000			02117nam a2200289Ia 4500
001			269025
003			OCoLC
005			20161207051547.0
008			740918s1955 enk 000 0 eng c
010			_a 55004470
015			_aGB55-11671
040			_aRIU _cRIU _dUKM _dUBA _dBUF
049			_aPUXA
050	0		_aN7445 _b.H566 1955
082	0	4	_a759 _218
100	1		_aHeron, Patrick. _2Local _9110295
245	1	4	_aThe changing forms of art.
260			_aLondon _bRoutledge & K. Paul _c[1955]
300			_axxiii, 290 p. _billus. _c23 cm.
504			_aBibliographical references included in "Notes" (p. 281-284)
505	0	0	_gpt. 1. _tThe necessity of distortion in painting -- _tHills and faces: Hitchens, Lanyon -- _tSpace in contemporary painting and architecture -- _tSubmerged rhythm: A potter's aesthetic -- _tCubism, constructivism and the architect -- _gpt. 2. _tBraque -- _tPicasso -- _tPierre Bonnard and abstraction -- _tMaurice de Vlaminck -- _tFour notes: Klee, Matisse, Soutine, Léger -- _gpt. 3. _tModern English romantics: Sutherland, Vaughan, Wynter -- _tPaul Nash -- _tFive types of abstraction: Nicholson, Pasmore, Scott, Hilton, Wells -- _tSculpture: fruit or thorn? Moore, Hepworth, Calder, Butler, Matisse -- _gpt. 4. _tTwenty-five fragments _tCézanne's watercolours -- _tRome, April 1953 -- _tRouault's 'Guerre' and 'Miserère' aquatints -- _tArtists in Cornwall -- _tFrances Hodgkins -- _tAlan Davie -- _tJames Cant in London -- _tMassimo Campigli -- _tA paradox of criticism -- _tApropos of Sickert, Keene and Cézanne -- _tMatthew Smith -English fauve -- _tThe living dead -- _tTintoretto and Braque -- _tRealism in Titian -- _tLeonardo -scientist -- _tAbstraction in Rembrandt -- _tLuminosity and voluminosity in drawings -- _tParis -- _tThe power of Paris -- _tThree schools in post-war Paris -- _tThe philosophy of Herbert Read -- _tMexico -- _tTurner resurgent -- _tSpace in French landscape.
650		7	_aArte Critica _2larpcal _2Local _954963
650		7	_aEstetica _2larpcal _2LEMB _914889
650		0	_aPainters _zFrance _2Local _9146877
650		0	_aPainters _zEngland. _2Local _9146877
650		0	_954862 _aArt _2Local
999			_c194161 _d194161