Descripciones mejoradas de Syndetics:

In response to increasing convergence of technologies in the entertainment industries, this thoroughly updated and revised fourth edition in also carefully reorganized and conveniently reformatted. Moreover, this new easy to read single-column format makes the volume a more accessible resource for lawyers, students, and industry professionals. The fourth edition is divided into two parts--one dealing with general principles and the other dealing with specific entertainment and related industries--and over fifty new cases have been added. The case material covers recent changes in the entertainment business--among them innovations, consolidations, copyright issues, and globalization--and each is analyzed in detail. FREE semi-annual supplements are available. FOR THE FIRST TIME THESE SUPPLEMENTS ARE ALSO AVAILABLE ONLINE!!

In response to the increasing convergence of technologies in the entertainment industries, this thoroughly updates and revised fourth edition is carefully reorganized and conveniently reformatted. Moreover, the new easy-to-read single-column format makes the volume a more accessible resource for lawyers, students, and industry professionals. The Fourth Edition is divided into two parts--one dealing with general principles and the other dealing with specific entertainment and related industries--and over 50 new cases have been added. The case material covers recent changes in the entertainment business--among them innovation, consolidation, copyright issues, and globalization--and each is analyzed in detail.

As the internet grows and becomes a part of everyday life, the laws and legal decisions shaping it will continue to affect entertainment business. Therefore, special attention had been devoted to the Internet and other emerging technologies in this new edition. Supplements are also provided to readers to reflect recent changes and update the current material. This classic casebook is assigned to students at top law schools throughout the country and is utilized as a desk reference by industry professionals. FREE semi-annual supplements are available. FOR THE FIRST TIME THESE SUPPLEMENTS ARE AVAILABLE ONLINE!!

