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008			061110s2000 nyua b 000 0 eng
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020			_a078930483X
020			_a9780500282571
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049			_aCARIBET
050	0	0	_aNA737.L46 _bA4 2000
082	0	0	_a720.92 _221
100	1		_aLibeskind, Daniel _d1946- _9246311
245	1	0	_aDaniel Libeskind : _bthe space of encounter. / _cDaniel Libeskind; preface by Jeffrey Kipnis ; afterword by Anthony Vidler. _htxt
246			_aSpace of encounter. _htxt
246			_aThe space of encounter. _htxt
264			_aNew York : _bUniverse , _c2000.
300			_aix, 224 p. _bill. ;col. ;maps. ;plans. ;photo. ; _c22 cm. _fbook
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediaded _bn
338			_2rdacarrier _avolume _bnc
504			_aInclude Bibliography
505			_aPreface Jeffrey Kipnis -- Introduction Daniel Libeskind -- 30°, 45°, 60°, 90° Villa, Lutzowplatz, Berlin, 1990 -- 30°, 45°, 60°, 90° Text (Novantique Berlin), 1990 -- The Aleph before the Beit Competition for a Jewish Community Center and Synagogue, Duisberg, Germany, 1996 -- Architecture Intermundium: An Open Letter to Architectural Educators and Students of Architecture 1987 -- The Architect Theater set, National Theater, Oslo, 1997 -- Bauhaus Lecture, Weimar, 1998 -- Between the Lines Jewish Museum, Berlin, 1988-99 -- Between the Lines Opening Speech, Berlin, 1999 -- Beyond the Wall Exhibition, Netherlands Architecture Institute (NAi), Rotterdam, 1997 -- The Books of Groningen Drawings and texts, Groningen, 1990 -- Book U (A Book of Groningen, 1990) -- Chamberworks: Architectural Meditations on the Themes from Heraclitus 28 Drawings, 1983 -- Chamberworks: Architectural Meditations on the Themes from Heraclitus Lecture, Berlin, 1997 – City Edge Urban Competition, Berlin, 1987 -- Critique of a Day's Trauma or Second Look at Sisyphus Text, 1994 -- Counterpoint Studio Weil, Mallorca, 1998-2001 -- DarknessFireVoice Competition for a synagogue, Dresden, 1997 -- Earth/Time Imperial War Museum of the North, Manchester, 1997-2001 -- ...endless space(s) or histories (not yet) of Architecture Research Studio, University of Pennsylvania, 2000 -- The End of Space Interview by Gerhard Ahrens, 1992 -- Formal Blank Political -- For the Unheard Shoah Centre, Manchester, 1999-Present -- The Garden of Love and Fire Polderland Garden, Almere, The Netherlands, 1992 -- German Architectural Prize Speech Berlin, 1999 -- Homage to El Lissitzky Berlin, 1990 -- House with a Front Lawn Homage to Alvin Boyarsky, 1977: Folly, Osaka, Japan, 1994 -- Intertopos Campus design for JVC University, Guadalajara, Mexico, 1998-present -- JohAnnishoffZZ Urban competition for Johannisverteil, Tacheles, Berlin, 1999 -- K Scenography and costume design, Gladsaxe Theater, Copenhagen, Denmark, 1994 -- The Kaleidoscope Extension to the Corcoran Gallery of Art, Washington D. C., 1999 -- L'Chai'm: To Life Jewish Museum San Francisco, 1996-present -- Line of Fire Exhibition Installation, Geneva, 1988 -- Market of Consciousness Studio Programme, ETH Zurich, 1997 -- Micromegas: The Architecture of Endspace Drawings, 1979 -- Measure of Things The Magna Carta Project, Salisbury, England, 2000 -- Moskau-Berlin, Berlin-Moskau Exhibition Installation, Berlin, 1995 -- Morning The urbanization of the former S.S. Barracks of Sachsenhausen, Oranienburg, Berlin, 1992-present -- Morning Lecture, Berlin, 1993 -- Museum Without Exit Felix Nussbaum Haus, Osnabruck, 1995-1998 -- Museum Without Exit Felix Nussbaum Haus, Osnabruck, 1995-1998 -- Museum Without Exit Lecture 1995-1998 -- Museum Without Exit Project Description, 1995-1998 -- Musical Intersections