000			05640nam a2200397Ia 4500
003			pucpr
005			20260903154202.0
008			080330s2008 gw ae b 100 0 eng d
020			_a9783775722216
040			_apucpr _beng _cpucpr _dpucpr _erda
041			_aspa
049			_aCARIBET
050		4	_aNA1088.M65 _bR4813 2008
082	0	4	_a728.0943 _222
245	0	0	_aMies and Modern Living : _binteriors, furniture, photography. / _cedited by Helmut Reuter and Birgit Schulte on behalf of the Henry van de Velde-Gesellschaft Hagen e.V ; [translations, Paul Aston ... et al.]. _htxt
264			_aGermany : _bHante Cantz, _c2008.
300			_a287 p. _bill. ; plans ; _c29cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
500			_a"The basis of the publication is the symposium "Die Wohnung unserer Zeit--Möbelentwürfe und Innenraumkonzepte von Ludwig Mie van der Rohe" (The Dwelling in our Time--Furniture Designs and Interior Concepts by Mies van der Rohe), which took place from March 16-18 2007, and was organized jointly by the Henry van de Velde Gesellschaft Hagen and the Karl Ernst Osthaus Museum in Hagen."--p. 6.
500			_aTraduction de: Mies und das neue Wohnen : Räume, Möbel, Fotografie.
505			_aContents: Manfred Osthaus preliminary remark 6 -- Birgit Schulte acknowledgements 7 -- Helmut Reuter toward modern living 9 -- Biographical notes -- Andreas Marx | Paul Weber from Ludwig Mies to Mies van der Rohe the apartment and studio Am Karlsbad 24 (1915-38) 25 -- Birgit Schulte opposing the age of short-lived fashions lines connecting Mies van der Rohe and Karl Ernst Osthaus 41 -- Interiors -- Nina Senger | Jan Maruhn architecture and art Mies van der Rohe builds for art collectors 57 -- Andreas Marx | Paul Weber unknown photographs of Mies van der Rohe's Kempner House (1921-23) insight into Mies's working economy in the development of rational designs, 1920 71 -- Wita Noack of interiors and exteriors Lemke House (1932/33) by Ludwig Mies van der Rohe 77 -- Furniture -- Reinhold Happel simplicity as the vehicle of a new beauty technology, industry, and Mies van der Rohe's principle of minimalization 87 -- Otakar Máčel the metal furniture by Mies van der Rohe: manufacturers and imitations, 1927-38 99 -- Bernd Dicke type and prototype the cantilever chair for Stuttgart, 1927 111 -- Reichspatentamt Berlin petty patent, Reichspatentamt Berlin, 1930 123 -- 2 / Research Group patents 125 -- Circle, cross, and square the MR table 127 -- Mies van der Rohe's desks 129 -- The pavilion chair 133 -- Lilly Reich's furniture designs 135 -- The "Lilly Reich weave" 139 -- Chaise longue MR 100, 1931 141 -- Multifunctional recliner, 1931 143 -- Wolf Tegethoff the pavilion chair the furnishings of the 1929 German pavilion in Barcelona and their significance 145 -- Mathias Winkler analyzing the early Barcelona chair a series of analyses conducted within the scope of the catalogue raisonné furniture and furniture designs by Mies van der Rohe 175 -- Friederike and Hans Deuerler the production of the Barcelona chair in Germany after 1945 185 -- Christiane Lange the collaboration between Lilly Reich and Ludwig Mies van der Rohe 195 -- Photography -- Helmut Reuter 1925 211 -- Helmut Reuter | Wolf Tegethoff | Rolf Sachsse Mies and the photographers I list of photographers working with Mies van der Rohe's Berlin studio until 1938 231 -- Rolf Sachsse Mies and the photographers II medium and modernity as enigma 253 -- Dietrich Neumann " wallpaper with Arctic landscapes . . ." Mies van der Rohe's patents for wallpaper design and printing technology 1937-50 265 -- Epilogue 277 -- Helmut Reuter Georg Kolbe's sculpture Morning: the return from Barcelona 282 -- Photo credits 286 --
520			_a"Ludwig Mies van der Rohe (1886-1969) is not only one of the most important architects of the twentieth century, his furniture designs are also considered milestones in the history of design. Even today, his tubular and flat-bar steel furniture, such as the famous Barcelona Chair, are to a large extent still in serial production. Based on the most recent scholarship and taking new material into consideration, this publication devotes itself to these modern classics and in doing so, discusses the progressive concepts of interior space developed by Mies van der Rohe, who invariably understood the interior-design aspect as part of an overall architectural plan. Well informed experts not only look back on the artistic highlights of Mies's career and their developmental history, their contributions also bring to life the atmosphere that prevailed in Berlin in the twenties and thirties. In addition, this book contains a series of previously unpublished photographs of Mies's work" -- Jacket.
600	1	0	_aMies van der Rohe, Ludwig _d1886-1969. _vCongresses. _9253733 _2Local
600	1	6	_aMies van der Rohe, Ludwig _d1886-1969 _vCongrès. _9253733 _2Local
650		0	_aArchitect-designed houses _zGermany _xHistory _y20th century _vCongresses. _9196753 _2Local
650		0	_aArchitect-Designed Furniture _zGermany _xHistory _y20th century _9196752
650		0	_aArchitects as artists. _vCongresses. _9196768 _2Local
650		0	_aArchitect-Designed Furniture _zGermany _xHistory _y20th century _vCongresses. _9196752 _2Local
700	1		_aReuter, Helmut. _9268918
700	1		_aSchulte, Birgit _d1960- _9274957
710	2		_aHenry van de Velde-Gesellschaft. _9234214
710	2		_aKarl-Ernst-Osthaus-Museum. _9241169
942			_2lcc _c27 _hNA1088.M65 _kGeneral _mR4813 2008
999			_c217957 _d217957