Tabla de contenidos provista por Syndetics

• Acknowledgments(p. xvii)
• Introduction(p. 1)
• Global Overview(p. 1)
• Standards Governing Preliminary Injunctions, Motions for Summary Judgment, and Attachments(p. 6)
• Part 1
• Chapter 1 Representing Talent(p. 13)
• 1.1 Introduction: A Business of Intermediaries(p. 13)
• 1.2 Attorneys(p. 15)
• 1.2.1 Ethical Considerations(p. 16)
• 1.2.1.1 Percentage Fees(p. 16)
• 1.2.1.2 Multiple Client Representation(p. 17)
• 1.2.1.3 Participation in Business Deals with Clients(p. 18)
• Croce v. Kurnit(p. 19)
• McCauley Music Ltd. v. Solomon(p. 26)
• 1.2.2 Additional Hazards for Counsel(p. 29)
• 1.3 Agents and Managers(p. 31)
• 1.3.1 Union Regulation of Agents(p. 31)
• 1.3.2 State Regulation of Agents(p. 32)
• 1.3.2.1 New York General Business Law(p. 32)
• Pine v. Laine(p. 36)
• Mandel v. Leibman(p. 37)
• 1.3.2.2 California Labor Code(p. 39)
• Buchwald v. Superior Court of San Francisco(p. 45)
• Pryor v. Franklin(p. 48)
• Barr v. Rothberg(p. 50)
• Park v. Deftones(p. 52)
• Chinn v. Tobin(p. 56)
• 1.4 Business Managers(p. 59)
• ABKCO Music, Inc. v. Harrisongs Music, Ltd.(p. 59)
• Chapter 2 Talent Contracts(p. 67)
• 2.1 Introduction(p. 67)
• 2.2 Contracts with Minors(p. 71)
• 2.2.1 California Provisions on Minors(p. 72)
• 2.2.2 New York Provisions on Minors(p. 72)
• N.Y. Arts and Cultural Affairs Law [section]35.03(p. 73)
• Scott Eden Management v. Andrew Kavovit(p. 74)
• 2.3 Contract Duration(p. 78)
• 2.3.1 The California Seven-Year Statute(p. 78)
• Labor Code [section]2855(p. 78)
• De Haviland v. Warner Brothers Pictures(p. 79)
• Ketcham v. Hall Syndicate, Inc.(p. 83)
• 2.3.2 Statutory Termination Rights in California(p. 90)
• Goudal v. Cecil B. De Mille Pictures Corp.(p. 90)
• Warner Brothers Pictures, Inc. v. Bumgarner(p. 95)
• 2.4 Contract Formality: Availability of Injunctive Relief(p. 101)
• 2.4.1 The New York Experience(p. 102)
• Metro-Goldwyn-Mayer, Inc. v. Scheider(p. 102)
• 2.4.2 California Injunction Statutes(p. 104)
• Civil Code [section]3390(p. 105)
• Civil Code [section]3423(p. 105)
• The Newly Revised California Injunction Statute(p. 106)
• MCA Records, Inc. v. Newton-John(p. 108)
• Motown Record Corporation v. Brockert(p. 110)
• 2.5 Credit Issues(p. 112)
• 2.5.1 By Contract(p. 112)
• Cleary v. News Corp.(p. 113)
• Gold Leaf Group, Ltd. v. Stigwood Group, Ltd.(p. 116)
• Tamarind Lithography Workshop, Inc. v. Sanders(p. 117)
• 2.5.2 By Statute/Common Law(p. 122)
• 2.5.2.1 Right to Claim Credit(p. 123)
• Vargas v. Esquire, Inc.(p. 123)
• Smith v. Montoro(p. 128)
• Lamothe v. Atlantic Recording Corporation(p. 133)
• Cleary v. News Corp.(p. 135)
• Artists Visual Rights Act of 1990(p. 139)
• 2.5.2.2 Right to Disclaim Credit(p. 140)
• Shostakovich v. Twentieth Century-Fox Film Corp.(p. 140)
• Follett v. Arbor House Publishing Co., Inc.(p. 143)
• King v. Innovation Books(p. 149)
• Artists Visual Rights Act of 1990(p. 156)
• Chapter 3 Acquisition of Rights: Rights of Personality and Identity(p. 157)
• 3.1 Introduction(p. 157)
• 3.2 Personal Rights: Defamation(p. 157)
• 3.2.1 In General(p. 157)
• 3.2.2 Fact versus Opinion(p. 158)
• 3.2.3 Falsity(p. 159)
• Clark v. American Broadcasting Companies(p. 159)
• Masson v. New Yorker Magazine, Inc.(p. 164)
• 3.2.4 Of and Concerning(p. 171)
• Springer v. Viking Press(p. 171)
• Bindrim v. Mitchell(p. 174)
• 3.2.5 Damage to Reputation(p. 177)
• 3.2.6 Defensive Aspects(p. 178)
• 3.2.6.1 Prior Restraint(p. 178)
• 3.2.6.2 Public Officials/Public Figures(p. 178)
• 3.2.6.3 Burden of Proof(p. 180)
• 3.2.6.4 Judicial Resistance Toward Alternative Remedies(p. 180)
