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The fuction of style. Farshid Moussavi ; edited with Marco Ciancarella, Jonathan A. Scelsa, Mary Crettier, Kate Kilalea. txt

Por: Colaborador(es): Idioma: Inglés Series FunctionNew York / Cambridge, Massachusetts / London : Actar / Harvard University Graduate school of design / Functionlab , 2014Descripción: 591 p. ill. ;col. ;plans. ; 22 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9781940291307
  • 1940291305
Tema(s): Clasificación CDD:
  • 23 729
Clasificación LoC:
  • NA2750 M68 2014
Contenidos:
The function of style / Farshid Moussavi -- Functions -- Residing 1922-2012 -- Working 1921-2014 -- Residing and working 1909-2014 -- Learning 1926-2011 -- Reading and research 1920-2010 -- Viewing exhibitions 1922-2012 -- Viewing a performance 1938-2012 -- Watching sports 1927-2012 -- Shopping 1905-2004 -- Travelling by airplane 1935-2008 --
Resumen: During the 19th and most of the 20th century, discussions of style revolved around pure formalism or pure functionalism. Style, as the way of assembling forms, was trapped in producing consistency and sameness across architectural forms. The book ' The Function of Style' is the third in a series at Harvard GSD which focused at researching a contemporary idea of style in architecture. The previous publication, The Function of Form, investigated the architecture of the latter part of the 20th century which defies the senselessness and anonymity of the early 20th century city. The aim was to establish whether the systems of differentiation identified earlier were exploring their style as formalism or they were based on a new idea of style that would work with form and function simultaneously as a way to use form to subvert function as set out for each type by early 20th century modernism. The book ' The Function of Style' continues to interrogate the form - function relationship of those projects. It focuses particularly on the history of drawing techniques of describing different concepts of function. All will be shown through drawings that describe among other criteria the structural function [arrangement of activities or materials], the physical function [such as acoustics, traffic, lighting], and the psychological function or the social function of built forms.
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Libro CARIBET Biblioteca Arquitectura Colección General CARIBET General NA2750 M68 2014 (Navegar estantería(Abre debajo)) 1 Disponible 91000000043836
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Descripciones mejoradas de Syndetics:

What is the function of style today? If the 1970s were defined by Postmodernism and the 1980s by Deconstruction, how do we characterize the architecture of the 1990s to the present? Some built forms transmit affects of curvilinearity, others of crystallinity; some transmit multiplicity, others unity; some transmit cellularity, others openness; some transmit dematerialization, others weight. Does this immense diversity reflect a lack of common purpose? In this book, acclaimed architect and theorist Farshid Moussavi argues that this diversity should not be mistaken for an eclecticism that is driven by external forces.

The Function of Style presents the architectural landscape as an intricate web in which individual buildings are the product of ideas which have been appropriated from other buildings designed for the different activities of everyday life, ideas which are varied to produce singular buildings that are related to one another but also different. This network of connections is illustrated on the cover of this book (and in more detail inside).

Moussavi argues that, by embracing everyday life as a raw material, architects can change the conventions of how buildings are assembled, to ground style, and the aesthetic experience of buildings, in the micro-politics of the everyday.

The third volume in Moussavi's 'Function' series, The Function of Style provides an updated approach to style which can be used as an invaluable and highly productive tool by architects today.

Assistant Editors: Marco Ciancarella, Jonathan A. Scelsa, Mary Crettier, Kate Kilalea

Include Bibliography

The function of style / Farshid Moussavi --
Functions --
Residing 1922-2012 --
Working 1921-2014 --
Residing and working 1909-2014 --
Learning 1926-2011 --
Reading and research 1920-2010 --
Viewing exhibitions 1922-2012 --
Viewing a performance 1938-2012 --
Watching sports 1927-2012 --
Shopping 1905-2004 --
Travelling by airplane 1935-2008 --

During the 19th and most of the 20th century, discussions of style revolved around pure formalism or pure functionalism. Style, as the way of assembling forms, was trapped in producing consistency and sameness across architectural forms. The book ' The Function of Style' is the third in a series at Harvard GSD which focused at researching a contemporary idea of style in architecture. The previous publication, The Function of Form, investigated the architecture of the latter part of the 20th century which defies the senselessness and anonymity of the early 20th century city. The aim was to establish whether the systems of differentiation identified earlier were exploring their style as formalism or they were based on a new idea of style that would work with form and function simultaneously as a way to use form to subvert function as set out for each type by early 20th century modernism. The book ' The Function of Style' continues to interrogate the form - function relationship of those projects. It focuses particularly on the history of drawing techniques of describing different concepts of function. All will be shown through drawings that describe among other criteria the structural function [arrangement of activities or materials], the physical function [such as acoustics, traffic, lighting], and the psychological function or the social function of built forms.

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