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Architecture, not architecture / Diller Scofidio + Renfro ; [with contributions by Laurie Anderson [and twelve others]. txt

Por: Colaborador(es): Editor: London ; New York, NY : Phaidon Press, 2025Edición: First published 2025Descripción: 791 p. : ill. ; col. ; 29 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediated
Tipo de soporte:
  • volume
ISBN:
  • 1838667202
  • 9781838667207
  • 9781838667832
Otro título:
  • Not architecture
Tema(s): Clasificación LoC:
  • NA737.D56 A73 2025
Contenidos:
Part 1: Kinney (Plywood) House 10 -- Slow House 16 -- Slither 28 -- The Brasserie 38 -- Viewing Platform 46 -- Blur Building 50 -- Eyebeam Museum of Art and Technology 68 -- Institute of Contemporary Art 72 -- Lincoln Center Public Spaces 92 -- The Juilliard School 116 -- Alice Tully Hall 128 -- School of American Ballet 140 -- Granoff Center for the Creative Arts 146 -- The Hirshhorn Bubble 154 -- Cooper Hewitt, Smithsonian Design Museum 160 -- The Broad 164 -- McMurtry Art History Building 180 -- Blue Dream 186 -- Berkeley Art Museum and Pacific Film Archive 192 -- Vagelos Education Center 202 -- The High Line 216 -- Zaryadye Park 234 -- The Shed 252 -- 15 Hudson Yards 272 -- Museum of Modern Art 276 -- U.S. Olympic & Paralympic Museum 298 -- Rubenstein Forum 306 -- Fifth Avenue Residence 312 -- The Tianjin Juilliard School 318 -- Columbia Business School 326 -- Prior Performing Arts Center 336 -- Google Pier 57 344 -- Dissona Live-Work Complex 354 -- Museum of Image and Sound 360 -- Redmond Visitor Center 366 -- MIT Metropolitan Warehouse 370 -- AI-Mujadilah Center and Mosque for Women 378 -- Victoria and Albert Museum, East Storehouse 384 -- 15 Hudson Yards, 272 -- Alice Tully Hall, 128 -- Al-Mujadilah Center and Mosque for Women, 378 -- Berkeley Art Museum and Pacific Film Archive, 192 -- Blue Dream, 186 -- Blur Building, 60 -- Brasserie, The, 38 -- Broad, The, 164 -- Columbia Business School, 326 -- Cooper Hewitt, Smithsonian Design Museum, 160 -- Dissona Live-Work Complex, 354 -- Eyebeam Museum of Art and Technology, 68 -- Fifth Avenue Residence, 312 -- Google Pier 57, 344 -- Granoff Center for the Creative Arts, 146 -- High Line, The, 216 -- Hirshhorn Bubble, The, 154 -- Institute of Contemporary Art, 72 -- Juilliard School, The, 116 -- Kinney (Plywood) House, 10 -- Lincoln Center Public Spaces, 92 -- McMurtry Art and Art History Building, 180 -- MIT Metropolitan Warehouse, 370 -- Museum of Image and Sound, 360 -- Museum of Modern Art, 276 -- Prior Performing Arts Center, 336 -- Redmond Visitor Center, 366 -- Rubenstein Forum, 306 -- School of American Ballet, 140 -- Shed, The, 252 -- Slither, 28 -- Slow House, 16 -- Tianjin Juilliard School, The, 318 -- U.S. Olympic & Paralympic Museum, 298 -- Vagelos Education Center, 202 -- Victoria and Albert Museum, East Storehouse, 384 -- Viewing Platform, 46 -- Zaryadye Park 234 --
