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Eight million ways to die by Lawrence Block.

Por: Detalles de publicación: [New York, N.Y.] Arbor House c1984.Descripción: 319 p. 23 cmISBN:
  • 0877954054
Tema(s): Clasificación CDD:
  • 813/.54 19
Clasificación LoC:
  • PS 3552 .L63 E3 1982
Información de serie: Haga clic para abrir en una nueva ventana Premios: Haga clic para abrir en una nueva ventana
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Libro Biblioteca de Mayagüez Colección General mb PS 3552 .L63 E3 1982 (Navegar estantería(Abre debajo)) Disponible 50000002163425
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Descripciones mejoradas de Syndetics:

Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also -- and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying in this cruel and dangerous town -- some quick and brutal ... and some agonizingly slow.

gccnov2006

Extracto provisto por Syndetics

Eight Million Ways to Die Chapter One I saw her entrance. It would have beenhard to miss. She had blonde hair that was close to white, the sort that's called towhead when it belongs to a child. Hers was plaited in heavy braids that she'd wrapped around her head and secured with pins. She had a high smooth forehead and prominent cheekbones and a mouth that was just a little too wide. In her western-style boots she must have run to six feet, most of her length in her legs. She was wearing designer jeans the color of burgundy and a short fur jacket the color of champagne. It had been raining on and off all day, and she wasn't carrying an umbrella or wearing anything on her head. Beads of water glinted like diamonds on her plaited hair. She stood for a moment in the doorway getting her bearings. It was around three-thirty on a Wednesday afternoon, which is about as slow as it gets at Armstrong's. The lunch crowd was long gone and it was too early for the after-work people. In another fifteen minutes a couple of school teachers would stop in for a quick one, and then some nurses from Roosevelt Hospital whose shift ended at four, but for the moment there were three or four people at the bar and one couple finishing a carafe of wine at a front table and that was it. Except for me, of course, at my usual table in the rear. She made me right away, and I caught the blue of her eyes all the way across the room. But she stopped at the bar to make sure before making her way between the tables to where I was sitting. She said, "Mr. Scudder? I'm Kim Dakkinen. I'm a friend of Elaine Mardell's." "She called me. Have a seat." "Thank you." She sat down opposite me, placed her handbag on the table between us, took out a pack of cigarettes and a disposable lighter, then paused with the cigarette unlit to ask if it was all right if she smoked. I assured her that it was. Her voice wasn't what I'd expected. It was quite soft, and the only accent it held was Midwestern. After the boots and the fur and the severe facial planes and the exotic name, I'd been anticipating something more out of a masochist's fantasy: harsh and stern and European. She was younger, too, than I'd have guessed at first glance. No more than twenty five. She lit her cigarette and positioned the lighter on top of the cigarette pack. The waitress, Evelyn, had been-working days for the past two weeks because she'd landed a small part in an off-Broadway showcase. She always looked on the verge of a yawn. She came to the table while Kim Dakkinen was playing with her lighten Kim ordered a glass of white wine. Evelyn asked me if I wanted, more coffee, and when I said yes Kim said, "Oh, are you having coffee? I think I'd like that instead of wine. Would that be all right?" When the coffee arrived she added cream and sugar, stirred, sipped, and told me she wasn't much of a drinker" especially early in the day. But she couldn't drink it black the way I did, she'd never been able to drink black coffee, she had to have it sweet and rich, almost like-dessert, and she supposed she was just lucky but she'd never had a weight problem, she could eat anything and never gain an ounce, and wasn't that lucky? I agreed that it was. Had I known Elaine long? For years, I said. Well, she hadn't really known her that long herself, in fact she hadn't even been in New York too terribly long, and she didn't know her that well either, but she thought Elaine was awfully nice. Didn't I agree? I agreed. Elaine was very levelheaded, too, very sensible, and that was something, wasn't it? I agreed it was something. I let her take her time. She had acres of small talk, she smiled and held your eyes with hers when she talked, and she could probably have walked off with the Miss Congeniality award in any beauty contest she didn't win outright, and if it took her awhile to get to the point that was fine with me. I had no place else to go and nothing better to do. She said, "You used to be a policeman." "A few years back." "And now you're a private detective." "Not exactly." The eyes widened. They were a very vivid blue, an unusual shade, and I wondered if she were wearing contact lenses. The soft lenses sometimes do curious things to eye color, altering some shades, intensifying others. "I don't have a license," I explained. "When I decided I didn't want to carry a badge anymore I didn't figure I wanted to carry a license, either." Or fill out forms or keep records or check in with the tax collector. "Anything I do is very unofficial." "But it's what you do? It's how you make your living?" "That's right." "What do you call it? What you do." You could call it hustling a buck, except that I don't hustle a whole lot. The work finds me. I turn down more than I handle, and the jobs I accept are ones I can't think of a way to turn down. Right now I was wondering what this woman wanted from me, and what excuse I'd find to say no. "I don't know what to call it," I told her. "You could say that I do favors for friends." Her face lit up. She'd been doing a lot of smiling ever since she walked . . . Eight Million Ways to Die . Copyright © by Lawrence Block. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Eight Million Ways to Die by Lawrence Block All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Notas de autor provistas por Syndetics

Lawrence Block is the author of the popular series' featuring Bernie Rhodenbarr, Matthew Scudder, and Chip Harrison. Over 2 million copies of Lawrence Block's books are in print. He has published articles and short fiction in American Heritage, Redbook, Playboy, GQ, and The New York Times, and has published several collections of short fiction in book form, most recently Collected Mystery Stories.

Block is a Grand Master of Mystery Writers of America. He has won the Edgar and Shamus awards four times, the Japanese Maltese Falcon award twice, as well as the Nero Wolfe award. In France, he was proclaimed a Grand Maitre du Roman Noir and has been awarded the Societe 813 trophy twice. Block was presented with the key to the city of Muncie, Indiana, and is a past president of the Private Eye Writers of America and the Mystery Writers of America.

(Bowker Author Biography)

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