ||
| 520 | _aWith all of the attention Mies van der Rohe has received over the last few years, it's hard to believe that there could be a pair of "undiscovered" buildings begging for even the slightest consideration and receiving none. Such has been the fate, however, of Mies's Krefeld Villas, a pair of neighboring brick residences of typically restrained elegance built from 1927 to 1930. Their anonymity is, to some degree, Mies's own doing; in 1959, in his only public comment about the projects, he quipped that he would have preferred to use more glass, but the clients objected. "I had great trouble," he said. As historians Kent Kleinman and Leslie van Duzer show in this carefully researched, eminently readable study, sometimes it's best not to take the architect at his word. Here they guide us through the two villas, which were converted into a joined museum of contemporary art after World War II. Each chapter begins with a study of an artist who has created a site-specific installation within the villas. By analyzing how Yves Klein, Sol LeWitt, Richard Serra, and Ernst Caramelle chose to engage Mies's architecture, they arrive at a truly original understanding of these two forgotten masterworks. | ||
| 600 | 1 | 0 |
_aMies van der Rohe, Ludwig _d1886-1969 _xCriticism and interpretation. _9253733 _2Local |
| 610 | 2 | 0 |
_aMuseum Haus Lange Krefeld. _9256715 _2Local |
| 610 | 2 | 0 |
_aMuseum Haus Esters. _9256714 _2Local |
| 650 | 0 |
_aArchitecture Domestic _zGermany _zKrefeld. _954087 _2Local |
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| 650 | 0 |
_aArchitecture _zGermany _zKrefeld _y20th century. _954081 _2Local |
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| 650 | 0 |
_aVillas _zGermany _zKrefeld. _9288417 _2Local |
|
| 651 | 0 |
_aKrefeld (Germany) _xBuildings, structures, etc. _9243231 _2Local |
|
| 700 | 1 |
_aVan Duzer, Leslie _d1958- _9287145 |
|
| 700 | 0 | 0 |
_aMies van der Rohe, Ludwig _d1886-1969. _9253733 |
| 942 |
_2lcc _c6 _hNA7593.K74 _kGeneral _mL54 2005 |
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| 999 |
_c220747 _d220747 |
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