• 3.3 Personal Rights: Privacy(p. 180)
• 3.3.1 Introduction: Common Law(p. 180)
• 3.3.1.1 The First Cases: Roberson and Pavesich(p. 182)
• Pavesich v. New England Life Insurance Co.(p. 182)
• 3.3.1.2 False Light(p. 186)
• 3.3.1.3 Disclosure of Embarrassing Private Facts(p. 186)
• Diaz v. Oakland Tribune, Inc.(p. 186)
• 3.3.2 Statutory Protection(p. 191)
• NY Civil Rights Law [sections]50-51(p. 192)
• Spahn v. Julian Messner, Inc.(p. 192)
• 3.3.3 Defensive Aspects(p. 194)
• Lerman v. Flynt Distributing Co.(p. 195)
• Bernstein v. National Broadcasting Company(p. 202)
• 3.4 Personal Rights: Publicity(p. 212)
• 3.4.1 At Common Law(p. 213)
• Zacchini v. Scripps-Howard Broadcasting Co.(p. 214)
• 3.4.2 Statutory Recognition(p. 217)
• California Civil Code [section]3344(p. 218)
• 3.4.2.1 Other Statutory Enactments on Right of Publicity(p. 219)
• Tenn. Code. Ann. Ch. 945, [sections]47-25-1101 and 1108(p. 219)
• Ky. Rev. Stat., Ch. 391(p. 221)
• Fla. Stat. Ann. Sec. 540-08(p. 221)
• Indiana Statutes, Title 32, Art. 13, Ch. 1(p. 223)
• 3.4.3 Additional Recognition of the Right at Common Law(p. 226)
• Motschenbacher v. R. J. Reynolds Tobacco Co.(p. 226)
• Midler v. Ford Motor Company(p. 229)
• Waits v. Frito-Lay(p. 231)
• White v. Samsung Electronics America(p. 237)
• 3.4.4 Post-Mortem Availability(p. 243)
• 3.4.4.1 At Common Law(p. 243)
• 3.4.4.2 Under Statute(p. 244)
• California Civil Code [section]3344.1(p. 244)
• 3.4.4.3 Conflicts Problems(p. 247)
• 3.4.5 Defensive Aspects(p. 248)
• 3.4.5.1 Public Figures/Newsworthiness(p. 248)
• New Kids on the Block v. News America Publishing(p. 248)
• 3.4.5.2 Advertising and Promotion(p. 250)
• Namath v. Sports Illustrated(p. 251)
• Montana v. San Jose Mercury News(p. 252)
• 3.5 Personal Rights: The Lanham Act and Other Federal Legislation(p. 256)
• 3.5.1 Introduction: A National Remedy(p. 256)
• 15 U.S.C. St. 1125(p. 256)
• 3.5.2 Use of Section 43(a) by Celebrities and Entities(p. 258)
• Allen v. National Video, Inc.(p. 258)
• 3.5.3 Defensive Matters(p. 266)
• Rogers v. Grimaldi(p. 266)
• Pump, Inc. v. Collins Management(p. 275)
• Chapter 4 Acquisition of Rights: Ideas and Other Property(p. 281)
• 4.1 Ideas(p. 281)
• 4.1.1 Copyright Law: Idea versus Expression(p. 282)
• Nichols v. Universal Pictures Corp.(p. 282)
• Zambito v. Paramount Pictures(p. 286)
• Universal City Studios, Inc. v. Film Ventures International, Inc.(p. 290)
• 4.1.2 Idea Submissions(p. 293)
• 4.1.2.1 Implied Contract(p. 294)
• Desny v. Wilder(p. 294)
• 4.1.2.2 Confidential Relationship(p. 305)
• Blaustein v. Burton(p. 305)
• Murray v. National Broadcasting Company, Inc.(p. 315)
• 4.2 Negotiated Acquisitions(p. 322)
• 4.2.1 The Scope of Acquired Rights: By Contract(p. 322)
• Landon v. Twentieth Century-Fox Film Corp.(p. 323)
• Rey v. Lafferty(p. 329)
• 4.2.2 The Scope of Acquired Rights: Legally Imposed Limitations(p. 337)
• Copyright Act of 1976, [section]115(a)(1)(p. 337)
• Recording Industry Ass'n of America v. Copyright Royalty Tribunal(p. 338)
• Copyright Act of 1976, [section]203(p. 339)
• Copyright Act of 1976, [section]304(c)(p. 339)
• Miller Music Corp. v. Charles N. Daniels, Inc.(p. 340)
• Stewart v. Abend(p. 342)
• Chapter 5 Contract Performance, Exploitation Obligations, and Limitations on Exploitation(p. 353)
• 5.1 Delivery Standards(p. 353)
• Random House, Inc. v. Gold(p. 354)
• Harcourt Brace Jovanovich, Inc. v. Goldwater(p. 357)
• Doubleday and Company, Inc. v. Curtis(p. 363)
• 5.2 Exploitation Obligations(p. 369)
• 5.2.1 The Company as (Non)Fiduciary(p. 369)
• Rodgers v. Roulette Records, Inc.(p. 369)
