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Perspective for artists the practice & theory of perspective as applied to pictures, with a section dealing with its application to architecture by Rex Vicat Cole ; illustrated by 436 drawings & diagrams by the author & 36 pictures chiefly by old masters.

Por: Series Dover art instruction and reference booksDetalles de publicación: New York Dover Publications 1976.Descripción: 279 p. ill. 22 cmISBN:
  • 0486224872
Títulos uniformes: Tema(s): Clasificación CDD:
  • 701/.8
Clasificación LoC:
  • NC750 .C65 1976
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Descripciones mejoradas de Syndetics:

"A truly admirable book." -- Bookman's Journal and Print Collector
"As a book of reference to the practicing artists who wants to solve some particular difficulty, the book could hardly be bettered." -- Field
Rex Vicat Cole makes learning about perspective an enjoyable and fascinating pursuit in this clearly written and profusely illustrated book. Over 390 diagrams illustrate every aspect of the text, and more than 80 illustrations reproduce drawings and paintings -- by old masters and by the author -- that indicate how perspective is utilized in practice. The book is so well illustrated that many perspective problems can be answered without reference to the text at all.
The text itself clarifies the theory of perspective and offers numerous practice exercises. Among the topics covered are the principle of perspective in theory, the rules of perspective and their application, depths, the use of plans in sketching foreshortened surfaces, inclined planes, the circle, arches, how to draw curves by straight lines, perspective of the sky and sea, perspective of shadows, and more. Two additional sections cover perspective in the history of art and mechanical perspective.
A noted landscape painter and art instructor, Mr. Cole combines common sense with an understanding of Nature's laws to make perspective a subject that every artist can approach with confidence. Art students will also find this book extremely valuable.

Reprint of the 1921 ed. published by Seeley, Service, London under title: Perspective.

Includes index.

Bibliography: p. 271-273.

Tabla de contenidos provista por Syndetics

  • Part I Nature's Perspective As Seen And Used Daily By Painters
  • I The Principle Of Perspective In Theory
  • Visual rays
  • Tracing on glass
  • Perspective terms
  • II The Rules Of Perspective And Their Application
  • Receding lines
  • III Depths
  • Division of lines
  • Inclined planes
  • Squares
  • Diagonals
  • IV The Use Of Plans In Sketching Foreshortened Surfaces
  • Squares
  • Pavements
  • Rooms
  • Concentric squares
  • V Inclined Planes
  • Steps
  • Staircases
  • VI Inclined Planes-Continued
  • Roads
  • Doorways
  • Walls
  • Hayfields
  • Cornfields
  • Seashore
  • VII The Circle
  • from below
  • In a square
  • Parallel
  • Concentric
  • VIII The Circle-Continued
  • Wheels
  • Steps
  • Columns
  • Rooms
  • Niches
  • Towers
  • IX Arches
  • How to draw them
  • Bridges
  • Groined roofs
  • X How To Draw Curves By Straight Lines
  • Bridges
  • Flowers
  • Foliage
  • Water
  • Heads
  • Figures
  • XI Architecture Of The Village
  • Roofs
  • Gables
  • Windows
  • Chimneys
  • Church
  • Towers
  • Battlements
  • Steeple
  • Composite pyramid
  • XII "Concerning Domes, Turrets And Steeples"
  • Octagonal steeple on square tower
  • Tower and steeple
  • Composite Domes
  • XIII Perspective Of The Sky And Sea
  • Sky
  • Clouds
  • Smoke
  • Sea
  • Distant objects
  • XIV Perspective Of Reflections
  • Water
  • Inclined planes
  • Distant objects
  • A punt
  • Arches
  • Rippled water
  • In a mirror
  • Refraction
  • XV Perspective Of Shadows
  • from the sun
  • Sun in front
  • Sun behind
  • On one side
  • Artificial light
  • XVI Pavements
  • "Tiles: Square, Ornamental"
  • Concentric squares
  • Octagonal
  • Hexagon
  • Lozenge
  • XVII Perspective Of Boats And Shipping
  • Guiding points for curves
  • The sketch plan
  • Correct distances
  • Effect of distance
  • XVIII Perspective From Unusual Points Of View
  • from a bridge
  • from an airship
  • Looking at the sky
  • Position of the painter
  • Mural painting
  • "Objects near to, in confined spaces"
  • Part II Perspective As Practised By Other Nations And At Other Times
  • XIX Perspective In Greek And Roman And Other Paintings
  • Greek
  • Roman
  • Egyptian
  • Early Italian
  • Italian and Dutch Schools
  • XX Perspective In Some French And English Paintings
  • Engraving
  • Book illustrating
  • Painting of ships
  • XXI Notes On The Perspective Of The Japanese
  • Part III Mechanical Perspective
  • XXII Mechanical Perspective: Introduction
  • Architecture
  • Plan and elevation
  • Heights
  • XXIII Mechanical Perspective-Continued
  • To find the depth of a house
  • Practical and mechanical perspective
  • Perspective of a ship
  • Appendix
  • I Enlarging a sketch
  • II To divide a line in given proportions
  • III To transfer the division of a line
  • To estimate the measurements of a canvas proportionately larger or smaller
  • Bibliography
  • Index
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