Part 2: Traffic 398 -- The American Mysteries 406 -- Gate 412 -- Camillo’s Bridge 416 -- Three Windows 420 -- The Rotary Notary and His Hot Plate 424 -- Bodybuildings 430 -- withdrawing Room 432 -- Para-Site 438 -- Pleasure/Pain Medicine Cabinet 448 -- Tourisms: suitCase Studies 450 -- Nicotine / Caffeine Table 454 -- Case #00-17163 456 -- Desiring Eye: Reviewing the Slow House 460 -- His/Hers 464 -- Bad Press 466 -- Loophole 474 -- Soft Sell 478 -- Clean Body / Dirty Mind, INNER COVER Fourth Window 482 -- Overexposed 484 -- Indigestion 488 -- Moving Target 492 -- Jump Cuts 498 -- Vice/Virtue Glasses 500 -- InterClone Hotel 502 -- (Monkey) Business Class 506 -- Pageant 508 -- X, Y 510 -- The American Lawn 514 -- EJM I, EJM II 522 -- Crutch Lamp 528 -- Master / Slave 530 -- Jet Lag 540 -- Travelogues 548 -- Braincoat 556 -- Mural 562 -- Pure Mix 570 -- Facsimile 574 -- Meat Dress 578 -- Have You Ever Been Mistaken for a… ? 580 -- Who’s Your Dada? 584 -- Light Sock 586 -- Exit 590 -- Action Painting, 604 -- Does the Punishment Fit the Crime?, 606 -- pH Project, 608 -- Chain City, 610 -- Arbores Laetae (Joyful Trees), 612 -- Traveling Music, 614 -- Be Your Self, 618 -- Nada at Fashion Week, 620 -- How Wine Became Modern, 626 -- Bittersweet, 634 -- Open House, 636 -- The Art of Scent: 1889–2012, 640 -- The Look, 646 -- Charles James: Beyond Fashion, 662 -- Musings on a Glass Box, 668 -- Detour, 674 -- Facade Maintenance, 682 -- Blue Hour, 684 -- Pierre Chareau: Modern Architecture and Design, 690 -- Unspoken, 698 -- Off the Cuff, 700 -- Liquid Antiquity: Conversations, 704 -- In 08:44 Out 20:16, 710 -- In Plain Sight, 712 -- Heavenly Bodies, 716 -- Late Nights on Air, 726 -- Prada Invites: The Envelope, The Yoke, 730 -- The Mile-Long Opera, 732 -- Are we really that different?, 746 -- Exhaustion, 748 -- Deep Blue Sea, 750 -- The Hare with Amber Eyes, 758 -- Cartier and Islamic Art, 770 -- Paris Moderne 1914–1945, 774 -- Home Visit Kit, 778 --
Resumen: Since its founding in 1981, New York-based studio Diller Scofidio + Renfro (DS+R) has designed some of the world's most revered civic spaces and cultural institutions. Their practice spans architecture, urban design, installation art, performance, digital media, and print. From the famed High Line in New York City to the upcoming V&A East Storehouse in London and early projects like the Blur building designed for the 2002 Swiss Expo, DS+R explores alternative strategies for creating spaces that engage and surprise on a global scale. Designed by DS+R as a pair of structurally linked volumes, this monograph invites readers to bridge different modes of production and reconsider the boundaries of architecture. The unique binding allows each volume to be read individually or side by side by unfolding the book along the spine. Special crossover designs link the two volumes with shared obsessions. The monograph includes designs by the design consultancy 2x4, with photography by Iwan Baan and Matthew Monteith, among other photographers
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Existencias
Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro Col. General CARIBET CARIBET Biblioteca Arquitectura Colección General CARIBET General NA737.D56 A73 2025 (Navegar estantería(Abre debajo)) 1 Disponible 91000000752303
Total de reservas: 0

