| 000 | 00951nam a2200265Ia 4500 | ||
|---|---|---|---|
| 001 | 232973 | ||
| 003 | BIBL | ||
| 005 | 20161207051547.0 | ||
| 008 | 960515s1997 njua b 001 0 eng | ||
| 010 | _a 96009027 | ||
| 020 | _a0691011737 (alk. paper) | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 050 | 0 | 0 |
_aN7480 _b.D33 1997 |
| 082 | 0 | 0 |
_a701/.18 _220 |
| 100 | 1 |
_aDanto, Arthur Coleman, _2LEMB _94463 |
|
| 245 | 1 | 0 |
_aAfter the end of art _bcontemporary art and the pale of history _cArthur C. Danto. |
| 260 |
_aPrinceton, N.J. _bPrinceton University Press _cc1997. |
||
| 300 |
_axx, 239 p. _bill. _c25 cm. |
||
| 490 | 4 |
_aThe A.W. Mellon lectures in the fine arts _v1995 _2Local _9178256 |
|
| 490 | 0 |
_aBollingen series _vXXXV, 44 _2Local _963652 |
|
| 504 | _aIncludes bibliographical references and index. | ||
| 650 | 0 |
_aArt criticism _xPhilosophy. _2Local _954876 |
|
| 650 | 0 |
_aPost modernism. _2Local _9152869 |
|
| 650 | 0 |
_954862 _aArt _xHistoriography. _2Local |
|
| 999 |
_c173220 _d173220 |
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