000			01240nam a2200253Ia 4500
001			275757
003			OCoLC
005			20260702133936.0
008			990903s1994 maua b 001 0 eng d
020			_a0674155238 (pbk.)
040			_aLSH _cLSH _dOCL _dBAKER
043			_an-us-md
049			_aPUXA
050	1	4	_aML430 _b.L46 1994
082	0	0	_a781.309033 _bL6421c _220
100	1		_aLester, Joel _2LEMB _94777
245	1	0	_aCompositional theory in the eighteenth century _cJoel Lester.
260			_aCambridge, Mass. _bHarvard University Press _c1994 _g1996 printing.
300			_a355 p. _bill. _c26 cm.
504			_aIncludes bibliographical references (p. [323]-347) and index.
505	0		_aZarlino and his legacy -- Species counterpoint and Fux's Gradus -- Thoroughbass methods -- Rameau's early works -- Rameau's later works and controversies -- Mattheson and the study of melody -- Harmonic perspectives on counterpoint -- Changing aspects of harmonic theory -- The Marpurg-Kirnberger disputes -- Riepel on melody and phrases -- Koch : toward a comprehensive approach to musical structure.
650		0	_aMusic theory _xHistory _y18th century _xHistory. _2Local _9140450
650		1	_aComposition (Music) _xHistory _y18th century. _979007
999			_c197865 _d197865