000			05928nam a2200373Ia 4500
003			pucpr
005			20220627195456.0
008			062310s2008 a r 001 0 eng
010			_a2007933892
020			_a9780847831029
020			_a0847831027
040			_apucpr _beng _cpucpr _dpucpr _erda
049			_aCARIBET
050	0	0	_aNA737.L97 _bG74 2008
082			_222 _a720
245	0	0	_aGreg Lynn Form. _cEdited by Mark Rappolt. _htxt
264			_aNew York : _bRizzoli , _c2008.
300			_a367 p. _bill. ;col. ;plans. ; _c24 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
504			_aInclude Bibliography
505			_aMaps by Imaginary Forces -- The Universe -- Client-Collaborator Mesh -- Colleagues-Exhibitions-Writers Mesh -- Alumni-Academy Mesh -- Introduction Mark Rappolt -- Cribs -- Freshness Sylvia Lavin -- Structure -- Massing -- A Culture of Surface Chris Bangle -- Apertures -- Inside Out / Outside In Sonia Eram -- Color -- Extreme, or Pollen from Outer Space Ross Lovegrove -- Geometry -- Digital Geometry Peter Schroder -- Families -- Structuralist Research Program in Developmental Biology Brian C. Goodwin -- A Family Affair Jeffrey Kipnis -- Medium -- Lynnopolis, or Notes from the Digital Diaspora Rene Daalder -- Ari Marcopoulos: Photographs, 09/06-03/08 -- Robots -- Fictions -- The Growthing Bruce Sterling -- The Thousand Dreams of Stellavista J. G. Ballard -- A New Style of Life Greg Lynn -- List of Everything -- Stranded Sears Towers -- Cabrini Green Urban Design Competition -- Cardiff Bay Opera House Competition -- Yokohama International Port Terminal Competition -- Port Authority Triple Bridge Gateway Competition -- Korean Presbyterian Church of New York -- Artists Space -- Citron House -- electra ’96 -- H2 House: OMV Aktienge-sellschaft Visitor’s Pavilion -- Encore . . . Bruxelles Exhibition -- Cincinnati Country Day School -- Embryological House -- Tingler -- New York Times Magazine Capsule Design Competition -- Flowering Lotus Tibetan Rug -- Vision Plan for Rutgers University -- 7th Venice Architecture Biennale: American Pavilion–Lynn/Rashid Architectural Laboratories with Columbia University and UCLA, Austrian Pavilion, and Italian Pavilion -- PGLIFE.COM -- The Predator -- Eyebeam Museum of Art and Technology Competition -- Suite Fantastique: A Design Arts Extravaganza -- Visionaire No. 34 Paris -- Imaginary Forces Offices -- Uniserve Corporate Headquarters -- DADA Grows Competition -- Transformation of the Kleiburg Block -- St. Gallen Kunstmuseum Competition -- Max Protetch Skylights -- Lord’s on Sunset -- Heart Breaker Chess Set -- Sci-Fi Channel Identity Design -- Inmo Gallery Exhibition -- Expanding the Gap -- BMW Leipzig Central Building Design Competition -- World Trade Center Site Design Competition -- Beach Bleb: Light Chrysalis -- General Dynamics Poster Project -- Voluptuous Bench Prototype -- Ark of the World Museum and Visitors’ Center -- Alessi Coffee and Tea Towers -- European Central Bank Phase I Competition -- Intricate Surface -- Multi-funktions-automaten -- Design Competition for a Signage and Information System for the Forecourt of the Museums-Quartier -- Numinous Flowers -- Sociopolis Housing Block -- Sternet -- City Lights Competition -- Cranbrook Pavilion, Cranbrook Academy of Art -- Vitra Ravioli™ Chair, Ottoman, and Side Table -- Bloom House -- MSHome User Interface -- NOAH (New Outer Atmospheric Home) sets for the film Divide -- Slavin House -- Flatware -- Alessi Supple Mocha Cups -- Atlantis Sentosa -- Harmony Atrium Competition, Lincoln Center for the Performing Arts -- Bubbles in the Wine New York, Fifty Years of Art, Architecture, Movies, Performances, Photography and Video -- 8,000 Housing Units -- 5900 Wilshire Boulevard Restaurant and Trellis Pavilion -- Biennale Park Pavilion No. 3, Saadiyat Island -- Robo-Living MyHome–Seven Experiments for Contemporary Living -- Blobwall -- ISTA Lecture Hall Competition -- BA8: BMW Design Headquarters Competition -- Plate Prototypes -- New City --
520			_aEdited by Mark Rappolt with contributions by: J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross Lovegrove, Ari Marcopoulos, Peter Schroder, and Bruce Sterling.One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design in architecture and design, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. Included are contributions from theorists, architects, and artists, and futurists such as J. G. Ballard and Bruce Sterling. Greg Lynn Form offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking.
600	1	0	_aLynn, Greg _9248409 _2Local _xCriticism and Interpretation
610	2	0	_aGreg Lynn Form (Firm) _9230892 _2Local _vCatalogs
650		0	_aArchitecture _xHistory _y20th century _954081 _2Local _vCatalogs _zUnited States
650		0	_aArchitecture _xHistory _y21th century _954081 _vCatalogs _zUnited States
650	0	0	_aDesign _986034 _2Local _vCatalogs _xHistory _y20th century _zUnited States
650	0	0	_aDesign _986034 _vCatalogs _xHistory _y21th century _zUnited States
650		0	_acatalogs _x20th and 21st century _9208523 _2Local
700	1	0	_aRappolt,Mark _9267731
942			_2lcc _c6 _hNA737.L97 _kGeneral _mG74 2008
999			_c217169 _d217169