The Stanley Kubrick archives : edited by Alison Castle ; made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick Estate. txt
Köln ; Los Angeles : Taschen , 2005Edición: 1st edDescripción: 543 p. : ill. (some col.) ; 42 cm. 1 sound disc (4 3/4 in.) + 1 filmstripTipo de contenido:- text
- unmediaded
- volume
- 9783822822845
- 3822822841
- PN1998.3.K83 S77 2005
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Disco Referencia CARIBET | CARIBET Biblioteca Arquitectura Colección de Referencia CARIBET | PN1998.3. K83 2005 (Navegar estantería(Abre debajo)) | Disponible | 91000000016204 | ||||||||||||||
| Libro | CARIBET Biblioteca Arquitectura Colección Oversize CARIBET | Oversize PN1998.3.K83 2005 (Navegar estantería(Abre debajo)) | Disponible | 91000000015610 |
Descripciones mejoradas de Syndetics:
The first book to explore Stanley Kubrick's archives is also the most comprehensive study of the filmmaker to date Part 1: The films In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: ?It's not a message I ever intended to convey in words. 2001 is a nonverbal experience?. I tried to create a visual experience, one that bypasses verbalized pigeonholing and directly penetrates the subconscious with an emotional and philosophic content.? The philosophy behind Part I borrows from this line of thinking: from the opening sequence of Killer's Kiss to the final frames of Eyes Wide Shut, Kubrick's complete films will be presented chronologically and wordlessly via frame enlargements. A completely nonverbal experience. Part 2: The Creative Process Divided into chapters chronologically by film, Part 2 brings to life the creative process of Kubrick's filmmaking by presenting a remarkable collection of material from his archives, including photographs, props, posters, artwork, set designs, sketches, correspondence, documents, screenplays, drafts, notes, and shooting schedules. Accompanying the visual material are essays by noted Kubrick scholars, articles written by and about Kubrick, and a selection of Kubrick's best interviews. Special features ? Part 1 features 800 film stills scanned directly from the original prints and interpositives ? Part 2 presents about 800 items from the archives, most of which have never been published before ? essays by Kubrick scholars Gene D. Phillips, Michel Ciment, and Rodney Hill ? selected articles and essays, including interviews with and essays by Stanley Kubrick ? illustrated Kubrickchronology ? audio CD featuring a 70-minute 1966 interview of Stanley Kubrick by Jeremy Bernstein **BONUS** ? books in the first print run will each include a twelve-frame film strip from a 70mm print of 2001: A Space Odyssey owned by Stanley Kubrick Made in cooperation with Jan Harlan, Christiane Kubrick, and the Stanley Kubrick Estate. The editor: Alison Castle received a BA in philosophy from Columbia University and an MA in photography and film from New York University (NYU/International Center of Photography masters program). Castle also edited TASCHEN's Some Like it Hot. She lives in Paris, home of the world's best cinemas.
Audio CD: Interview with Stanley Kubrick by Jeremy Bernstein, November 27, 1966. The strip of frames was cut from Kubricks' print of 2001: a space odyssey.
Includes bibliographical references (p. [542]).
Contents:
Part 1 --
The films --
Preface 6 --
Killer’s kiss 1955 / 10 --
The Killing 1956 / 24 --
Paths of Glory 1957 / 36 --
Spartacus 1960 /54 --
Lolita 1962 / 68 --
Dr. Strangelove or: How I learn to stop worrying and love the bomb 1964 / 88 --
2001: A space Odyssee 1968 /104 --
A clock work Orange 1971 / 142 --
Barry Lyndon 1975 / 166 --
The shining 1980 / 188 --
Full metal jacket 1987 / 218 --
Eyes Wide shut 1999 / 238 --
Part 2 --
The creative process --
EWO / Early work 266 --
Essay by Gene D. Philips 268 --
Interview by Thomas Pryor 277 --
Killer’s kiss 1955 / 278 --
Essay by Gene D. Philips 280 --
The Killing 1956/288 --
Essay by Gene D. Philips 290 --
Paths of Glory 1957 / 298 --
Essay by Gene D. Philips 300 --
Interview by Raymond Haine 308 --
Interview by Jay Varela 312 --
Spartacus 1960 /314 --
Essay by Gene D. Philips 316 --
Essay by Stanley Kubrick 324 --
Lolita 1962 / 326 --
Essay by Gene D. Philips 328 --
Essay by Stanley Kubrick 338 --
Interview by Terry Southern 340 --
Dr. Strangelove or: How I learn to stop worrying and love the bomb 1964 / 344 --
Essay by Gene D. Philips 346 --
Essay by Stanley Kubrick 360 --
Stanley Kubrick and Joseph Heller: A conversation 362 --
2001: A space Odyssee 1968 / 366 --
“Outline” by Caroline Geduld 368 --
“The production: A Calendar” By Carolyne Geduld 373 --
“Stanley Kubrick and the search for Extraterrestial Intelligence”by Anthony Frewin 378 --
“Filming 2001 :a space Oddysey” By Herb A. Lightman 386 --
“Fiction & Fact” 388 --
“Music in 2001: Aspace Odyssey” by Gene D. Philips 390 --
“Interpretations of 2001: A space Odyssey” by Margaret Stackhouse 392 --
“Playboy interview: Stanley Kubrick” by Eric Norden 398 --
A clock work Orange 1971 / 408 --
Essay by Michel Ciment 410 --
Letter by Stanley Kubrick 418 --
Interview by Philip Strick and Penelope Houston 420 --
Barry Lyndon 1975 / 428 --
Essay by Rodney Hill 430 --
Interview by Michel Ciment 441 --
The shining 1980 / 444 --
Full metal jacket 1987 / 464 --
Eyes Wide shut 1999 / 480 --
Essay by Rodney Hill 482 --
Reseñas proporcionadas por Syndetics
Spanish Review
"Si La naranja mecánica u Odisea en el espacio se encuentran dentro de tus películas favoritas, tienes que hacerte con este tesoro."Notas de autor provistas por Syndetics
Christiane Kubrick has lived in England teaching and exhibiting her paintings and drawings since 1961.