Imagen de Amazon.com
Portada de Syndetics
Imagen de OpenLibrary
Dante's gallery of rogues paintings of Dante's Inferno by Vincenzo R. Latella ; edited, with an introductory essay by Anne Paolucci.
Detalles de publicación: Middle Village, N.Y. Council on National Literatures c2001.Descripción: 119 p. col. ill. 26 cmISBN:- 0918680948
- PQ4329 .L38 2001
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés Colección General bev | 704.9489 L3517d 2001 (Navegar estantería(Abre debajo)) | Disponible | 80000002264458 |
Total de reservas: 0
Descripciones mejoradas de Syndetics:
In 1988, Vincent R. Latella took on the task of painting a series of illustrations depicting key moments from Dante's Inferno . Completed in 1990, the series is made up of 34 paintings, one for each canto. The book contains reproductions of each painting accompanied by the excerpts from the Inferno which inspired them, in both the original Italian and English translations. Also included is a 31-page essay by Dante scholar, Dr. Anne Paolucci, entitled, "The Strident Voices of Hell."
Prepared in conjunction with an exhibit of original paintings, held at the CNL/Anne and Henry Paolucci International Conference Center in Middle Village, New York, March 23, 2001.
Tabla de contenidos provista por Syndetics
- Acknowledgments(p. 5)
- Brief Chronology(p. 7)
- "The Strident Voices of Hell"(p. 11)
- I. Telling the Story(p. 11)
- II. The Three Canticles(p. 13)
- III. The Political Thesis(p. 15)
- IV. The Realm of Satan(p. 21)
- General Comments(p. 21)
- The Circles of Hell(p. 21)
- The Topography or Moral Geography of Hell(p. 22)
- Satan(p. 23)
- The Arch-Traitors: Brutus, Cassius, and Judas(p. 24)
- The Augustinian View(p. 25)
- The Beginning: Unanswered Questions(p. 29)
- V. Some Observations on Dante in America and Three Major British Poets Influenced by Dante(p. 36)
- Notes(p. 38)
- Reproductions(p. 41)
- Portrait of Dante(p. 43)
- Canto I, 1-3(p. 44)
- Canto II, 139-142(p. 46)
- Canto III, 7-9(p. 48)
- Canto IV, 7-9(p. 50)
- Canto V, 103-105(p. 52)
- Canto VI, 52-54(p. 54)
- Canto VII, 109-111(p. 56)
- Canto VIII, 28-30(p. 58)
- Canto IX, 88-90(p. 60)
- Canto X, 22-24(p. 62)
- Canto XI, 4-7(p. 64)
- Canto XII, 80-85(p. 66)
- Canto XIII, 124-126(p. 68)
- Canto XIV, 28-30(p. 70)
- Canto XV, 16-19(p. 72)
- Canto XVI, 130-132(p. 74)
- Canto XVII, 133-136(p. 76)
- Canto XVIII, 19-21(p. 78)
- Canto XIX, 22-24(p. 80)
- Canto XX, 13-15(p. 82)
- Canto XXI, 79-84(p. 84)
- Canto XXII, 127-129(p. 86)
- Canto XXIII, 1-3(p. 88)
- Canto XXIV, 103-105(p. 90)
- Canto XXV, 25-27(p. 92)
- Canto XXVI, 55-57(p. 94)
- Canto XXVII, 31-33(p. 96)
- Canto XXVIII, 124-126(p. 98)
- Canto XXIX, 1-3(p. 100)
- Canto XXX, 22-24(p. 102)
- Canto XXXI, 133-135(p. 104)
- Canto XXXII, 22-24(p. 106)
- Canto XXXIII, 1-3(p. 108)
- Canto XXXIV, 136-139(p. 110)
- Biographical Note(p. 115)