000 04975nam a2200373Ia 4500
003 pucpr
005 20220616193115.0
008 052610s2007 nyua b 000 0 eng
010 _a 2006031252
020 _a9781568987002
020 _a1568987005
040 _apucpr
_beng
_cpucpr
_dpucpr
_erda
049 _aCARIBET
050 0 0 _aNA737.J65
_bA4 2007
082 0 0 _a720.922
_222
245 0 0 _aJones, Partners Architecture :
_bel segundo: designs for words, buildings, machines. /
_htxt
246 3 0 _aEl segundo :
_bdesigns for words, buildings, machines. /
_htxt
246 3 0 _aSegundo :
_bdesigns for words, buildings, machines. /
_htxt
250 _a1st edition
264 _aNew York :
_bPrinceton Architectural Press ,
_c2007.
300 _a400 p.
_bill. ;col. ;plans. ;photo. ;
_c28 cm.
_fbook
336 _2rdacontent
_atext
_btxt
337 _2rdamedia
_aunmediaded
_bn
338 _2rdacarrier
_avolume
_bnc
504 _aInclude Bibliography
505 _aEssays : Introduction ; From Scratch ; Mies-Takes ; Lim(n)IT: Notes on the Next Big Thing ; Loose Modularity, Lumpy Logic ; Stillness ; Assertiveness ; Newerness ; Post-Cool ; Sub-'burb ; Unvolumetric Architecture and the Emergence of the Architectural ; T.O. (a) E. or G.U. (a) T. ; Topology: Why a Ground? ; Heidegger, Corbu, and the Aliens ; A New American Frontier: Space and Things -- Projects : 1997 : I*8 Noodles prototype ; San Jose Repertory Theater ; The Golden Plate ; C-1 Professional Training Center -- 1998 : Hughes residence ; Boom lamp ; General Instruments Corporation campus ; Andersen Consulting ; Redondo Beach mobile tract houses ; David and Lisa Brill Residence -- 1999 : Screen ; New York Times Capsule ; Rob Brill Residence ; Sub-'burb/ House of the Future ; Ou/Muira residence -- 2000 : Arias-Tsang Residence ; 22nd Street T.O.W.E.R. ; PRO/con Package Homes ; Diatomic sofa ; Silverlake L.O.F.T.s ; Quebradillas House ; 575 Laurent Avenue -- 2001 : Redondo condos ; India Basin Technology Center ; Flemington Jewish Community Center ; Critic's desk ; Quebradillas House 2 ; Queens Museum of Art ; Silverlake PRO/con ; Queensland Gallery of Modern Art ; Aormori Northern City Housing ; STIM 1 ; STIM 2 ; Royal Danish Theater ; MOMO/Redondo -- 2002 : Lincoln Brigade ; Geocenter Møns Klint ; Grand Egyptian Museum ; Meiyuan New Village -- 2003 : SJSU Art Museum 1 ; SJSU Art Museum 2 ; PRO/dek ; Dwell Home PRO/con ; 2225 Hyperion Avenue ; 12th Street townhouses ; WTC Memorial 1 ; WTC Memorial 2 ; Franz residence ; Malama Learning Center ; Burning Man Tower ; SCI-Arc Conference Room ; Spot Welders TI ; PRO/con/MIL ; JAS Enterprises Autoshow ; Meridian Street house ; Elemental Chile ; Mountain hut -- 2004 : Pearson residence ; F2 ; Rooftop PRO/con ; Gluzman residence ; 1314 Beverly Glen Boulevard ; Jones Cabin ; 5945 Canyon Heights Lane ; Mogul house of the future ; Crazy Mocha Coffee -- 2005 : Shuffle ; Harper residence ; Agriprop machine ; Yucca Valley PRO/con ; Markham residence ; 806 North Juanita Avenue ; 83 McAlister Street ; McLeod residence ; Energie AG -- 2006 : Casarez Studio ; Stieglitz Residence ; Medbery residence ; Serra residence --
520 _aFor more than fifteen years, Jones, Partners: Architecture has dedicated itself to innovative, iconoclastic architectural projects. Picking up where their 1998 book,Instrumental Form, left off,Jones, Partners: Architecturepresents an overview of the work created from their office in El Segundo, California, over the last decade.Jones, Partners's work has continually evolved as a response to and critique of trends of newness for newness's sake. As likely to be influenced by Le Corbusier as by Gilles Deleuze or science fiction films, their work features an unexpected yet shrewd use of materials and movement. The office pursues meaningful innovation toward a more engaging experience of architecture, empowering individuals to interact with their environments Corbusier's "machine for living" taken to the next level. Whether competition schemes for the Grand Egyptian Museum or a radical redevelopment of San Francisco's Union Square, or built designs such as the San Jose Repertory Theater, Jones, Partners approaches architecture as more than simple form and program; it is a fluid and interactive experience. Mies van der Rohe once said, "I'd rather be good than interesting." The sentiment suits Jones, Partners well, as their work highlights the difference between simple building and true architecture; form and function are considered from every angle and pushed to new, unprecedented heights.
610 2 0 _aJones, Partners Architecture.
_9240369
_2Local
650 0 _aArchitectural practice, International
_9196803
_2Local
650 0 _954088
_aArchitecture, Modern
_y20th century.
_2Local
650 0 _954088
_aArchitecture, Modern
_y21st century
_2Local
710 2 _aJones, Partners Architecture.
_9240369
942 _2lcc
_c6
_e1st edition
_hNA737.J65
_kGeneral
_mA4 2007
999 _c216710
_d216710