• Mellencamp v. Riva Music Ltd.(p. 373)
• 5.2.2 The Obligation to Exploit(p. 378)
• Wood v. Lucy, Lady Duff-Gordon(p. 378)
• Zilg v. Prentice-Hall, Inc.(p. 379)
• Third Story Music v. Waits(p. 386)
• 5.3 Limits on Exploitation(p. 389)
• 5.3.1 Creative Control(p. 389)
• Parker v. Twentieth Century-Fox Film Corporation(p. 390)
• 5.3.1.1 The Cimino and Beatty Arbitrations(p. 392)
• 5.3.2 Mutilation(p. 396)
• Gilliam v. American Broadcasting Companies(p. 396)
• Chesler v. Avon Book Division(p. 400)
• Bobbs-Merrill Co., Inc. v. New American Library(p. 402)
• 5.3.3 Censorship and Regulation of Content and Attendance(p. 404)
• Skyywalker Records Inc. v. Navarro(p. 404)
• Cinevision v. City of Burbank(p. 414)
• 5.3.4 Private Actions Against Creators and Distributors(p. 419)
• Olivia N. v. National Broadcasting Company, Inc.(p. 420)
• Byers v. Edmondson(p. 424)
• Chapter 6 Remedies(p. 431)
• 6.1 Self-Help(p. 431)
• Dodd, Mead and Company, Inc. v. Lilienthal(p. 431)
• 6.2 Rescission(p. 435)
• Nolan v. Williamson Music, Inc.(p. 435)
• Nolan v. Sam Fox Publishing Company, Inc.(p. 438)
• Peterson v. Highland Music, Inc.(p. 438)
• 6.3 Injunction(p. 440)
• Machen v. Johansson(p. 442)
• Vanguard Recording Society, Inc. v. Kweskin(p. 447)
• American Broadcasting Cos., Inc. v. Wolf(p. 450)
• 6.4 Damages(p. 458)
• Freund v. Washington Square Press, Inc.(p. 458)
• 6.5 Contracts of Adhesion/Unconscionability: The Buchwald Case and After(p. 464)
• Art Buchwald v. Paramount Pictures Corp.(p. 465)
• Batfilm Productions, Inc. v. Warner Bros. Inc.(p. 479)
• 6.6 The U.K. "Restraint of Trade" Cases(p. 484)
• 6.6.1 The Earlier Cases(p. 484)
• A. Schroeder Music Publishing Co. v. Macaulay(p. 484)
• Elton Hercules John v. Richard Leon James(p. 489)
• 6.6.2 The George Michael Case(p. 496)
• Georgios Panayiotou v. Sony Music Entertainment (U.K.) Limited(p. 496)
• 6.7 Bankruptcy(p. 499)
• 6.7.1 The Availability of Bankruptcy Protection(p. 500)
• In the Matter of Noonan(p. 500)
• In re Carrere(p. 505)
• 6.7.2 The Consequences of Bankruptcy(p. 508)
• Waldschmidt v. CBS, Inc.(p. 508)
• 6.7.3 Protective Registration(p. 513)
• In re Peregrine Entertainment, Ltd.(p. 513)
• 6.8 Arbitration(p. 519)
• Part 2
• Chapter 7 Literary Publishing(p. 525)
• 7.1 Introduction(p. 525)
• 7.2 The Business of Literary Publishing(p. 525)
• 7.3 The Scope of Literary Publishing Contracts(p. 528)
• 7.3.1 Paperback Licensing(p. 529)
• 7.3.2 Foreign Licensing(p. 529)
• 7.3.3 Merchandise Licensing(p. 530)
• 7.3.4 Motion Picture/Television Licensing(p. 530)
• 7.3.5 Other Media Licensing(p. 531)
• 7.3.6 Author-Literary Agent(p. 531)
• 7.4 Publisher-Author Contract in Detail(p. 532)
• 7.4.1 Rights Granted and Assigned(p. 532)
• 7.4.2 Delivery of Satisfactory Manuscript(p. 532)
• 7.4.3 Noncompete Clause(p. 533)
• 7.4.4 Publication(p. 534)
• 7.4.5 Copyright(p. 534)
• 7.4.6 Royalties and Other Payments(p. 535)
• 7.4.7 Warranties and Indemnities(p. 535)
• 7.4.8 Future Revisions(p. 536)
• 7.4.9 Option for Next Work(p. 536)
• 7.4.10 Other Provisions(p. 537)
• 7.5 The Impact of Custom and Usage(p. 537)
• Stein and Day, Incorporated v. Morgan(p. 540)
• Tasini v. The New York Times Company, Inc.(p. 541)
• 7.6 The "Next Book" Option(p. 545)
• Pinnacle Books, Inc. v. Harlequin Enterprises, Ltd.(p. 545)
• Chapter 8 Music Publishing(p. 549)
• 8.1 An Overview of the Music Publishing Industry(p. 549)
• 8.2 Sources of Revenue(p. 552)
• 8.2.1 Small Performance Fees(p. 553)
• 8.2.2 Co-publishing Agreements(p. 554)
• 8.3 Principal Types of Agreements(p. 554)
• 8.3.1 Songwriter Agreement(p. 554)