Descripciones mejoradas de Syndetics:

Winner, AIGA Best Book Design 2024

Featured in Financial Times How To Spend It, Architectural Digest, Domus, Monocle, Aesthetica, and Wallpaper*

The first comprehensive monograph on the cross-disciplinary practice including over 100 built and ephemeral works

Since its founding in 1981, New York-based studio Diller Scofidio + Renfro (DS+R) has designed some of the world's most revered civic spaces and cultural institutions. Their practice covers architecture, urban design, installation art, performance, digital media, and print.

From the renowned High Line in New York City to the upcoming V&A East Storehouse in London to some of their earliest projects like the Blur building designed for the 2002 Swiss Expo, DS+R explores alternative strategies in space-making that engage and surprise on a global scale.

Designed by DS+R as a pair of structurally conjoined volumes, this monograph invites readers to bridge different modes of production and reconsider the limits of architecture. The unique binding allows each volume to be read individually or in parallel by unfolding the book at the spine. Special crossover layouts link the two volumes with shared obsessions.

The monograph features layouts by design consultancy 2x4, with photography by Iwan Baan and Matthew Monteith amongst other photographers. It also includes new dialogues with visionaries from other creative fields, including artist Edmund de Waal, art critic and curator Hans Ulrich Obrist, curator Paola Antonelli, actor Alan Cumming, choreographer William Forsythe, professor Sylvia Lavin, curator Ana Miljacki, and Jill Medvedow.

Includes index
Single volume appears as two bound volumes joined together

Part 1:
Kinney (Plywood) House 10 --
Slow House 16 --
Slither 28 --
The Brasserie 38 --
Viewing Platform 46 --
Blur Building 50 --
Eyebeam Museum of Art and Technology 68 --
Institute of Contemporary Art 72 --
Lincoln Center Public Spaces 92 --
The Juilliard School 116 --
Alice Tully Hall 128 --
School of American Ballet 140 --
Granoff Center for the Creative Arts 146 --
The Hirshhorn Bubble 154 --
Cooper Hewitt, Smithsonian Design Museum 160 --
The Broad 164 --
McMurtry Art History Building 180 --
Blue Dream 186 --
Berkeley Art Museum and Pacific Film Archive 192 --
Vagelos Education Center 202 --
The High Line 216 --
Zaryadye Park 234 --
The Shed 252 --
15 Hudson Yards 272 --
Museum of Modern Art 276 --
U.S. Olympic & Paralympic Museum 298 --
Rubenstein Forum 306 --
Fifth Avenue Residence 312 --
The Tianjin Juilliard School 318 --
Columbia Business School 326 --
Prior Performing Arts Center 336 --
Google Pier 57 344 --
Dissona Live-Work Complex 354 --
Museum of Image and Sound 360 --
Redmond Visitor Center 366 --
MIT Metropolitan Warehouse 370 --
AI-Mujadilah Center and Mosque for Women 378 --
Victoria and Albert Museum, East Storehouse 384 --
15 Hudson Yards, 272 --
Alice Tully Hall, 128 --
Al-Mujadilah Center and Mosque for Women, 378 --
Berkeley Art Museum and Pacific Film Archive, 192 --
Blue Dream, 186 --
Blur Building, 60 --
Brasserie, The, 38 --
Broad, The, 164 --
Columbia Business School, 326 --
Cooper Hewitt, Smithsonian Design Museum, 160 --
Dissona Live-Work Complex, 354 --
Eyebeam Museum of Art and Technology, 68 --
Fifth Avenue Residence, 312 --
Google Pier 57, 344 --
Granoff Center for the Creative Arts, 146 --
High Line, The, 216 --
Hirshhorn Bubble, The, 154 --
Institute of Contemporary Art, 72 --
Juilliard School, The, 116 --
Kinney (Plywood) House, 10 --
Lincoln Center Public Spaces, 92 --
McMurtry Art and Art History Building, 180 --
MIT Metropolitan Warehouse, 370 --
Museum of Image and Sound, 360 --
Museum of Modern Art, 276 --
Prior Performing Arts Center, 336 --
Redmond Visitor Center, 366 --
Rubenstein Forum, 306 --
School of American Ballet, 140 --
Shed, The, 252 --
Slither, 28 --
Slow House, 16 --
Tianjin Juilliard School, The, 318 --
U.S. Olympic & Paralympic Museum, 298 --
Vagelos Education Center, 202 --
Victoria and Albert Museum, East Storehouse, 384 --
Viewing Platform, 46 --
Zaryadye Park 234 --

