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How we survived communism and even laughed Slavenka Drakulić.

Por: Detalles de publicación: New York HarperPerennial 1993.Edición: 1st HarperPerennial edDescripción: xvii, 197 pISBN:
  • 0060975407
Tema(s): Clasificación CDD:
  • 335.43/0947 20
Clasificación LoC:
  • HX365.5.A6 D73 1993
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Descripciones mejoradas de Syndetics:

"She is a writer and journalist whose voice belongs to the world." -- Gloria Steinem

This essay collection from renowned journalist and novelist Slavenka Drakulic, which quickly became a modern (and feminist) classic, draws back the Iron Curtain for a glimpse at the lives of Eastern European women under Communist regimes. Provocative, witty, and intensely personal, How We Survived Communism and Even Laughed cracks open a paradoxical world that through its rejection of capitalism and commoditization ends up fetishizing both.

Examining the relationship between material goods and expressions of happiness and individuality in a society where even bananas were an alien luxury, Drakulic homes in on the eradication of female identity, drawing on her own experiences as well as broader cultural observations. Enforced communal housing that allowed for little privacy, the banishment of many time-saving devices, and a focus on manual labor left no room for such bourgeois affectations as cosmetics or clothes, but Drakulic's remarkable exploration of the reality behind the rhetoric reveals that women still went to desperate lengths to feel "feminine."

How We Survived Communism and Even Laughed also chronicles the lingering consequences of such regimes. The Berlin Wall may have fallen, but Drakulic's power pieces testify that ideology cannot be dismantled so quickly; a lifetime lived in fear cannot be so easily forgotten.

Originally published: [New York]: W.W. Norton & Co., 1992.

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Library Journal Review

Drakulic's fine collection of essays draws strength from her keen powers of observation and sensitivity to her readers' interests. Her achievement is to depict the starkly common identity of everyday life in socialist Eastern Europe before its unlamented loss becomes irretrievable. It is a world in which party authority can create the ``sudden invisibility'' for an offending journalist, where public buildings share a ``shabbiness and color of sepia,'' and one that makes the post office an impenetrable ``institution of power.'' The essays are also about people, about the obsessive `` communist eye '' (italics original) disturbed by the injustice of New York's homeless yet neurotically envious of those wearing fur coats at home. The tragic irony lies in the book's title. Hoarding material objects enabled people ``to survive communism,'' but hoarding wartime memories and the inability to ``let the dead be dead'' may destroy the author's native Yugoslavia. Recommended for all public and academic libraries.-- Zachary T. Irwin, Pennsylvania State Univ.-Erie (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

A Yugoslavian journalist, novelist, and feminist chronicles everyday life in Eastern Europe during the Communist heyday and after its demise. In a series of stark, compassionate essays, Drakulic offers revelatory glimpses into the lives of a disparate group of females bound together by the grim political, emotional, and material realities of totalitarian regimes. Whether the individual women profiled survive their daily rigors by dint of spirit, imagination, or passivity, together they provide a compelling portrait of resolution, resignation, and resilience. A brilliant distillation of the incredible human toll claimed by communism during the past half-century. ~--Margaret Flanagan
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