| 000 | 01930nam a2200289Ia 4500 | ||
|---|---|---|---|
| 001 | 285549 | ||
| 003 | OCoLC | ||
| 005 | 20161207051548.0 | ||
| 008 | 850212s1986 caua b s001 0 eng | ||
| 010 | _a 85001062 | ||
| 015 | _aGB87-51475 | ||
| 020 | _a0520055543 (pbk.) | ||
| 035 |
_a(OCoLC)11783387 _z(OCoLC)17231763 |
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| 040 |
_aDLC _cDLC _dUKM _dBUF _dMUQ _dBAKER _dNLGGC _dBTCTA _dYDXCP |
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| 049 | _aPUXA | ||
| 050 | 0 | 0 |
_aN71 _b.A675 1986 |
| 082 | 0 | 0 |
_a701.15 _bA748n _219 |
| 100 | 1 |
_aArnheim, Rudolf. _2Local _954601 |
|
| 245 | 1 | 0 |
_aNew essays on the psychology of art _cRudolf Arnheim. |
| 260 |
_aBerkeley _bUniversity of California Press _cc1986. |
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| 300 |
_axi, 331 p. _bill. _c24 cm. |
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| 504 | _aIncludes bibliographies and index. | ||
| 505 | 0 | 0 |
_gpt. 1. _tConcerning an adoration -- _gpt. 2. _tThe double-edged mind: intuition and the intellect -- _tMax Wertheimer and gestalt psychology -- _tThe other Gustav Theodor Fechner -- _tWilhelm Worringer on abstraction and empathy -- _gpt. 3. _tUnity and diversity of the arts -- _tA stricture on space and time -- _tLanguage, image, and concrete poetry -- _tOn the nature of photography -- _tSplendor and misery of the photographer -- _tThe tools of art, old and new -- _gpt. 4. _tA plea for visual thinking -- _tNotes on the imagery of Dante's Purgatorio -- _tInverted perspective and the axiom of realism -- _tBrunelleschi's peepshow -- _tThe perception of maps -- _gpt. 5. _tThe rationalization of color -- _tPerceptual dynamics in musical expression -- _gpt. 6. _tThe perceptual challenge in art education -- _tVictor Lowenfeld and tactility -- _tArt as therapy -- _gpt. 7. _tStyle as a gestalt problem -- _tOn duplication -- _tOn the late style --- _gpt. 8. _tObjective percepts, objective values. |
| 650 | 0 |
_aVisual perception _2Local _9186140 |
|
| 650 | 0 |
_954862 _aArt _xPsychology. _2Local |
|
| 856 | 4 | 2 |
_3Contributor biographical information _uhttp://www.loc.gov/catdir/bios/ucal051/85001062.html |
| 999 |
_c206170 _d206170 |
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