• 8.3.2 Administration Agreement(p. 555)
• 8.3.3 Collection Agreement(p. 555)
• 8.3.4 Foreign Subpublishing Agreement(p. 555)
• 8.4 Negotiation of a Co-publishing Agreement(p. 556)
• 8.5 Computation of Foreign Income ("Receipts" versus "At the Source")(p. 558)
• 8.6 Typical Requirements and Controls(p. 559)
• 8.6.1 Administrative and Creative Controls(p. 559)
• 8.6.2 The Publisher's Obligations(p. 560)
• 8.6.2.1 The Obligation to Exploit(p. 560)
• 8.6.2.2 The Obligation to Account and Pay(p. 561)
• In re Waterson, Berlin and Snyder Co.(p. 561)
• 8.7 Performing Rights(p. 566)
• 8.7.1 Blanket Licensing(p. 566)
• Buffalo Broadcasting Co. v. ASCAP(p. 566)
• 8.7.2 Split Licensing(p. 577)
• U.S. v. ASCAP, In re Fox Broadcasting Co.(p. 577)
• 8.8 Sampling(p. 578)
• Grand Upright Music, Ltd. v. Warner Bros. Records, Inc.(p. 578)
• Chapter 9 Sound Recordings(p. 581)
• 9.1 Development of the Industry(p. 581)
• 9.2 Contracts in the Record Industry(p. 585)
• 9.2.1 Artist Recording Agreement(p. 586)
• Recording Artist Royalty Calculations: Why Gold Records Don't Always Yield Fortunes (Second Edition)(p. 590)
• 9.2.2 Producer Agreement(p. 600)
• 9.2.3 Mechanical License(p. 601)
• 9.2.4 Film/TV Master Use License(p. 602)
• 9.2.5 Master Purchase Agreement(p. 602)
• 9.2.6 Custom Label Agreement; Pressing and Distribution Agreement(p. 603)
• 9.2.7 Special Products Agreements(p. 604)
• 9.3 Record Label Breach(p. 605)
• Phillips v. Playboy Music, Inc.(p. 605)
• 9.4 Contract Term: The Label Option(p. 607)
• Using Option Clauses in Record Deals(p. 607)
• 9.5 Signing Multiple Group Members to a Single Recording Contract(p. 609)
• Forrest R.B. Enterprises, Inc. v. Capricorn Records, Inc.(p. 609)
• 9.6 Interference with Contract and Inducement to Breach(p. 611)
• Roulette Records, Inc. v. Princess Production Corp.(p. 612)
• Bonner v. Westbound Records(p. 616)
• Westbound Records, Inc. v. Phonogram, Inc.(p. 620)
• 9.7 Ownership and Protection of Performers' Names(p. 621)
• Chapter 10 Films(p. 625)
• 10.1 The Changing Scene in the Motion Picture Industry(p. 625)
• 10.2 Producing Films(p. 628)
• 10.2.1 The Evolution of the Studio Model(p. 628)
• 10.2.2 Producing Films: The Studio Model(p. 629)
• 10.2.2.1 Acquisition of Underlying Rights(p. 629)
• 10.2.2.2 The Production/Financing/Distribution Deal(p. 630)
• 10.2.2.3 Dealing with Directors, Actors, and Writers(p. 632)
• 10.2.2.4 Gross Receipts/Net Profits(p. 633)
• 10.2.3 Producing Films: The Independent Model(p. 635)
• 10.2.3.1 Financing Independent Films(p. 636)
• 10.2.3.2 Insurance(p. 637)
• 10.2.3.3 Completion Guaranty Bonds(p. 638)
• 10.2.4 The International Market(p. 638)
• 10.2.5 Ancillary Markets(p. 640)
• 10.3 Distribution(p. 641)
• 10.3.1 Dealing with Theatres(p. 641)
• 10.3.2 Antitrust Issues in Distribution: Studio Issues(p. 642)
• United States v. Paramount Pictures, Inc.(p. 643)
• 10.3.3 Exhibitor Violations: Splitting Arrangements(p. 651)
• United States v. Capitol Service, Inc.(p. 651)
• Chapter 11 Television(p. 657)
• 11.1 The Television Business(p. 657)
• 11.1.1 The Changing Face of the Television Industry(p. 657)
• 11.1.2 Broadcast Television(p. 659)
• 11.1.3 Cable and Satellite Television(p. 660)
• 11.2 Creating and Acquiring Programming(p. 662)
• 11.2.1 Dealmaking in the Television Industry(p. 662)
• 11.2.2 The Development Deal(p. 663)
• 11.2.3 Deficit Funding(p. 664)
• 11.3 Syndication(p. 664)
• 11.4 The Ratings Game(p. 666)
• 11.5 International Markets(p. 668)
• 11.6 Ancillary Markets(p. 668)
• 11.7 Federal Communications Commission(p. 669)
• 11.7.1 Licensing(p. 669)
