| 000 | 01477nam a2200229Ia 4500 | ||
|---|---|---|---|
| 001 | 149364 | ||
| 003 | BIBL | ||
| 005 | 20160527195516.0 | ||
| 008 | 711005s1968 flu b 00010 eng | ||
| 010 | _a 67024840 //r87 | ||
| 049 | _aCACG | ||
| 050 | 0 |
_aPS351 _b.T3 |
|
| 082 | _a812/.5/09 | ||
| 092 |
_a812.509 _bT247m |
||
| 100 | 1 | 0 |
_aTaylor, William Edwards. _2Local _9177237 |
| 245 | 1 | 0 |
_aModern American drama: essays in criticism _cedited by William E. Taylor. |
| 250 | _a[1st ed.] | ||
| 260 | 0 |
_aDeLand, Fla. _bEverett/Edwards _c[1968] |
|
| 300 |
_a200 p. _c25 cm. |
||
| 505 | 0 | _aEugene O'Neill: the long quest, by J. L. Halio.--Six characters in search of an author and Desire under the elms: what O'Neill did not learn from Europe, by W. E. Taylor.--Clifford Odets: from influence to affluence, by R. B. Shuman.--Maxwell Anderson: traditionalist in a theatre of change, by W. E. Taylor.--Comedy of manners 1927-1939, by W. Embler.--Through a glass menagerie darkly: the world of Tennessee Williams, by S. Kahn.--Arthur Miller: Aristotelian canons in the twentieth century drama, by A. A. Stambusky.--Three verse playwrights and the American fifties, by D. Gerstenberger.--What happens in Who's afraid ...? By M. Halperen.--The novelist as playwright: Baldwin, McCullers, and Bellow, by L. Phillips.--Off-Broadway and the new realism, by B. F. Dukore.--Bibliographical notes (p. 175-186). | |
| 650 | 0 |
_aAmerican drama _y20th century _xHistory and criticism. _2Local _952092 |
|
| 999 |
_c123808 _d123808 |
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