Concert hall, Bremen, Germany, 1995-present -- Nexus Denver Art Museum, Denver, Colorado, 2000 -- Nouvelles Impressions d'Architecture Notes for a lecture, 1997 -- Observation on Education of Architects Essay, 1987 -- Outside Line Pavilion, Uozo, Japan 1997 -- Out of Line Urban competition, Potsdamer Platz, Berlin, 1991 -- Penalty Envelopes Drawings, 1990; construction, Yatai, Japan, 1994 -- Positions towards a Museum Lecture, Bielefeld, Germany, 1998 -- Phoenix Geschaftshaus Wohnbau Nordwest, Dresden, Germany, 2000 -- Proof of Things Invisible Lecture, Humboldt Universitat zu Berlin, 1997 -- Plegma Collage, 1988 -- QST. Competition for a Cultural Center, St. Polten, Austria, 1992 -- The Spiral Extension to the Victoria and Albert Museum, London, 1996-present -- The Spiral Competition Text, 1996 -- Steinatem/Stonebreath Competition for a Memorial for the Murdered Jews of Europe, Berlin, 1997 -- The Tenth Muse Competition for an Office Complex, Wiesbaden, 1992 -- Theatrum Mundi: Through the Green Membranes of Space Drawings, 1985 -- Theatrum Mundi Interview, 1987 -- Three Lessons in Architecture: The Machines Installation, Venice Biennale, 1985 -- Three Lessons in Architecture: The Machines Interview with SKALA, 1985 -- Three Lessons in Architecture: The Machines A conversational explanation, 1985 -- Traces of the Unborn Urban development competition, Alexanderplatz, Berlin, 1993; Lecture, Berlin, 1994 -- Traces of the Unborn Raoul Wallenberg Lecture, Ann Arbor, Michigan, 1995 -- Traces of the Unborn Lecture, Berlin, 1997 -- Trauma Lecture, Berlin, 1997 -- Uber den Linden Urban Planning Competition, Berlin, 1991 -- Virtual House Competition, 1997 -- Visible Cities Archipelago Competition entry, Berlin, 1997 -- Vox Nova: Modeln World Competition for the Ciudad de la Cultura, Santiago di Compostella, 1999 -- Wave Orpheus Competition for a theater, Almere, 1998 -- X Habitable Bridge over the Thames, London, 1996 -- Afterword Anthony Vidler --
520			_aSince leaving a career in classical music to focus solely on architecture in 1979, Libeskind's highly unconventional approach to design has riveted the interest of architects and designers around the world. Perhaps the leading architectural theoretician of our time, Libeskind is now receiving numerous commissions for new buildings, including the Jewish Museum in San Francisco. The Victoria and Albert extension in London, and the Felix Nussbaum Museum in Germany. His work has been the subject of more than 140 exhibitions and he travels and lectures constantly. This book on Libeskind's extraordinary work-eschews, in true Libeskind fashion, ,the traditional monograph format. Inspired by Libeskind's almost constant interaction with students and young architects and designers, the focus is on the underlying processes that drive Libeskind's work. By revealing for the first time in print his project proposals, and heavily drawing on unpublished letters, lauded speeches, and other writings--this book outlines the ideas behind his work and the underlying principles that created the rapid trajectory of Libeskind's career-from a young practitioner with an unconventional approach to a high-profile, often controversial architect and educator. Complimenting the brilliantly insightful textual material are drawings and full-color images of his models, finished projects, and projects in-process.
600	1	0	_aLibeskind, Daniel _d1946- _xThemes, motives. _9246311 _2Local
650		0	_aArchitecture, Postmodern _9196964 _2Local
650		0	_aArchitects _954076 _zGermany _vBiography
651		0	_9298920 _aGermany
942			_2lcc _c6 _hNA737.L46 _kGeneral _mA4 2000
999			_c216886 _d216886