Part 2:
Traffic 398 --
The American Mysteries 406 --
Gate 412 --
Camillo’s Bridge 416 --
Three Windows 420 --
The Rotary Notary and His Hot Plate 424 --
Bodybuildings 430 --
withdrawing Room 432 --
Para-Site 438 --
Pleasure/Pain Medicine Cabinet 448 --
Tourisms: suitCase Studies 450 --
Nicotine / Caffeine Table 454 --
Case #00-17163 456 --
Desiring Eye: Reviewing the Slow House 460 --
His/Hers 464 --
Bad Press 466 --
Loophole 474 --
Soft Sell 478 --
Clean Body / Dirty Mind, INNER COVER Fourth Window 482 --
Overexposed 484 --
Indigestion 488 --
Moving Target 492 --
Jump Cuts 498 --
Vice/Virtue Glasses 500 --
InterClone Hotel 502 --
(Monkey) Business Class 506 --
Pageant 508 --
X, Y 510 --
The American Lawn 514 --
EJM I, EJM II 522 --
Crutch Lamp 528 --
Master / Slave 530 --
Jet Lag 540 --
Travelogues 548 --
Braincoat 556 --
Mural 562 --
Pure Mix 570 --
Facsimile 574 --
Meat Dress 578 --
Have You Ever Been Mistaken for a… ? 580 --
Who’s Your Dada? 584 --
Light Sock 586 --
Exit 590 --
Action Painting, 604 --
Does the Punishment Fit the Crime?, 606 --
pH Project, 608 --
Chain City, 610 --
Arbores Laetae (Joyful Trees), 612 --
Traveling Music, 614 --
Be Your Self, 618 --
Nada at Fashion Week, 620 --
How Wine Became Modern, 626 --
Bittersweet, 634 --
Open House, 636 --
The Art of Scent: 1889–2012, 640 --
The Look, 646 --
Charles James: Beyond Fashion, 662 --
Musings on a Glass Box, 668 --
Detour, 674 --
Facade Maintenance, 682 --
Blue Hour, 684 --
Pierre Chareau: Modern Architecture and Design, 690 --
Unspoken, 698 --
Off the Cuff, 700 --
Liquid Antiquity: Conversations, 704 --
In 08:44 Out 20:16, 710 --
In Plain Sight, 712 --
Heavenly Bodies, 716 --
Late Nights on Air, 726 --
Prada Invites: The Envelope, The Yoke, 730 --
The Mile-Long Opera, 732 --
Are we really that different?, 746 --
Exhaustion, 748 --
Deep Blue Sea, 750 --
The Hare with Amber Eyes, 758 --
Cartier and Islamic Art, 770 --
Paris Moderne 1914–1945, 774 --
Home Visit Kit, 778 --

Since its founding in 1981, New York-based studio Diller Scofidio + Renfro (DS+R) has designed some of the world's most revered civic spaces and cultural institutions. Their practice spans architecture, urban design, installation art, performance, digital media, and print. From the famed High Line in New York City to the upcoming V&A East Storehouse in London and early projects like the Blur building designed for the 2002 Swiss Expo, DS+R explores alternative strategies for creating spaces that engage and surprise on a global scale. Designed by DS+R as a pair of structurally linked volumes, this monograph invites readers to bridge different modes of production and reconsider the boundaries of architecture. The unique binding allows each volume to be read individually or side by side by unfolding the book along the spine. Special crossover designs link the two volumes with shared obsessions. The monograph includes designs by the design consultancy 2x4, with photography by Iwan Baan and Matthew Monteith, among other photographers

Notas de autor provistas por Syndetics

Founded in 1981, Diller Scofidio + Renfro is a design studio whose practice covers architecture, urban design, installation art, performance, digital media, and print. With a focus on cultural and civic projects, DS+R's work addresses the changing role of institutions and the future of cities. The studio is based in New York and is composed of over 100 architects, designers, and artists, led by four partners - Elizabeth Diller, Ricardo Scofidio, Charles Renfro, and Benjamin Gilmartin.

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