Imagen de portada de Amazon
Imagen de Amazon.com
Imagen de cubierta Syndetics
Portada de Syndetics
Imagen de OpenLibrary

Making Design Theory / Johan Redstrom.

Por: Series Design Thinking, Design Theory Ser | Design Thinking, Design Theory SerEditor: Cambridge : MIT Press, 2017Descripción: 1 online resource (189 pages)Tipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
ISBN:
  • 9780262341844
Tema(s): Género/Forma: Formatos físicos adicionales: Print version:: Making Design TheoryClasificación CDD:
  • 745.401
Clasificación LoC:
  • NK1505  .R437 2017
Contenidos:
1 Thing and Theory -- Explain Yourself! -- Defining Design -- Overview -- 2 Tactics -- Anecdotal Evidence -- Three Tactics -- Moving On -- 3 Between -- Anecdotal Evidence -- Three Propositions -- Structural Continuity and Precision -- 4 Making Definitions -- Anecdotal Evidence -- Form -- User -- Making a Definition -- 5 Programs -- Anecdotal Evidence -- Programs -- Tipping Point -- Design Research Programs -- Design Experiments -- Program versus Experiment -- Life of a Program -- 6 Presenting -- Anecdotal Evidence -- Examination -- On the Origins Of ... -- Presenting Alternatives -- 7 Transitional Theory -- Projections -- Definitions -- Structures -- Notes -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- References -- Index.
Resumen: A new approach to theory development for practice-driven research, proposing that theory is something made in and through design. Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redström offers a new approach to theory development in design research-one that is driven by practice, experimentation, and making. Redström does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redström proposes that we consider theory not as stable and constant but as something unfolding--something acted as much as articulated, inherently fluid and transitional. Redström describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design. Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redström departs from the traditional academic imperative to pick a side--theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research.
Valoración
    Valoración media: 0.0 (0 votos)
Existencias
Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro electrónico Biblioteca de Mayagüez Acceso en línea NK1505 .R437 2017 (Navegar estantería(Abre debajo)) Ebook c. 1 Disponible 50000003288361
Libro Electrónico CARIBET CARIBET Biblioteca Arquitectura Libros Electrónicos CARIBET Electrónico NK1505 R437 2017 (Navegar estantería(Abre debajo)) 1 Disponible caribet297162
Total de reservas: 0

Descripciones mejoradas de Syndetics:

Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redström offers a new approach to theory development in design research-one that is driven by practice, experimentation, and making. Redström does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making.

Redström proposes that we consider theory not as stable and constant but as something unfolding--something acted as much as articulated, inherently fluid and transitional. Redström describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design.

Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redström departs from the traditional academic imperative to pick a side--theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research.

e the building blocks for creating conceptual structures to support design.

Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redström departs from the traditional academic imperative to pick a side--theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research.e the building blocks for creating conceptual structures to support design.

Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redström departs from the traditional academic imperative to pick a side--theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research.e the building blocks for creating conceptual structures to support design.

Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redström departs from the traditional academic imperative to pick a side--theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research.

Includes bibliographical references and index.

1 Thing and Theory -- Explain Yourself! -- Defining Design -- Overview -- 2 Tactics -- Anecdotal Evidence -- Three Tactics -- Moving On -- 3 Between -- Anecdotal Evidence -- Three Propositions -- Structural Continuity and Precision -- 4 Making Definitions -- Anecdotal Evidence -- Form -- User -- Making a Definition -- 5 Programs -- Anecdotal Evidence -- Programs -- Tipping Point -- Design Research Programs -- Design Experiments -- Program versus Experiment -- Life of a Program -- 6 Presenting -- Anecdotal Evidence -- Examination -- On the Origins Of ... -- Presenting Alternatives -- 7 Transitional Theory -- Projections -- Definitions -- Structures -- Notes -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- References -- Index.

A new approach to theory development for practice-driven research, proposing that theory is something made in and through design. Tendencies toward "academization" of traditionally practice-based fields have forced design to articulate itself as an academic discipline, in theoretical terms. In this book, Johan Redström offers a new approach to theory development in design research-one that is driven by practice, experimentation, and making. Redström does not theorize from the outside, but explores the idea that, just as design research engages in the making of many different kinds of things, theory might well be one of those things it is making. Redström proposes that we consider theory not as stable and constant but as something unfolding--something acted as much as articulated, inherently fluid and transitional. Redström describes three ways in which theory, in particular formulating basic definitions, is made through design: the use of combinations of fluid terms to articulate issues; the definition of more complex concepts through practice; and combining sets of definitions made through design into "programs." These are the building blocks for creating conceptual structures to support design. Design seems to thrive on the complexities arising from dichotomies: form and function, freedom and method, art and science. With his idea of transitional theory, Redström departs from the traditional academic imperative to pick a side--theory or practice, art or science. Doing so, he opens up something like a design space for theory development within design research.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2021. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

Notas de autor provistas por Syndetics

Johan Redström is Professor and Rector at Umeå Institute of Design, Sweden.
Compartir
logopucpr-y-vive

Contáctanos

¡Queremos saber de ti!

Tel. 787.841.2000 Ext. 1801

bibliotecavaldes@pucpr.edu

⁣Búscanos en las redes

© 2026 Desarrollado por Ignite Online • All Rights Reserved • Powered by Koha.