Descripciones mejoradas de Syndetics:

Phenomenology has become one of the most important philosophical traditions underpinning recent theory and research on new media, whether or not the word is used explicitly. Conditions of Mediation brings together, for the first time in a single publication, the diversity of phenomenological media research--from social platforms and wearable media to diasporic identity formation and the ethics of consumer technologies.

The new orthodoxy in media studies emphasizes the experience of media--whether as forms, texts, technics or protocols--marking a departure from traditional approaches preoccupied with media content or its structural contexts. But phenomenologically informed approaches go beyond merely asking what people do with media. They ask a more profound question: what constitutes the conditions of mediated experience in the first place?

Beginning with an accessible introduction, this book invites readers to explore a wide range of phenomenological perspectives on media via two critical dialogues involving key thinkers alongside a series of theoretically sophisticated and empirically grounded chapters. In so doing, interdisciplinary media studies is brought into conversation with the work of philosophers such as Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, as well as phenomenologically-inspired thinkers such as Erving Goffman, Pierre Bourdieu, Tim Ingold, Henri Lefebvre, Friedrich Kittler, Marshall McLuhan and Bernard Stiegler.

Tabla de contenidos provista por Syndetics

• List of Figures(p. ix)
• Introduction: Theorizing Media Phenomenologically(p. 1)
• Part 1 Critical Dialogues(p. 19)
• First Dialogue(p. 21)
• McLuhan and Phenomenology(p. 23)
• Signal Territories: Broadcast Infrastructure, Google Earth, and Phenomenology(p. 33)
• To the Things Themselves: Thoughts on the Phenomenology of Media(p. 45)
• Discussion(p. 51)
• Second Dialogue(p. 57)
• Digital Orientations: Movement, Dwelling, and Media Use(p. 59)
• Phenomenology and Critique: Why We Need a Phenomenology of the Digital World(p. 67)
• Phenomenological Approaches to the Computal: Some Reflections on Computation(p. 75)
• Discussion(p. 83)
• Part 2 Bodies, Technics, Agency(p. 89)
• Chapter 1 Techno-Phenomenology, Medium as Interface, and the Metaphysics of Change(p. 91)
• Chapter 2 What Does the Body Know of Photography?(p. 101)
• Chapter 3 Mobile Media and Mediation The Relational Ontology of Google Glass(p. 113)
• Chapter 4 Media In and Out of Time: German Media Science and the Concept of Time(p. 125)
• Chapter 5 Conducting Medial Wills to Power: A Phenomenological Critique of Intellectual Property(p. 135)
• Part 3 Spaces, Places, Environments(p. 147)
• Chapter 6 Structures of Experience: Media, Phenomenology, Architecture(p. 149)
• Chapter 7 From Non-Place to Place: A Phenomenological Geography of Everyday Living in Media Cities(p. 161)
• Chapter 8 Mediated Orientation: Phenomenology and the Ambivalence of Everyday (Diasporic) Space(p. 173)
• Chapter 9 Finding Time for Goffman: When Absence Is More Telling Than Presence(p. 185)
• Part 4 Meaning, Politics, Ethics(p. 197)
• Chapter 10 Chickens that Like Pink Floyd: Media Physicalism and the Experience of New Technology(p. 199)
• Chapter 11 Interactive World Disclosure (or, an Interface Is Not a Hammer)(p. 211)
• Chapter 12 Mediating Subjectivity Through Materiality in Documentary Practice(p. 223)
• Chapter 13 Becoming Quiet: On Mediation, Noise Cancellation, and Commodity Quietness(p. 237)
• Contributor Biographies(p. 249)
• Index(p. 255)

Notas de autor provistas por Syndetics

Tim Markham (DPhil., University of Oxford) is Professor of Journalism and Media at Birkbeck, University of London. He is author of The Politics of War Reporting: Authority, Authenticity and Morality (2011) and co-author of Media Consumption and Public Engagement: Beyond the Presumption of Attention (2007).
Scott Rodgers (Ph.D., King's College London) is Senior Lecturer in Media Theory at Birkbeck, University of London. His research focuses on the relationships, of media and cities, media production practices, digital and networked technologies and ethnographic methodologies.