| 000 | 02780nam a2200373Ia 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20210929162718.0 | ||
| 008 | 012710s2004 sz a b 000 0 eng | ||
| 010 | _a 2004301187 | ||
| 020 | _a3764301724 | ||
| 020 | _a9783764301729 | ||
| 035 | _a(OCoLC)ocm52785394 | ||
| 040 |
_apucpr _cpucpr _dpucpr _beng _erda |
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| 041 | 1 |
_aeng _hita |
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| 042 | _alccopycat | ||
| 049 | _aCARIBET | ||
| 050 | 0 | 0 |
_aNA1469.H33 _bS38 2004 |
| 082 | 0 | 0 |
_a720/.92 _222 |
| 100 | 1 |
_aSchumacher, Patrik _d1961- _9275004 |
|
| 240 | 1 | 0 | _aHadid digitale. |
| 245 | 1 | 0 |
_aDigital Hadid _blandscapes in motion _cPatrik Schumacher. |
| 264 |
_aSwitzerland _bBirkhauser _c2004 |
||
| 300 |
_a93 p. _bill. (some col.) _c19 cm. _fbook |
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| 336 |
_2rdacontent _btxt _atext |
||
| 337 |
_2rdamedia _bn _aunmediaded |
||
| 338 |
_2rdacarrier _bnc _avolume |
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| 490 | 4 | _aThe IT revolution in architecture | |
| 504 | _aIncludes bibliographical references (p. [89]). | ||
| 505 | _aI. The prehistory of the new digitally based architecture : The quest of new design media ; Zaha Hadid in her own words ; Graphic space ; Post-modernism, deconstructivism, folding ; Mechanisms of invention -- II Current work: Towards a new digitally based architectural language : Organic interarticulation ; Center for Contemporary Arts, Rome ; Art Center, Graz ; Quebec National Library, Montreal ; One North masterplan, Singapore ; BMW plant: central building, Leipzig ; Ice-storm, Lounging environment ; Z-scape, Longing furniture ; BBC music centre and office, London ; Fine Arts Center, University of Connecticut ; Fast train station, Florence ; Fast train station, Naples ; The Temporary Guggenheim, Tokyo ; Guggenheim, Taichung. | ||
| 520 | _aA "The book describes the transition from drawing to computing in the work of Zaha Hadid. The hallmark of Zaha Hadid's early work was the innovation and expansion of graphic media to be utilised as new design techniques. On this basis a new architectural language and conception of space was developed. The analog techniques employed - like interpenetraion, isometric and perspectival distortion, dynamic bending and warping - anticipate the possibilities currently offered by advanced animation software. Intermediate techniques like distortion and "smearing" using the xerox machine established a fertile ground for the quick assimilation of the new digital tools in the process of form finding. The book elaborates a series of recent projects where various digital techniques have become an essential ingredient of the project development."--Jacket. | ||
| 600 | 1 | 0 |
_aHadid, Zaha _xCriticism and interpretation. _9232114 _2Local |
| 650 | 0 |
_aArchitectural design. _xData processing _954078 _2Local |
|
| 942 |
_c6 _hNA1469.H33 _2lcc _kGeneral _mS38 2004 |
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| 999 |
_c214347 _d214347 |
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