| 000 | 05597nam a2200397Ia 4500 | ||
|---|---|---|---|
| 003 | pucpr | ||
| 005 | 20260824110317.0 | ||
| 008 | 120909s1996 caua b 001 0 eng | ||
| 010 | _a 95044736 | ||
| 020 | _a0892362502 (cloth) | ||
| 020 | _a0892363983 (paper) | ||
| 020 | _a9780892362509(cloth) | ||
| 020 | _a9780892363988(paper) | ||
| 040 |
_apucpr _beng _cpucpr _dpucpr _erda |
||
| 041 | _aspa | ||
| 049 | _aCARIBET | ||
| 050 | 0 | 0 |
_aN8555 _bH57 1996 |
| 082 | 0 | 0 |
_a702/.8/8 _220 |
| 245 | 0 | 0 |
_aHistorical and philosophical issues in the conservation of cultural heritage : _cedited by Nicholas Stanley Price, M. Kirby Talley, Jr., Alessandra Melucco Vaccaro. _htxt |
| 264 |
_aCanada: _bGetty Conservation Institute, _c1996. |
||
| 300 |
_axvii, 500 p. _bill. (some col.) ; _c26 cm. _fbook |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediaded _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 490 | 0 | _aReadings in conservation | |
| 500 | _aInclude Index. | ||
| 504 | _aIncludes bibliographical references (p. 451-471) and index. | ||
| 505 | _aContents : Part I The Eye’s Caress: Looking, Appreciation, and Connoisseurship I -- Introduction to Part I 2 -- 1 John Ruskin | The Lamp of Memory, I 42 -- 2 Bernard Berenson | Aesthetics and History in the Visual Arts 44 -- 3 Clive Bell | Art 47 -- 4 Kenneth Clark | Looking at Pictures 56 -- 5 Erwin Panofsky | The History of Art as a Humanistic Discipline 60 -- 6 Alois Riegl | The Modern Cult of Monuments: Its Essence and Its Development 69 -- 7 Heinrich Wölfflin | Principles of Art History 84 -- 8 Bernard Berenson |Italian Painters of the Renaissance 100 -- 9 Umberto Morra | Conversations with Berenson 106 -- 10 John Ruskin | Fundamental Laws of Sculpture 108 -- 11 E. H. | From Light into Paint 110 -- 12 John Ruskin | Of Turnerian Mystery: Secondly, Willful 129 -- 13 Bernard Berenson | Rudiments of Connoisseurship 131 -- 14 Max J. Friedländer | On Art and Connoisseurship 139 -- 15 John Pope Hennessy | Connoisseurship 154 -- 16 John Ruskin | The Nature of Gothic 158 -- Part II The Original Intent of the Artist 161 -- Introduction to Part II 162 -- 17 Albert Albano | Art in Transition 176 -- 18 John Richardson | Crimes against the Cubists 185 -- 19 Ernst van de Wetering | The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts 193 -- Part III The Emergence of Modern Conservation Theory 201 -- Introduction to Part III 202 -- Reading 20 Marguerite Yourcenar | That Mighty Sculptor, Time 212 -- 21 Paul Philippot | Restoration from the Perspective of the Humanities 216 -- 22 Cesare Brandi | Theory of Restoration, I 230 -- 23 Giovanni Carbonara | The Integration of the Image: Problem in the Restoration of Monuments 236 -- 24 Albert France Lanord |Knowing How to “Question” the Object before Restoring It 244 -- 25 Marie Berducou | Introduction to Archaeological Conservation 248 -- Part IV Historical Perspective 261 -- Introduction to Part IV 262 -- 26 Paul Philippot |Historic Preservation: Philosophy, Criteria, Guidelines, I 268 -- 27 R. H. Marijnissen |Degradation, Conservation, and Restoration of Works of Art: Historical Overview 275 -- 28 Sheldon Keck |Further Materials for a History of Conservation 281 -- 29 Orietta Rossi Pinelli |The Surgery of Memory: Ancient Sculpture and Historical Restorations 288 -- Part V Restoration and Anti Restoration 307 -- Introduction to Part V 308 -- 30 Eugene Emmanuel Viollet le Duc | Restoration 314 -- 31 William Morris | Manifesto of the Society for the Protection of Ancient Buildings 319 -- 32 John Ruskin | The Lamp of Memory, II 322 -- Part VI Reintegration of Losses 325 -- Introduction to Part VI 326 -- Reading 33 Max J Friedländer | On Restoration 332 -- 34 Albert Philippot and Paul Philippot | The Problem of the Integration of Lacunae in the Restoration of Paintings 335 -- 35 Cesare Brandi | Theory of Restoration, II 339 -- 36 Paolo Mora, Laura Mora, And Paul Philippot | Problems of Presentation 343 -- 37 Umberto Baldini | Theory of Restoration and Methodological Unity 355 -- 38 Paul Philippot | Historic Preservation: Philosophy, Criteria, Guidelines, II 358 -- Part VII The Idea of Patina 365 -- Introduction of Part VII 366 -- Reading 39 Paul Philippot |The Idea of Patina and the Cleaning of Paintings 372 -- 40 Cesare Brandi |Theory of Restoration, III 377 -- 41 Cesare Brandi |The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes 380 -- 42 Phoebe Dent Weil |A Review of the History and Practice of Patination 394 -- 43 Ernst van de Wetering |The Surface of Objects and Museum Style 415 -- Part VIII The Role of Science And Technology 423 -- Introduction of Part VIII 424 -- Reading 44 Paul Coremans |Scientific Research and the Restoration of Paintings 432 -- 45 Giorgio Torraca |The Scientist’s Role in Historic Preservation with Particular Reference to Stone Conservation 439 -- 46 Giovanni Urbani |The Science and Art of Conservation of Cultural Property 445 -- Annotated Bibliography 451 -- About the Authors 472 -- Illustration Credits 483 -- Index 486 -- | ||
| 650 | 0 |
_aArchitecture _xConservation and restoration. _954081 _2Local |
|
| 650 | 0 |
_954862 _aArt _xConservation and restoration. _2Local |
|
| 700 | 1 |
_aStanley-Price, Nicholas. _9280017 |
|
| 700 | 1 |
_aMelucco Vaccaro, Alessandra. _9252810 |
|
| 700 | 1 |
_aTalley, Mansfield Kirby. _9282376 |
|
| 856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0638/95044736-d.html |
| 942 |
_2lcc _c27 _hN8555 _kGeneral _mH57 1996 |
||
| 999 |
_c213586 _d213586 |
||