000			01774nam a2200313Ia 4500
003			pucpr
005			20201105154717.0
008			102010s2009 ne a b 000 0 eng d
020			_a9780415776257 (pbk.)
040			_apucpr _beng _erda _cpucpr _dpucpr
041			_aspa
049			_aCARIBET
050			_aNA2500 _bA454 2008 c.1
100	1		_aAllen, Stan _9194847
245	1	0	_aPractice _barchitecture, technique and representation _cessays [by] Stan Allen _htxt
264			_aNew York _bRoutldge _c2008
300			_a255 p. _bill. _c23 cm. _fbook
336			_2rdacontent _btxt _atext
337			_2rdamedia _bn _aunmediaded
338			_2rdacarrier _bnc _avolume
490		0	_aCritical voices in art, theory and culture _x1025-9325.
500			_aInclude Index.
505			_aIntroduction: Practice vs. Project Part 1: Drawings 1. Constructing with Lines: On Projection 2. Notations and Diagrams: Mapping the Intangible 3. Terminal Velocities: The Computer in the Design Studio Part 2: Buildings 4. Mies' Theater of Effects 5. The Guggenheim Refigured 6. Le Corbusier and Modernist Movement Part 3: Cities and Landscapes 7. Urbanisms in the Plural 8. The Thick 2-D: Mat-Building in the Contemporary City 9. From Object to Field: Field Conditions in Architecture and Urbanism
520			_aArgues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. This book examines the ways in which the tools available to the architect affect the design and production of buildings.
650		0	_aArchitecture _954081 _2Local
650		4	_aRepresentation Philosophy. _9158535 _2Local
700	1		_aAgrest, Diana. _9193959
942			_c6 _hNA2500 _mA454 2008 c.1 _2lcc _kGeneral
999			_c219077 _d219077