• 11.7.2 Control of Broadcast Television(p. 670)
• 11.7.3 Controlling Cable Television(p. 670)
• 11.8 Issues in Television Distribution(p. 671)
• 11.8.1 Antitrust: Block Booking(p. 671)
• United States v. Loew's, Inc.(p. 671)
• Metromedia Broadcasting Corp. v. MGM/UA Entertainment Co.(p. 675)
• 11.8.2 Antitrust: Geographical Restrictions(p. 680)
• Ralph C. Wilson Industries, Inc. v. American Broadcasting Companies, Inc.(p. 680)
• 11.8.3 Piracy: Unlawful Interception and Retransmission of Signals(p. 684)
• Home Box Office, Inc. v. Pay TV of Greater New York, Inc.(p. 684)
• Chapter 12 The Internet, Multimedia, and Emerging Technologies(p. 689)
• 12.1 Introduction(p. 689)
• 12.2 Personal Jurisdiction(p. 692)
• Bensusan Restaurant Corp. v. King(p. 692)
• Zippo Manufacturing Co. v. Zippo Dot Com, Inc.(p. 696)
• 12.3 Regulating Content and Controlling Distribution of Information Online(p. 702)
• 12.3.1 Censorship(p. 702)
• New Media, the Internet, and the Law(p. 702)
• 12.3.2 Control of Access: Framing and Linking(p. 707)
• 12.4 Liability of Internet Service Providers(p. 707)
• 12.4.1 Defamation(p. 707)
• Zeran v. America Online, Inc.(p. 708)
• 12.4.2 Privacy(p. 713)
• 12.4.2.1 Consumer Profiles(p. 713)
• 12.4.2.2 Spamming(p. 714)
• 12.5 Copyright Infringement(p. 715)
• 12.5.1 Digital Millennium Copyright Act(p. 715)
• 12.5.2 The Impact of Internet-Specific Technologies(p. 716)
• 12.5.2.1 MP3(p. 716)
• UMG Recordings, Inc. v. MP3.Com, Inc.(p. 717)
• AandM Records, Inc. v. Napster, Inc.(p. 720)
• 12.5.2.2 DeCSS(p. 736)
• 12.5.2.3 iCrave TV(p. 736)
• 12.6 Trademark Infringement(p. 737)
• 12.6.1 Internet Domain Names and Metatags(p. 737)
• Brookfield Communications, Inc. v. West Coast Entertainment Corp.(p. 737)
• 12.6.2 Cybersquatting(p. 755)
• 12.6.3 Other Internet and New Technology Litigation Involving Copyright, Trademark, and Unfair Competition(p. 757)
• Playboy Enterprises, Inc. v. Frena(p. 757)
• Lewis Galoob Toys, Inc. v. Nintendo of America, Inc.(p. 761)
• 12.7 Agreements Entered into over the Internet(p. 765)
• What Constitutes an Enforceable Agreement Entered into over the Internet?(p. 765)
• Chapter 13 Theatre(p. 773)
• 13.1 The Theatre Business(p. 773)
• 13.1.1 Broadway Producers, Investors, and Theatre Owners(p. 777)
• 13.1.2 Alternatives to Broadway(p. 778)
• 13.1.3 The Prospective Audience(p. 779)
• 13.2 The Approved Production Contracts(p. 780)
• MBPC: Requiescat in Pace--APC: Quo Vadis?(p. 781)
• 13.3 Business Structures of Theatrical Ventures(p. 785)
• 13.4 Special Problems in Theatrical Agreements(p. 785)
• Gennaro v. Rosenfield(p. 786)
• Childress v. Taylor(p. 787)
• Wasserman v. Leigh(p. 793)
• Sacks v. Rubin 6/15/90(p. 799)
• Sacks v. Rubin 12/11/91(p. 800)
• Table of Cases(p. 803)
• Index(p. 831)

Notas de autor provistas por Syndetics

DONALD E. BIEDERMAN was Professor of Law and Director of the National Institute of Entertainment & Media Law at Southwestern University School of Law, Los Angeles.

MARTIN E. SILFEN is an entertainement attorney and Adjunct Professor of Law at William and Mary Law School.

ROBERT C. BERRY is Professor of Law at Boston College Law School. He represents and consults widely in entertainment and sports law.

EDWARD P. PIERSON is Executive Vice President of Legal and Business Affairs at Warner/Chappel Music, Inc., Los Angeles, and Adjunct Professor of Law at Southwestern University School of Law.

JEANNE A. GLASSER is the Vice President and General Counsel of Mona Lisa Sound, Inc. She is also an original member of iPath.com Attorney Network and Member of the New York Bar.